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October 14, 2006

New Mac Blogs

Scott Stevenson over at Cocoa Dev Central picked up on a couple good new blogs, which he’s included in his front-page summary of “Cocoa + Mac Blogs”:

Cocoa Samuari - Colin Wheeler is adopting an educational approach that I really appreciate. The more “Tutorials” the better, as far as I’m concerned. His article on Doxygen looks like it’s worth reviewing.

Losing Fight - Andy Finnell seems perplexed by his inclusion, claiming that he’s hardly writing about Cocoa at all. But the front page of his blog is littered with Core Data references, so I guess he might just be pertinent in spite of himself!

I’ve also noticed a few recent additions that are worth keeping an eye on:

Lap Cat Software - Jeff Johnson is one of the developers of the Vienna open source newsreader, who recently took the plunge into blogging. He’s on the right track with his detailed analysis of getting NSTableView to do the right thing in response to single vs. double clicks.

MacMojo - The official “multi-blog” of Microsoft Office Mac team. This is an example of Microsoft kicking Apple’s butt in terms of public exposure. I’m not suggesting this blog will be a completely transparent view of the inner workings of the Office team. There’s bound to be some self-censorship, at the very least. But they have a blog, and that’s a bold step. Where’s the Core Data Blog? The QuickTime blog, etc? Apple employees who blog do so outside the umbrella of their workplace, in a disjointed fashion and always carefully “not speaking for my employer.” All that effort is squandered, when it could be building Apple’s reputation as being engaged in the public discourse.

The Masked Blogger - speaking of Apple’s idiotic blog-stifling policies, this blogger decided to glorify the circumstances surrounding his or her anonymity. Not really sure what the gist of the content is - it seems to be specifically about the need to be masked, which could turn interesting. Judging from the Sainsbury’s references (perplexingly misspelled in the blog), I’m guessing the Masked Blogger works for Apple UK.

Erik Schwiebert and David Weiss - Two Microsoft bloggers who demonstrate that there’s room for both corporate and private blogging. These men contribute to the aforementioned Mac Mojo blog while still running their own private blogs outside the company. Notably - they are not secretive about their association with Microsoft, event from their private blogs.

Google Mac Blog - Add this to the list of “cooler than Apple” corporate blogging entities. Well, they haven’t really posted much here, yet. But the mechanism is in place for Google’s Mac proponents to communicate with their public. Go, Google!

I try to stay up to date with new Mac bloggers, but you know how it goes: it’s easy to miss out on things. So I’m sure there are some other recent developments that have slipped past my radar. If you’ve got something new to share, feel free to comment about it below.

Originally from Red Sweater Blog by Daniel Jalkut reBlogged on Oct 13, 2006, 11:42AM

Herve This presents his culinary innovations to Montreal foodies

True, he is a scientist, but eating is about pleasure. He worries about food made without love. Hervé This presents his culinary innovations to Montreal foodies.

Originally from megnut.com blog by meg@megnut.com (Meg Hourihan) reBlogged on Oct 12, 2006, 5:26PM

Miho Hatori: Barracuda

Originally from hustler of culture by souris reBlogged

What is your local library worth?

What is your library worth to you? Calculate your monthly usage, and assign a dollar value. At an average of 2 books borrowed a month, and about 4 interlibrary loans a year, I'm getting a value of $37.50 a month. (via wl)

Originally from Rebecca's Pocket reBlogged on Oct 13, 2006, 4:33PM

Processing Processes

Even more on processing running processes using AppleScript, Perl, and the shell tool ps.

Originally from Daring Fireball by John Gruber reBlogged on Oct 13, 2006, 12:57PM

Vox

As many of you already know, Six Apart, which I my company Neoteny is an investor in has been working for awhile to develop Vox. (I'm the Chairman of Six Apart Japan as well.) Vox is still in preview mode, but we're welcoming and asking friends to sign up and give it a try. It's free. I'm actually enjoying it a great deal and have been posting most of my stuff on my Vox site these days. It feels more personal and is a bit more group oriented than this blog. Anyway, let me know if you have any questions and let me know what you think.

Click this badge to get an invite through my landing page.

Comment - TrackBack

Originally from Joi Ito's Web by jito@kula.jp (Joi) reBlogged on Oct 14, 2006, 12:13AM

In Praise of the Average Student

Examiner column for October 16.

    Should we “track” students according to ability or performance? In Fairfax County, there has been a lively debate over this question for at least fifteen years. Jay Mathews, my favorite education reporter, has recorded varying parent and teacher opinions in his “Washington Post” articles. No one has a simple answer.

    But Mathews and I concur with the school policy that fewer labels lead to more student opportunities. English used to have four tracks. Now there are only two: regular and honors. Dan Domenech, former Fairfax County Superintendent, endorsed the policy when he recommended “a Gifted/Talented education for every child.”  Students often blossom during the year and, although not meeting the classic “accelerated” criteria, have proven again and again that labeling classes stifles students’ growth.

    Eighteen years ago I attended a workshop designed for teachers of gifted students. We learned several creative activities designed to keep active minds engaged during the school day. I asked the presenter,  “Why wouldn’t these methods work with all students?”  She answered that the gifted child’s brain is different.  I didn’t buy it.

    Since then I have utilized these methods and others designed for enrichment in both regular and Advanced Placement classrooms---with equal success. Domenech was right; we need to offer the same exciting opportunities to all. There might be differences in how we pace instruction, but all the “fun” activities should not be reserved for the honors classes.

    Currently, I teach twenty-eight Regular 12 English students who confirm the wisdom of this philosophy. They are just as intelligent as my AP students, but have competing demands on their time. They have after school jobs, or AP courses in other subjects, or are responsible for siblings in the evenings. Some are musicians; some are dedicated athletes. English is not their top priority.

    Their college essays testify to their unusual backgrounds. Luis attributes his determination to the backyard of his childhood: “a gravel lot right dab in the middle of a drug ring.” Xi writes eloquently of his Chinese American parents and their hopes for him; their images stay with him as he goes door to door selling aluminum siding---wanting to quit, but knowing the next door might mean a sale and justify all the rejections of the day.

    Essay after essay reflects their wisdom and life experiences.  We move from a car repair shop to another’s struggle with a learning disability. For all these students, perseverance and quick thinking helps them triumph over obstacles.

    Tom’s essay on his job as waiter exemplifies their grasp of the real world:
“…every shift I meet new people. I’ve met everyone from ballet students, to emerging rap artists. Most interesting to me are the foreign clients and workers I meet. Every day might as well be a Spanish lesson as I work with my coworkers to break the language barrier down.”

    Just like Tom, every day I learn something from my “regular” students. We won’t read James Joyce or Kafka, as we do in my AP classes, but we will read “Grendel” and “Shoeless Joe” and a host of other good novels. Most importantly, we will write and read aloud together, creating a community where gifts and talents can grow, even without the honors label.

Originally from TeacherTalk by Erica Jacobs reBlogged

How Current Are Online Maps?

David Naffziger wonders which online mapping service has the most current maps and finds that for Chandler, Arizona (where rapid growth allows the maps to be dated relatively precisely), Yahoo! seems to be a step or two ahead of the...

Originally from The Map Room by Jonathan Crowe reBlogged on Oct 9, 2006, 10:45PM

Books in the Burg: Spoonbill & Sugartown

store
Think giving someone a book as a present is a cop-out? Think again. Spoonbill & Sugartown is your secret weapon that makes it look like you spent days hunting down that perfect book that you just KNEW your birthday girl or boy needed. In addition to the go-to and oft-tittilating titles from Taschen, there's a great rotating selection of art, architecture, design and "thought" books. They also have a rare and hard-to-find selection which is conveniently located across from a great choice of cool kids books, including the midcentury classics by author and illustrator Taro Gomi and Bruno Munari as well as a 19th century handbook on making handshadow creations. The magazine selection is also very well curated, ranging from ArtForum to BUTT, with various zines tucked in there too. As you can see, we've spent more time than we meant to on several occasions and have walked out with more than planned - it's a bit of a vortex, and we love it.
The Store [Spoonbillbooks.com]

Originally from Brooklyn Record by brownstoner reBlogged on Oct 12, 2006, 10:55AM

Fourth quarter Mac revenues to exceed $2 billion

Merrill Lynch's Richard Farmer is the latest Wall Street analyst to tweak his expectations for Apple's fiscal fourth quarter to reflect lower iPod digital music player sales and slightly higher Mac sales.

Originally from digg / Apple reBlogged on Oct 14, 2006, 2:20AM

Powell's Books - The Meaning and Culture of "Grand Theft Auto": Critical Essays by Nate Garrelts [del.icio.us]

Finally: a whole BOOK of scholarship about Grand Theft Auto. About time we see more of these case books of canonical video games.

Originally from jill/txt by noemail@noemail.org (Jill) reBlogged on Oct 13, 2006, 2:40PM

October 13, 2006

If you don't stop your friends from drunk driving, something else will

Link

Originally from clusterflock reBlogged on Oct 12, 2006, 6:14PM

Eyebeam's Evan Harper added to CC Salon NYC line-up

There's a great addition to the line-up for the CC Salon NYC happening at Nublu from 8-10pm this Friday, October 13:

  • Evan Harper of Eyebeam
    Evan oversees technical things in the Production Studio. Professional highlights include recreating memorable scenes from the Donny & Marie Show in diorama form and fixing broken appliances he found on the sidewalk. When he isn't hard at work he likes to bake cookies, read to blind children and feed orphaned birds.

More info about the event can be found in our previous blog post.

Originally from Creative Commons Blog by Eric Steuer reBlogged on Oct 12, 2006, 10:46AM

Avery Johnson Gets a Nice New Contract

Eddie Sefko reports it's five years and at least $20 million.

Originally from True Hoop by Henry Abbott reBlogged on Oct 12, 2006, 6:40PM

Adobe's Contribute 4: A kick-ass blogging tool

We've been fans of Adobe for a long time -- their blogging community on Movable Type is a great look inside one of the largest and most innovative software companies in the world, and of course we've worked with their teams in the past to add Movable Type and TypePad template support to tools like GoLive and Dreamweaver.

That's why it was especially exciting to see the announcement of Adobe Contribute 4. (You might remember the tool back when it was still called "Macromedia Contribute".) Contribute's a great web editor that builds on Dreamweaver's HTML publishing engine.

But unlike Dreamweaver, Contribute is designed for regular people to be able to update your website. Hey -- that sounds like blogging! Contribute is now the chocolate to your Movable Type peanut butter.

Adobe Contribute 4

If you take a look at the feature tour on Adobe's site, there's a movie that shows the rich WYSIWYG editor you can use to easily add content to a blog. But what's more interesting is that you can drag in rich content like Office documents, videos, or audio, and Contribute will automatically do the right thing. Think about it -- if your coworkers want to put a Flash video into a blog post, or if marketing wants to turn an Word document into an update on your site, you don't have to teach them how to bring the content over; It just works.

We're glad to see Adobe embracing the open APIs around blogging, and just as happy that they're using Contribute tool to update their own blogs. Contribute works with all account levels of TypePad, as well as Movable Type and Movable Type Enterprise.

Originally from ProNet by Anil Dash reBlogged

Video: Aimee Mann on Letterman

Here's the great Aimee Mann, recorded on Letterman. As far as abnormally tall, avian singer-songwriters go, she's right up there with Beth Orton.

Or, download it as an iPod/iTunes/everything-compatible MPEG4.

If you've never heard Aimee before, and you like this song, you should check out her album Bachelor No. 2 or the soundtrack to Magnolia.

Monday's video: Not sure yet, but will not be musical in nature.

written by adm

Originally from Amy's Robot reBlogged on Sep 29, 2006, 1:46AM

embeddable spreadsheets

I don't have much to add to the "Google Office" discussion, except to add this note to Chris Anderson's plea for the ability to embed spreadsheets in pages like you can embed YouTube videos.  We've actually had these before, courtesy of HalfBrain.com, which I wrote about back in 1999 during Bubble 1.0.

Written entirely in DHTML, Brain Matter provides the 20% of the functionality of Excel that 80% of the market uses 100% of the time -- all in your browser. It's fast, it's clean, it's intuitive -- and it's smart. HalfBrain clearly knows that when you migrate an application to the network, it opens up new ways to use that application. First, they've enabled network-based storage of the spreadsheets you create (of course). Second, their site helps shift focus from the tool itself to the use of the tool, by publishing more than 200 interactive calculators that help users do simple tasks like track expenses, plan a party or calculate the value of their options. Finally, they've flipped the viral bit, making it incredibly easy to email a spreadsheet to a friend, or to post a calculator on your own website.

The folks behind HalfBrain ended up doing a little thing called Oddpost, and you know the rest of that story...

Originally from this is sippey.typepad.com by Michael Sippey reBlogged

Sour Grapes: Time To SueTube?

Fox03F
Surprise: Time Warner is rattling copyright sabers (BoingBoing) over Google's acquisition of YouTube. Let's pull back and take a look at this, shall we? Time Warner not only owns a shitload of content that is now playing on YouTube, it also owns AOL, and with it the self-inflicted wounds which came from buying AOL, or rather, buying into the idea of AOL back when it had its mid-life crisis of confidence about its own ability to execute in that wooly digital world, that late 90s coke binge where it seemed everyone in California was poised to kick Time Warner's collective ass. Thank God, it turned out to be wrong....for a few years, anyway.

But now, the problem is back, and it's much more serious, at least, it's serious if you're committed to your old ways of doing business. And for those who are afraid of the future, its name is Google. Time Warner CEO Dick Parsons is in a tought spot - he knows that disparaging dismissals of the upstarts will no longer suffice. But damned if he won't "fire a shot across the bow" in any case.

From the Guardian coverage:

Dick Parsons, the chairman and chief executive of Time Warner, fired a shot across the bows of Google, saying his group would pursue its copyright complaints against the video sharing site YouTube.com.

Be careful, Dick, for a shot across the bow may bring a broadside from the other side. And the gorgeous fact of it is this: The other side isn't Google. It's everyone who uses Google (and now, YouTube.) Huh. Worth a pause, a drink, and a think.

Originally from John Battelle's Searchblog reBlogged on Oct 12, 2006, 11:23PM

Pay Attention to YouTube!

Pay Attention to YouTube!

I’m on a bit of a Marshall McLuhan kick this week, with YouTube’s acquisition to Google still in the air. And Kim Jong Il leaping up and down at the far eastern edge of the map: living, ridiculous proof that power is all about getting attention (Dumb and Dumber: starring Bush and Kim Jong Il). I don’t think Robin Williams could’ve scripted a better skit; nor the South Park team have animated it any better than Kim did himself. Let’s all pay attention to lonely wittle Kim Jong Il.

But back to our original news… YouTube. Why did Google take it when they had their own video service? Because Google’s wasn’t as popular. And why not? Because Google approached video as information. Youtube saw it as television.

This is not about videos, it’s about television, and the future of television most importantly. Which will be why Sumner and Ballmer and Murdoch are still awake at night unsure of whether they just were too stingy. Marshall McLuhan claimed that television was a social medium. Film was not. YouTube is the present-day television, not television. YouTube, aptly named, since “You” (= My) and Tube (= Television) precisely describe television’s reconfiguration in the Communication Age. Yes, and MyTube would’ve sounded a bit weird. But MyTube would’ve seemed a bit, well, narcissistic (ah, the truth about teenagers and MySpace is written in the name!). And it would’ve missed the function of Communication as it’s applied to television. Since television is configured as a broadcast medium, it’s reconfiguration is as a communication medium. MyTube would’ve missed the point. YouTube captures it: television communicates only if it’s seen by others with whom one is communicating (namely, one’s friends, or social network).

The social aspect of television is the reflection: to see others seeing what you’re seeing. To share the experience of watching. Well, we don’t often watch television that way any more. Sharing couches and armchairs, turned and tuned into the same network broadcast, primetime, dinner tray, dog splayed out on the floor thinking it’s all about him. We live in a play-shifted, time-shifted day and age in which communication is as likely to happen asynchronously as it is to happen at all: that is, over the internet and not face to face. YouTube is about watching socially, but of course from one’s own computer, out of synch in time, but in synch in terms of the content.

Google missed this because Google saw video as indexable, searchable, categorizable and taggable content. Flickr misses this because photos aren’t social (they’re a show and tell, which is a bit different because it takes the form of speaker/audience, not broadcast/audience). I watch you watching television. Television directs vision to itself but in the social context of watching together. There’s always at least a peripheral perception of others watching (Not in film — room’s too dark. Social’s not the point there. In fact movies open with a warning to turn off your cell phone. Most definitely not social…ah, but the experience is social, yes. But not the medium.).

The new generation doesn’t sit down to watch prime time tv together. It’s on YouTube, which provides the asynchronicity of experience, personaliz-ability of tags, uploading, favorites lists, channels, and a play duration much better suited to consumption than tv. Content in minutes, not half hour blocks. And played, of course, over the medium that’s mine, that’s mobile, that’s interactive, and that’s connected: the computer.

Google bought YouTube. Makes perfect sense.

Originally from unmediated by yatta reBlogged on Oct 12, 2006, 10:22PM

The 10 best blocks in NYC

The 10 best blocks in NYC.

Originally from kottke.org remaindered links by jkottke reBlogged on Oct 13, 2006, 11:08AM

sixty seconds flat

Tom cleans his London flat in sixty seconds, thanks to cool shareware lime-lapse app Gawker. Awesome.

Originally from shey.net reblog reBlogged on Oct 13, 2006, 2:19AM

Open Apple

Secure from the pests of contradictory and confusing truths.

Originally from FatBits: John Siracusa's Journal by siracusa@arstechnica.com (John Siracusa) reBlogged on Oct 12, 2006, 11:56PM

On Vox: Darryl Strawberry, NLCS game 1

Originally from hello, typepad by David Jacobs reBlogged on Oct 13, 2006, 10:28AM

Edible cream puff wedding dress

cream puff gown

An edible cream puff wedding dress. Incredible!

Originally from megnut.com blog by meg@megnut.com (Meg Hourihan) reBlogged on Oct 13, 2006, 10:22AM

hint to recent PhDs wishing to publish their dissertation as a book

At the very least, do a search and replace of your document so it says “book” instead of “dissertation”. That way, people reviewing your proposal (as I am) will be more likely to think you actually put some effort into rewriting it or at least thinking of it as a potential book.

Originally from jill/txt by Jill reBlogged on Oct 13, 2006, 10:03AM

Apple seeds Mac OS X 10.5 Leopard build 9A283

Build 9A283 delivers "Significant user interface changes to iCal" and "Basic editing in Preview," according to the report. It also adds "new Parental Controls [...] for content filtering, apps, and curfews" and "3D audio cues to indicate locations of items on the screen in the VoiceOver screen reader."

Originally from digg / Apple reBlogged on Oct 13, 2006, 9:40AM

Who is Bob Dylan?

Who is Bob Dylan?

Originally from kottke.org remaindered links by jkottke reBlogged on Oct 13, 2006, 9:44AM

October 12, 2006

Apple was a gourmand but he was not a snob

He was a gourmand, but he was not a snob, at least when it came to matters of food and wine. Another reflection in the Times about "Johnny" Apple, this one focuses wonderfully on meals with him. Also a great tip: to find Apple recommendations, "search Nexis using three elements: his byline, the name of a city and the phrase 'my wife, Betsey.'"

Originally from megnut.com blog by meg@megnut.com (Meg Hourihan) reBlogged on Oct 12, 2006, 4:51PM

The Creative Common Misunderstanding

The Creative Common Misunderstanding Lately, the growing popularity of the Creative Commons licenses has been counterpointed by a growing amount of criticism. The objections are substantial and boil down to the following points: that the Creative Commons licenses are fragmented, do not define a common minimum standard of freedoms and rights granted to users or even fail to meet the criteria of free licenses altogether, and that unlike the Free Software and Open Source movements, they follow a philosophy of reserving rights of copyright owners rather than granting them to audiences. Yet it would be too simple to only blame the Creative Commons organization for those issues. Having failed to set their own agenda and competently voice what they want, artists, critics and activists have their own share in the mess. In his paper "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," free software activist Benjamin Mako Hill analyzes that "despite CC's stated desire to learn from and

Originally from gmane.culture.internet.nettime by Florian Cramer reBlogged on Oct 9, 2006, 5:38PM

Our Dialogue With Ken Miller of Tokion

Yesterday, Ken Miller (the Editor and Chief of Tokion) and Sara and I exchanged a few emails about the comments we posted on the website over the weekend.

After speaking with Ken on the phone last night we both agreed that it would make a lot of sense to post the email exchange on the site so that people can get a better idea of where Ken is coming from.

Here's goes:

To the Wooster Collective:

Before you rush to judgment...

Yoko Ono
Cindy Sherman
Sofia Coppola
Sam Taylor Wood
Nikki S Lee
Cecilia Dean
Nicole Phelps
Hope Atherton
Miranda July
Dana Schutz
Valerie Faris
Joanna Newsome
Elizabeth Peyton
Vivienne Westwood
Luella Bartley
Stella McCartney
Lance Still
Sally Mann
Cecily Brown
Swoon
Tina Fey
Amy Sherman-Palladino
Amy Poehler
Carolyn Strauss
Inka Essenhigh
Amy Larocca
Sophie Wong
Nicole Phelps
Lucy McKenzie

Are just some of the women among the artists and creative professionals invited to speak at this year's conference. Unfortunately, they were unable to attend, for a wide variety of reasons.

As that list shows, it isn't hard coming up with talented women working in art, design, fashion, photography, film, new media, publishing and marketing. Which is why we have editorially supported many female creatives over the years. It is also why an inspection of our invite list for this year's conference would show that it was balanced.

Nevertheless, I would like to STRONGLY emphasize that Tokion and Creativity Now doesn't use considerations of gender, race, etc., as a factor for editorial consideration. We support people based on the fact that they're doing great work. And we believe that creating a list of potential conference participants based only on their gender is quite literally patronizing to all of the incredibly talented panelists we did invite based solely on the merit of their personal achievements. If we were to now begin adding speakers based just on the fact that they were women, we would be insulting all of the women who were already invited based just on the great work they are doing.

I think it is important for us to be clear that the final speakers list we emailed out is simply a reflection of the reality of who was willing/available to confirm for the conference. We are a small, independent institution with limited resources, and the speakers at the conference are incredibly busy people who are donating their time. Because this is the case, sometimes some of the people we would like to have participate are not available. We do not pursue an agenda that deliberately excludes speakers because of gender, race, sexual orientation or any other factor beyond their availability, but we do not have a quota system for invitees, and we are opposed to the concept on both political and practical grounds.

In a perfect world, there would be an equality in gender, race, religion and sexual orientation on each panel, as their would be throughout all of the creative professions and in the world at large. We are disappointed that this equal representation will not be the case this year. But we remain the same magazine that has the singer/songwriter Becky Starck as a lead feature story in our current issue, had the actress Jena Malone on the cover of the previous issue and had a photograph by Nan Goldin on our previous cover, to site just a few recent examples among many.

We understand and share your concern about the composition of this year's panelist list, and we sincerely hope that it will be a non-issue in years to come. But we would find it extremely regrettable that this dialogue might in any way create the impression that future panelists (or as-yet-to-be-announced panelists for this year's conference) were chosen on the basis of their gender, race, or any other criteria beyond their personal work and accomplishments. And we would also hate for this debate to take away from the positive things that the current confirmed participants have contributed to the creative community.

Thanks,

Ken Miller
Editor In Chief
Tokion

Here was our response:


Thanks very much for your note.

First, please understand that our opinion is not that Tokion as an organization is biased against women. We've read Tokion for years and do indeed know that the magazine has for many years celebrated some amazing creative woman in its pages.

That's why we - and a lot of other people - are so upset over the fact that Tokion is moving forward with this event on Saturday, knowing that they have not secured a single woman for a panel.

While we understand that Tokion attempted to have women on the panels, to say that you tried is just not enough for us.

It's not the process that matters, it's the results.

And in this case, the results are sending a message that is unacceptable for us - under any circumstances.

We feel that if you took this issue more seriously, you would understand that there are many things that Tokion could have done, and still can do, to rectify this situation.

1. Reach out to more woman.
2. Consider rescheduling the event.
3. Ask for assistance from people like us, the speakers themselves, other organizations, etc.

Our interest is in only one thing: Trying to compel you to change this situation between now and Saturday. We have nothing against Tokion, only the conference itself.

We'd love for you to call us to discuss. Perhaps there are ways that we can help. We're home tonight at 212-6XX-6DDD. Mobile is 917-4SS-9DDD.

Also, please let me know if you would like me to post your note and our response? Please let me know. We're home most of the evening.

Best,


Sara and Marc

To which Ken responded:

Sara and Marc,

Actually, there are going to be some women panelists, they just haven't been announced yet because they were late confirmation. But it would be a pity if people got the impression that we invited them in response to the protest, rather than based on their work. It takes a long time to get anyone to agree to be in the conference (and this year we were in a scheduling conflict with the Frieze art fair), so everyone you see at the conference has been invited over the course of at least a month, and often, many months or even years.

Even with the inclusion of these speakers, the conference makeup will still not be anything close to ideal. My understand is, that being the case, your proposal is that we cancel the conference entirely and not have any kind of creative dialogue at all? That seems like a disappointing route to take.

But I understand your concern and I think your suggestions are reasonable. In fact, we already acted on a couple of them on our own.

> We feel that if you took this issue more seriously, you would understand that there are many things that Tokion could have done, and still can do, to rectify this situation.
>
> 1. Reach out to more woman.
We do take this very seriously, and we have reached out to a broad array of panelists at every stage of organizing the conference. I guess, at the end of the day, you can either choose to believe that or not...
> 2. Consider rescheduling the event.

As I mentioned in my last email, we are a small, independent institution, with a full time staff of only four people. Really a tiny blip on the cultural radar, when you think about it. We'd rather put on the event, have people discuss their frustrations with it and then try and make next year better. (And trust me when I say that we have a new list of frustrations, rewards and hopes for next year every time we do it.)
> 3. Ask for assistance from people like us, the speakers themselves, other organizations, etc.
We do. That is part of why I'm comfortable sending out that list of invitees - because every invitation has required the assistance of numerous people who can all corroborate that we have been working with an equitable invite list. It's also a matter of necessity: we're too small to be able to do this on our own.

But I do also want to be clear that we get very uncomfortable when it is suggested that we invite anyone based on their gender. We try to be fair - we really do - and that particular solution seems pretty unfair to everyone involved. So, while situation WILL be changing (slightly) between now and Saturday, it is not because we're setting up a gender-specific screening system.

We've spent a fair time trying to come up with another solution and haven't come up with one. If you can think of one that doesn't involve a quota, I'm all ears. I'm not kidding when I say that - we're at least as bummed about this as you are.

And yeah, feel free to post that last email and this one.

Ken

Then later...


Sara and Marc,

I'm remembering to mention one other point I forgot to say before... You suggested that we delay the conference. We actually DID delay announcing the speakers for the conference. We usually do it about a month in advance, and this year we did it about a week in advance. That was a decision that will probably cost us in terms of ticket sales, and as an independent magazine, that was a very difficult decision to make.

I really, really want to emphasize that I disagree with the idea of highlighting the additional panelists' gender over their personal accomplishments. They were all part of a long list of invites we sent out at the same time. I hope they get equal treatment.

Again, thanks for your concern and your input. Feel free to send more,

Ken

To which we responded:

thanks Ken. we're having dinner in a few minutes at bond street sushi across from our house. do you want to join us? The one thing that I guess we'd say at this point is that we don't see it as a problem to invite great women because they are women. i do know you want women represented there and I do understand that getting women on the panels may be difficult. but there are a lot of amazing women out there, as you know.

join us for a beer if you can. our mobile number is 917-4d-9dd5. Most likely we'll be at the sushi bar for the next few hours. marc is wearing a blue baseball cap.

sara

So our hope is that this email exchange clarifies a couple of things for people. We're hoping to meet up with Ken for a beer later tonight to see if there are things that we can do to help. The bottom line is that we want to support the Conference - we want it to be successful. But we can't support it until Tokion takes the issue more seriously and works around the clock to diversify the panelists. There is still time.

Our suggestion to Ken - Create a new panel at the Conference specifically about this issue. We'd even volunteer to moderate it. The panel would not be about Tokion or specifically about the Creativity Now Conference, but about the issues that are raised by this discussion..

More to come....

Originally from Wooster Collective reBlogged on Oct 9, 2006, 3:34PM

Pavilion Theater Good for Another 35 Years

artist
Ever since word leaked out last summer that the Pavilion movie theater in Park Slope had been sold, rumors had been swirling that the lumpy old seats were going to be replaced with Bosch dishwashers, as the new owners sought to suck every last penny out of the property through a condo conversion. Rumors of the 35,000-square-foot theater's demise, however, were greatly exaggerated. Abraham Hidary, one member of the group that dropped $16 million on the place, says there would be no point. "There's no reason to go and change it into anything else." Not that he could if he wanted to: The theater operator has a lease through 2022 with two 10-year options.
Pavilion Theater Sells For $16 M; Movies to Stay [Park Slope Courier]
Earlier...Pavilion sold! [Brooklyn Papers]
Photo by Betty Blade

Originally from Brooklyn Record by brownstoner reBlogged on Oct 10, 2006, 10:01AM

Brooklyn's Unofficial Mayors

9mayor.bmp
"For every block and every slice of turf, it can seem, there is a mayor, if only a lowercase one. They are unelected, unappointed and unofficial, but not unrecognized," writes Jake Mooney for the New York Times. "That person could be the neighborhood busybody, or the old man in the coffee shop who seems to know everybody’s business. But whoever it is, in tiny precincts across the city, there is usually someone." Monique Denoncin, pictured above, spent many years as the unofficial mayor of Vinegar Hill, Brooklyn. About 15 years ago, she spearheaded a community effort to save a local church from demolition, and though she was unsuccessful, she later managed to have Vinegar Hill declared a historic district. As she tackled these bigger problems, she also fielded a lot of phone calls from her neighbors, who were concerned about smaller issues — like garbage pick-ups, funny odors in the air, or perhaps just wanted to vent about their personal lives...

Originally from Brooklyn Record by Brooklyn Record reBlogged on Oct 9, 2006, 2:32PM

October 11, 2006

Mark & Josie

I am loving Mark's blog even though ever since the birth of his baby Josephine (nickname Bean) he only blogs about his ____ (insert the obvious). But you know what they say about good writing, food, etc! It doesn't matter what the subject is if it's done well! Well, I have evidence of that...not to mention that it's delightful to see a friend and new father enjoying his new ____ so much.

Excerpt:

Side note: I have realized the only way to scare off the few remaining readers of this semi annually posted weblog is to post only about the new baby.

Side note side note: It is not lost on me that I have become a guy that lives in Park Slope, Brooklyn, has a baby, and blogs about her. My dreams of moving to the lower east side and contracting hep B in the bathroom of some hipster bar somewhere are lost forever.

I won't ruin the surprise of the animated gif which aptly demonstrates baby goggles.

Originally from Andrea Harner by Andrea reBlogged on Oct 11, 2006, 1:37AM

Proper grammar is for winners

Elements_of_styleYou might be a word nerd if you:

- like to read and write
- really enjoy Scrabble
- like, maybe you even play it online
- and obsess about your score
- and understand online Scrabble etiquette
- (Not that I do that)
- understand the difference between affect and effect
- own this really freaking cool copy of Strunk & White's The Elements of Style (The grammar bible!  Illustrated!) (drool)
- have ever used the phrase "word nerd"

If you found yourself nodding in agreement and/or mentally editing as you read, then you are probably a word nerd.  And that's okay, because you know what?  Every time someone uses improper grammar, God kills a kitten.  I'm pretty sure that's how the saying goes.

Originally from Awesome! by Amber Scott reBlogged

be thankful

Be thankful for all that you have.

Me (I'm serious).

Originally from l-e-mental by clairehyland reBlogged

Baby Princess Leia Costume

Please buy this. I don't care if you have a boy. No one will be able to tell once you put the hat on him....

Originally from Mighty Goods

reBlogged by Matthew Haughey on Oct 11, 2006, 12:50AM

Originally from mathowie reBlog feed reBlogged on Oct 11, 2006, 1:30AM

Designing Interactions, book & DVD

Designing Interactions

Designing Interactions looks like one of the most interesting and useful books that I have seen in a while. Written by Bill Moggridge, designer of the first laptop computer and a founder of the design firm IDEO.

“Bill Moggridge introduces us to forty influential designers who have shaped our interaction with technology. The early chapters are mostly about invention of precedent setting designs, forming a living history. The center section is structured around topics, so that you can find several opinions collected together for comparison, about designing in a particular context. The later chapters move more towards the future, with trends, possibilities and conjectures. The introduction and final chapter combine to describe the approach to designing interactions that has evolved at IDEO”.

The interviewees & contributor list is great :
Bill Atkinson • Durrell Bishop • Brendan Boyle • Dennis Boyle • Paul Bradley • Duane Bray • Sergey Brin • Stu Card • Gillian Crampton Smith • Chris Downs• Tony Dunne • John Ellenby • Doug Englebart • Jane Fulton Suri • Bill Gaver • Bing Gordon • Rob Haitani • Jeff Hawkins • Matt Hunter • Hiroshi Ishii • Bert Keely • David Kelley • Rikako Kojima • Brenda Laurel • David Liddle • Lavrans Løvlie • John Maeda • Paul Mercer • Tim Mott • Joy Mountford • Takeshi Natsuno • Larry Page • Mark Podlaseck • Fiona Raby • Cordell Ratzlaff • Ben Reason • Jun Rekimoto • Steve Rogers • Fran Samalionis • Larry Tesler • Bill Verplank • Terry Winograd • Will Wright

Watch video interviews here

Website containing information on book & dvd.

Pre-order on Amazon.co.uk or Amazon.com

Originally from Pixelsumo by Chris OShea reBlogged on Oct 11, 2006, 6:33AM

Tangible Play: Research and Design for Tangible and Tabletop Games

(via)Tangible Play: Research and Design for Tangible and Tabletop Games is a workshop at the 2007 Intelligent User Interfaces Conference organized by Elise van den Hoven and Ali Mazalek.

Many people of all ages play games, such as board games, PC games or console games. They like game play for a variety of reasons: as a pastime, as a personal challenge, to build skills, to interact with others, or simply for fun.

Some gamers prefer board games over newer genres, because it allows them to socialize with other players face-to-face, or because the game play can be very improvisational as players rework the rules or weave stories around an unfolding game. Conversely, other gamers prefer the benefits of digital games on PCs or consoles. These include high quality 3D graphics, the adaptive nature of game engines (e.g. increasing levels of difficulty based on player experience) and an abundance of digital game content to explore and experience.

With the increasing digitization of our everyday lives, the benefits of these separate worlds can be combined in the form of tangible games. For example, tangible games can be played on digital tabletops that provide both an embedded display and a computer to drive player interactions. Several people can thus sit around the table and play digital games together.

Some examples described on the workshop page: Weathergods (Philips Entertaible), Pente (TViews Table), Yellow Cab (Philips Entertaible), Digital Dialogues (TViews Table).

Why do I blog this? how digital world and physical artifacts knit together is an important trend in the future of computing, especially in the context of gaming; that’s a dimension I am interested in, especially from the interaction viewpoint: how these new input/output systems would allow playful activities (in context)?

Originally from pasta and vinegar by Nicolas reBlogged on Oct 11, 2006, 3:20AM

The New Yorker on the Nets' Proposed New Home

Paul Goldberger, writing in the New Yorker, discusses architect Frank Gehry, whose work is at the center of the storm about the Nets' proposed new arena in Brooklyn. The whole article is a good read, but I was especially interested in the ending:

Gehry has told me that he sees the project as a kind of homage to the old Manhattan sky line, but the romance of that vista is a happy accident of diverse buildings in a tight web of streets. Atlantic Yards, by contrast, involves eliminating streets, and has the look more of a single structure spanning multiple blocks than of a townscape that has grown organically. Gehry perhaps conceived of the whole thing as one huge object that could play off against the city—a gigantic version of one of his jewels. The problem with trying to do Bilbao on this scale is that it ceases to be an eccentric counterpoint to the context. It is the context.

Buried within the construction is the building that was the catalyst for the entire project—an arena for the Nets, the basketball team purchased by Ratner and which he intends to move from New Jersey to Brooklyn. The arena is the best part of Gehry’s plan. Its glass-enclosed spaces bring vibrancy to the intersection of Atlantic and Flatbush Avenues, and it will contain lots of public areas, not just for spectators but for anyone passing through. Such exclamation points in a cityscape are something Gehry knows how to create better than anyone. That’s what Diller asked him to do, and it worked. Ratner’s exclamation point, however, unlike Diller’s, can’t pay for itself, and Ratner is using it as a loss leader to justify an enormous real-estate venture. Although the site cries out for development, neither Ratner nor Gehry has a convincing idea of how this should be done. Ratner seems to have been less interested in using Gehry’s architectural talent to best advantage than in trying to leverage his celebrity to make an unpopular development more palatable. Gehry, for his part, clearly loved the idea of taking on the biggest project in New York. But even the most famous architect in the world has limits.

Originally from True Hoop by Henry Abbott reBlogged on Oct 11, 2006, 10:59AM

Fear Fighter

ff2.jpg

'Fear Fighter' is an interactive street projection. Asking the question, "What are you afraid of?" You text message your fears to the displayed number and they appear in his thoughts as he guns them down. It's the latest txt message enabled street performance by Paul Notzold.

You can check out a video by clicking here.

Originally from Wooster Collective reBlogged on Oct 11, 2006, 7:33AM

The Ghost Map by Steven Johnson

The Ghost Map is a book about:

- a bacterium
- the human body
- a geographical map
- a man
- a working friendship
- a household
- a city government
- a neighborhood
- a waste management system1
- an epidemic
- a city
- human civilization

You hooked yet? Well, you should be. As the narrative unfolds around the 1854 London cholera epidemic, author Steven Johnson weaves all of these social, geographical, and biological structures/webs/networks into a scientific parable for the contemporary world. The book is at its best when it zooms among these different scales in a Powers of Ten-like fashion (something Johnson calls The Long Zoom), demonstrating the interplay between them: the way the geography of a neighborhood affected the spread of a virus, how ideas spreading within a social context are like an epidemic, or the comparison between the organism of the city and the geography of a bacterial colony within the human colon. None of this is surprising if you've read anything about emergence, complexity, or social scale invariance, but Johnson effectively demonstrates how tightly coupled the development of (as well as our understanding of) viral epidemics and large cities were across all of these scales.

The other main theme I saw in the book is how inherently messy science is. Unlike many biographies, The Ghost Map doesn't try to tie everything up into a nice little package to make a better story. The cholera epidemic and its resolution was sloppy; there was no aha! moment where everyone involved understood what was going on and knew what had to be done. But the scientific method applied by John Snow to the situation was solid and as more evidence became available over the years, his theory of and solution to cholera epidemics were revealed as actual fact. Johnson reminds us that that's how science works most of the time; science is a process, not a set of facts and theories. During the recent debate in the US over evolution and intelligent design, I felt a reluctance on the part of scientists to admit to this messiness because it would give an opening to their detractors: "haha, so you admit you don't know what's going on at all!" Which is unfortunate, because science is powerful in its nuance and rough edges (in some ways, science is what happens at the margins) in helping us understand ourselves and the world we live in.

[1] Had Mark Kurlansky written this book, it would have been called "Shit: How Human Effluence Changed the World".

(View @ Amazon)

Originally from kottke.org reBlogged on Oct 11, 2006, 12:46PM

Do the Daisy May Pig Gig

Meg and the Pig
Meg and the delicious pig, photo by Jake Dobkin

Do you love pig? Do you live in New York City, or are you willing to travel here? If yes, then you must head to Daisy May's for the Big Pig Gig. You simply need to get a group of pig-eating friends together, make an advanced reservation, and arrive at 8 PM at Daisy May's. There you will be greeted with a succulent suckling pig that's spent the last eight hours in the restaurant's pit undergoing a magical transformation.

Sure, you get mounds of tasty sides, like creamed spinach, sweet potatoes, and baked beans. And you can get a rack of lamb (we didn't) and a pork butt (we did) to accompany your pig. But the pig is so flavorful, so juicy and rich, that you may just find yourself shoving handfuls of it into your mouth, with utter disregard for your burning fingers or bursting belly. I have never tasted anything like the pig I had at Daisy May's. I'll admit to limited barbecue experience (heck, I've never even been to the South!) but I'm pretty damn sure this pig is something special. If I'm ever on death row, this would likely be my final meal. I am already planning a return trip.

Other reviews:
The New York Times: Barbecue Overdose: Half a Pig for Seven
Strongbuzz: My Dinner at Daisy May's

Originally from megnut.com blog by meg@megnut.com (Meg Hourihan) reBlogged on Oct 11, 2006, 12:26PM

Stock Advice from Microsoft's CEO

Steve Ballmer on Google's domination of on-line advertising:

Somebody better break through or you can short all media stocks right now.

This assumes, of course, that Google is a technology company, not a media company, and that it's growth will slow down. The problem with this logic is that every market share and revenue curve is pointing the exact opposite direction. Google's been beaten exactly twice. Once with Blogger (hello, Typepad) which is no longer the preeminent tool for personal publishing. But if you think of Google's blogging tools as including not just Blogger but also Adsense, Blogsearch and Reader, than you have a completely different equation. The second loss in Google's ledger is on Youtube's resumé, but that problem is past tense.

"Covergence" as a buzz word has lived and died through many false starts, but the convergence of media and technology is undeniable. Try convincing Fox/MySpace, NBC/iVillage, Time Warner/AOL, CondeNast/Wired or even Bloomberg otherwise. Oh yeah, and what's that other company... Orange? Grape? Nevermind.

Ballmer's marching order are clear and true: short all media stocks right now.

Originally from hello, typepad by David Jacobs reBlogged on Oct 11, 2006, 10:09AM

Posted using TxtLJ

i'm like totally posting this via SMS. Whoa, I might totally care if my phone couldn't send real email...

Originally from jwz by jwz@jwz.org reBlogged on Oct 11, 2006, 8:01PM

anthony bourdain interview 92y

Short but thoughtful interview with Anthony Bourdain at the 92nd Street Y blog.

Originally from megnut.com blog by jason@kottke.org (Jason Kottke) reBlogged on Oct 11, 2006, 5:52PM

Google Transit Hits Five New Cities and releases API

googtransit.jpg
You may remember when Google released Google Transit, a version of Google Maps that gives you directions for public transportation. It's a fantastic tool that does exactly what you want--shows you a map and directions of where to walk, what bus to get on, where to get off and walk afterwards (or between buses), etc. This information already exists in most transit systems' online trip planners, but the interfaces are usually so bad that you need to also use mapping tools. (Unless you already know your route and only need timetables.) Google's interface even lets you enter your route in nearly-natural English (for instance, "from 459 N 36th St seattle to 915 E Pine St, Seattle at 9pm"). Making public transportation easier to use will get people out of their cars, which is necessary for a bright green future. We're also particularly excited about Google Transit because we helped make it happen.

The only problem was, Google Transit just existed for Portland, Oregon. Now, however, they have it for five new cities: Seattle WA, Pittsburgh PA, Eugene OR, Tampa FL, and Honolulu HI.

What's even more important is they have published the Google Transit feed specification, so any city that wants to have the Google Transit interface can just write some code to translate their trip planner's output into something Google can read. (And by the way, they licensed the feed spec under a Creative Commons "Attribution-ShareAlike" license. They're really doing things right.) All transit systems' trip planning software is written by a small number of companies who keep their programs proprietary and expensive so they can stay in business; unfortunately this gets in the way of the end product and the users. (It would be nice if their revenue model could change to getting a fee based on ridership, or ridership referred through their trip planner, rather than fixed fees for time and project completion. Then the correct incentives would be in place.) Google understands that having an open spec that people can write to, rather than charging people to do the translation for them, is the best way to spread the innovation and make the system as ubiquitous as possible.

The ultimate tool for making public transit easier to use would get multiple systems to work together. For instance, in the San Francisco bay area, if you want to get from Berkeley to Stanford you face a three-hour odyssey involving four separate transit systems--two bus systems and two light rail systems. In New York, a trip might involve both buses and the subway. Or perhaps it could be used for long-distance commuter park-and-ride planning. Hopefully the next iteration of Google Transit's feed spec will be usable as a universal translator for transit systems, so that you enter your desired route into it, then it feeds the data not just into one system and back out, but from one system to the next to the next so that it all works as a seamless whole. This is obviously a much harder problem, and it would no doubt require cities to work with Google and each other to develop this as an open standard, but it would be tremendously useful to the public, and would hopefully get thousands more people out of their cars.

(Posted by Jeremy Faludi in Transportation at 12:52 PM)

Originally from WorldChanging: Tools, Models and Ideas for Building a Bright Green Future by Jeremy Faludi reBlogged on Oct 11, 2006, 4:52PM

Best one for seeing everybody's faces [Flickr]

Stewart posted a photo:

Best one for seeing everybody's faces

Originally from Sylloge by Stewart reBlogged

Nokia's aeon "full surface screen" cellphone concept

research_concept_01_low.jpg research_concept_02_low.jpgresearch_concept_03_low.jpg

Nokia's "aeon" concept phone with a touchscreen that stretches over the full surface area of the phone, similar to BenQ-Siemens's Black box concept phone blogged about recently. [via Engadget Mobile]

Originally from unmediated by yatta reBlogged on Oct 9, 2006, 12:47PM

Youngna Park has a short wrap-up of going to see Annie Leibovitz speak about her new book

Youngna Park has a short wrap-up of going to see Annie Leibovitz speak about her new book, A Photographer's Life: 1990-2005. "And, so it goes, said Leibovitz, that some of us use words in order to take good pictures, and some of us take pictures, in order that we can be heard."

Originally from kottke.org remaindered links by jkottke reBlogged on Oct 11, 2006, 2:05PM

User experience fuck-up: the New Yorker is splitting up their longer pieces into multiple pages

Fuck, this pisses me off: the New Yorker is splitting up their longer pieces into multiple pages (for example: Ben McGrath's article on YouTube). I know, everyone else does it and it's some sort of "best practice" that we readers let them get away with so they can boost pageviews and advertising revenue at the expense of user experience, but The New Yorker was the last bastion of good behavior on this issue and I loved them for it. This is a perfect example of an architecture of control in design and uninnovation. I want the New Yorker's web site to get better, not worse. Blech and BOOOOOOOOOOOOO!!!!
Update: Dan Lockton has some further thoughts on multi-page articles.

Originally from kottke.org remaindered links by jkottke reBlogged on Oct 10, 2006, 1:07AM

Meet the Apple Pack Rats; Why Don't people Throw out Apple Packaging?

"Apple has an understanding others don't, that there's an interface between people and the packages that happens before you even reach the product," she said. "What kind of experience do you want your customers to have with the package?" Apple's answer is clear: lifelong friendship

Originally from digg / Apple reBlogged on Oct 11, 2006, 3:40PM

CoRD - Cocoa Remote Desktop

"CoRD is a remote desktop client for Mac OS X ported from the UNIX program rdesktop. It is a Universal Binary, and allows you to connect to multiple servers concurrently."

Originally from digg / Apple reBlogged on Oct 11, 2006, 12:30PM

Derrida On Writing

Originally from clusterflock reBlogged on Oct 11, 2006, 4:12PM

October 10, 2006

Splitting up articles to increase page views

Next page

Jason Kottke notes the now-near universal practice of splitting newspaper & magazine articles online into multiple pages:

“…it’s some sort of “best practice” that we readers let them get away with so they can boost pageviews and advertising revenue at the expense of user experience, but The New Yorker was the last bastion of good behavior on this issue and I loved them for it. This is a perfect example of an architecture of control in design and uninnovation.”

It does ring true: I almost routinely now click on ‘print-friendly version’ when reading articles online, regardless of whether I’m going to be printing them, just so that I get an uninterrupted page without having to wait for a new set of ads and peripheral clutter to load at multiple interruption points while reading the article. It also makes it a lot easier to save a copy (single file) rather than having to save multiple pages. Surely the advantage of reading online is that the page layout need not follow print media’s restrictions; so long as the article is mostly text it will be quick to download a long page.

Nevertheless, I can see that psychologically, an article which looks shorter may be glanced at by a casual reader - who may then become interested enough to continue - whereas one which looks longer may be ignored completely. This may be an additional explanation to the ‘increase page views therefore advertising revenue’ intention. I don’t know.

Originally from unmediated by yatta reBlogged on Oct 10, 2006, 4:21PM

Letter from Josh

Josh is well. He would like people to write to him, sohe wants to thank those who have been writing and he hopes that more of you will want to correspond with him. Those letters are a vital link to the outside world. Thank you also to those of you who have been using the Wiki site to donate books for him to read and to all of you who have donated and continue to donate to support all the expenses involved with this case. For those of you who would like to donate but don’t do paypal, you can send a check to me, Liz Wolf-Spada, PO Box 2235, Wrightwood, CA, 92397. I got behind on thank you notes for a long time, but am trying to catch up on that when I got checks in the mail. So, I’m thanking all the paypal donors here, as I’m not really that much of a paypal user myself. I just transfer the money to the bank account for these expenses. I’ll be going up to see Josh again on the 28th and 29th of October and passing out flyers about his case at my high school reunion on the 21st. The appeal to the 9th circuit will be filed this week so watch for publicity to accompany that from our great publicist, in New York, who has been so great to work with and I think will really get national publicity for this case. Thanks, Mahdis.

Originally from unmediated by yatta reBlogged on Oct 10, 2006, 4:21PM

Bent Plywood

bentBent plywood furniture has always been somewhat of a mystery. Flexible plywood? Got it. Trees trained to grow into furniture? Got it. Bent plywood? Not so much. DIYNET’s tutorial on bent plywood and the forms required to make it finally shed some light on the subject.

Originally from ReadyMade Blog by Mia reBlogged on Oct 10, 2006, 6:21PM

Keep Recipes Free

Megnut says Keep Recipes Free!

Do we really need to get lawyers involved in what we eat? What restaurateur needs a line item for recipe licensing fees in his already tight budget?

Do I hear Wire season 6?

I kid because I love. This is outrageous, and I am glad Meg and others are making a strong case. I can see this issue pushing the public awareness of US copyright law's shortcomings past the tipping point.

Originally from hello, typepad by David Jacobs reBlogged on Oct 10, 2006, 6:18PM

Collective Plural for "Ninja"?

A hedge of ninjas. "We are a hedge. Please move along."

Originally from tecznotes links by Michal Migurski reBlogged on Oct 10, 2006, 7:37PM

somebody put these words together

"insufferable, smug, sanctimonious, naive, guilt-ridden, wet, pink orthodoxy"

wet pink orthodoxy?

twisted, arse

Originally from the lady upgrade project by mr tibbles reBlogged

October 8, 2006

The Long Zoom

Today's Sunday Times Magazine has a feature by me that serves as a nice bridge between the last book and the new one. It's a piece about Will Wright's amazing game-in-progress, Spore, that revolves around a powers-of-ten, scale-jumping theme that takes you from cell, to city, to constellation. I call that movement from scale to scale "The Long Zoom", and as I've written about here before, there's a long zoom quality to the way I tried to write The Ghost Map, with its four central protagonists: the bacterium, Snow and Whitehead, and the city itself. [By the way -- I'm aware that I incorrectly refer to the "Eames Brothers" in the opening section, so no need for any more posts/emails about it. Silly mistake...]

Anyhow, I'm very pleased with how this piece turned out, and as you might imagine, it was just a complete delight to put it together. I often think that I have one of the great jobs in the world, but visiting the Spore headquarters made me think that they actually have it better there:

It occurred to me as I wandered through the halls of the Spore offices that a troubled school system could probably do far worse than to devote an entire, say, fourth-grade year to playing Spore. The kids would get a valuable perspective on their universe; they would learn technical skills and exercise their imaginations at the same time; they would learn about the responsibility that comes from creating independent life. And no doubt you would have to drag them out of the classrooms at the end of the day. When I mentioned this to Eno, he immediately chimed in agreement. “I thought the same thing,” he said. “If you really want to reinvent education, look at games. They fold everything in: history, sociology, anthropology, chemistry — you can piggyback everything on it. “But my wife made a good point when I was talking about this the other day. She says it’s important for kids to do boring things too. Because if you can find excitement in something boring, then you’re set up for life. Whereas if you constantly need entertainment, you might have a problem, because life is full of things that aren’t entertaining. So I think I’d have three days of Spore and two days of obligatory Latin.”

Originally from stevenberlinjohnson.com by stevenberlinjohnson reBlogged on Oct 7, 2006, 9:39PM

UPDATED: An Open Letter to Tokion and the Creativity Now Speakers and Moderators

To:

Cory Arcangel, Grégoire Basdevant, Alex Burnard, Ron Galella, Doug Holroyd, Eli Horowitz, Jerry Hsu, Mitchell Hurwitz, Chris Johanson, Kim Jones, Natas Kaupas, Jason LaBeach, Jason Lee, Christian Marclay, Matmos, Patrick McMullan, Mike Mills, Phil Morrison, Os Gemeos Proenza Schouler, Graham Rounthwaite, Justin Theroux, Olivier Zahm, Wonder Showzen, David Cross, Carlo McCormick, Glenn O'Brien, Stephen "ESPO" Powers, Greg Foley Chris Pastras, John Cameron Mitchell

We believe that creativity emerges from people of all cultures, races, and backgrounds.

We believe that organizations who are representing and delivering a vision of "CREATIVITY NOW" should ensure that a diverse collection of voices are presented.

We believe that media organizations have an obligation to ensure that society does not perpetuate stereotypes of the past where only men were embraced as creative forces.

By not including a single female voice as a participant in this year's Tokion Creativity Now Conference, we believe that a message of inequality and sexism will be inherently delivered to the attendees of this years conference.

Because of this, we urge all speakers and attendees to withhold their participation at this weekend's Creativity Now Conference until and unless Tokion and the organizers of the Creativity Now Conference ensure that woman are included on the speakers list.


Signed,


Sara and Marc Schiller (The Wooster Collective), Taylor Twist, Nicholas Di Genova, Michael DeFeo, Mike Midden, Heather Rasley, Joseph Johnston, Simon Rydén, Leon Reid, Josh Mountain, Marko ZETS Prpic (BOONIKA editor), Florian Scharinger, Francisco Kemeny (CHIlE), Kastro, Topias Dean, Jonathan Morris, derrick taruc, Chris Palmeri, Norma V Toraya, joe thomas, Ryan Ford, Jen Bekman, Roy Reid, Annette Musick, Kristopher Whitman, Jeremy Dabrowski, Evan Silver, Jan Clamor, Scott Reinhard, Javier del Castillo, APA, rekal, Alek Shnayder, Biroe, the dark, Wes Harden, Frederic Henry, Melissa Bays, daniel müller, Alice Taylor, Abel Coelho, 2H, Dan Goldstein, Beau Gunderson, Faesthetic magazine, Jesse Edwards, Vinnie Smith, mickie quick, Kuan-Jian Foo, neil.dowling, Max Green, ....

(Readers of the Wooster Collective website who would like to support this request can add their names to the Open Letter by emailing us at woostercollective@gmail.com)

Originally from Wooster Collective reBlogged on Oct 8, 2006, 10:55AM

Jen Starts A List of Amazing Creative Woman

Jen Bekman shares our disgust about the fact that there are no woman participating at Tokion's two day creativity conference later this month.

Because Tokion can't seem to come up with any women who they are willing to deem creative enough to sit on their stage, on her weblog Personism, Jen (and her readers) have begun compiling a list for them.

We wanted to share the list with you, as well as people's suggestions...

Also, be sure to add you own here...

But first, here's the start of our list of amazing creative women whom we admire (we'll add to it later today):

Camille Rose Garcia
Beth Coleman
Aya Takano
Chiho Aoshima
Megan McGuinness
Erika Somogyi
Mary Ellen Mark
A'yen
Io aka Monkey Six
Nina Mouritzen
Maya Hayuk
Jenny Holzer
Barbara Kruger
Aiko (of Faile)
Martha Cooper
Kim Hastreiter
Merry Kernowsky
Magda Danysz
Jen Bekman
Christina Ray
Jiae Kim
Regine Debatty
Swoon
Alice Arnold
Jasmine Zimmerman
Tara McPherson
Caryn Coleman
Gaetane Michaux
Christina Ray
Kalene Rivers
Miss Van
.,,,

Jen's List:

Ellen Lupton
Jessica Helfland
Tina Roth Eisenberg (SwissMiss)
Julia Leach
Kate Spade
Alice Roy
Lisa Yuskavage
Mirabelle Marden (Rivington Arms)
Melissa Bent (Rivington Arms)
Alessandra Sanguinetti
Xeni Jardin
Meg Hourihan
Caterina Fake
Heather Champ
Paddy Johnson
Jessica Coen
Youngna Park
Lauren Cerand
Emilia Fanjul
Dannielle Romano
Pavia Rosati
Janice Erlbaum
Jessica Vitkus
Susan + Katherine Hable (Hable Construction)
Mara Hoffman
danah boyd
Mena Trott
Erika Hall (mule design)
Eileen Gittins (ceo:blurb)
Jill Greenberg (photographer)
Portia Wells (designer)
Julie Taraska (editor)
Jane Pratt
Caroline Waxler (The Glasshouse)
Shoshanna Berger (ReadyMade)
Kate Bingaman (Obsessive Consumption)
Kathy Ryan
Jody Quan
Sara Schiller (Wooster Collective)
Patricia Field
Gina Trapiani
Janice Fraser
Farai Chideya
Lily Burana
Mikki Halpin
Kristen Williams
Elizabeth Spiers
Karen Sandler
Paige West
Jennifer Chung
Rachel Sklar
Maud Newton
Molly Steenson
Grace Bonney (design*sponge)
Eva Hagberg
Maira Kalman
Paula Scher
Paola Antonelli
Jayne Mayle
Tracy Reese
• • •
4 Comments »

1.

more women
i have to say - me… and now more

mary ellen mark
susan goodman (art collector)
soffia coppola
amy arbus
karen mcgrane
lisa poseley (photographer)
sarah mangoit
dana buchman
Natsuo Kirino (author)
joyce carol oates
heather mchugh
Comment by Alison Grippo — October 7, 2006 @ 11:05 pm
2.

Nancy Savoca and Allison Anders. Would be interesting to hear them talk about if they perceived gender as an issue in getting projects underway, since they both seem to have had a hard time over the past decade, even though their early work was widely praised.
Comment by 99 — October 7, 2006 @ 11:23 pm
3.

Some other women that came to mind:

Lisa Kereszi (photographer)
Katy Grannan (photographer)
Jennifer Dalton (artist, currently showing at Winkleman/Plus Ultra)
Gallerists Janine Foeller and Jane Hait (Wallspace in Chelsea)
Zaha Hadid
Elizabeth Diller
Allison Arieff
Artist Shannon Ebner
Lia Halloran (painter, opening Fr. 10/13 at DCKT)
Leanne Shapton
Jen DeNike
Nanette Lepore
Cynthia Rowley

And, of course, any of the immensely talented women who’ve shown at jb - check my artist page or the index of previous winners of Hey, Hot Shot!.
Comment by Jen Bekman — October 7, 2006 @ 11:53 pm
4.

Stacy McKee - writer of gray’s anatomy
Marisha Pessel -actor and writer of special topics in calamity physics (on ny times bestseller list)
Lisa Strausfeld - Partner pentagram
Diane Keaton
Laura Innes
Miranda July
Callie Khouri

more ideas here: http://en.wikipedia.org/wiki/List_of_female_directors
Comment by jg — October 8, 2006 @ 12:13 am

Originally from Wooster Collective reBlogged on Oct 8, 2006, 9:09AM

Steven Johnson on Spore

The NYT has a very long and insightful piece called The Long Zoom by Steven Johnson. It’s mostly about exemplifying how we have new “ways of seeing” (satellites tracking in on license-plate numbers; Google maps that take you from a view of an entire region to the roof of your house…) with the future EA game Spore (by Will Wright). Some excerpts (I picked up only 2-3 things but there is A LOT more to say/point at):

it is more likely that the work that will fix the long zoom in the popular imagination will be neither a movie nor a book nor anything associated with the cultural products that dominated the 20th century. It will be a computer game.
(…)
Spore may be more ambitious in scope than these games, but its two most important innovations lie
elsewhere: in its system for generating user-created creatures and in the way it allows players to share their creations with others.
(…)
Spore flips that model [MMORPG] on its head. Instead of a single shared world with millions of active
participants, Spore promises a million alternate worlds, each occupied by a single player. You will meet creatures invented by others, but ultimately you are alone in your own private universe. Wright calls Spore “massively single player.”

And of course, fabbing is not that far…

When you visit the Spore studio in Emeryville… Everyone’s desk is populated by plastic action figures of Spore creatures, manufactured in-house by Wright’s employees using a 3-D printer that can generate a physical toy in a matter of minutes from a computer model. (Electronic Arts is investigating the possibility of selling customized Spore critters in toy stores as a side business.)

Why do I blog this? the article is a compelling piece that describes in details how Spore is important, especially regarding new perception and testing of concepts (by creating parallel realities and see them living). In the excerpt above, I picked up only extracts related to the game model aspect because I find interesting how the game designers chose their own direction which is different from the current MMOG one.

Originally from pasta and vinegar by Nicolas reBlogged on Oct 8, 2006, 2:44AM

a rain of talking death boxes

warren ellis: "Last night I experienced a terrorist attack on a virtual planet."

Originally from shey.net reblog reBlogged on Oct 8, 2006, 7:19PM

Madame Alexander "The Birds" Doll.


Hilariously weird and awesome:

The Madame Alexander The Birds Doll has stepped out of a classic film moment from "Alfred Hitchock The Birds" which introduced Tippi Hendren to big screen. The Madame Alexander The Birds Doll captures Miss Hendren's costume authentically. The Madame Alexander The Birds Doll is a 2005 release. The Madame Alexander The Birds Doll is from the new The Madame Alexander Hollywood Classics Collection. The Madame Alexander The Birds Doll wears a green duponi silk suit of a simple sleeveless dress with princess seams under a long sleeve collarless jacket. The Madame Alexander The Birds Doll also comes with a brown faux fur coat with white lining. And an extra special decoration to her ensemble - large black birds! Three black-feathered birds with brown plastic legs have attacked the Madame Alexander The Birds Doll. They have attached themselves to her coat shoulder, the coat's left side and, unfortunately, her hair.

Link
Thanks Sharon!

Originally from News of the dead by weevil@wileywiggins.com (Wiley Wiggins) reBlogged on Oct 8, 2006, 5:50PM

About that fake post



A bug in Blogger enabled an unauthorized user to make a fake post on the Google Blog last night, claiming that we've discontinued our AdWords click-to-call test. The bug was fixed quickly and the post removed. As for the click-to-call test, it is progressing on schedule, and we're pleased with the results thus far.

Originally from Official Google Blog by A Googler reBlogged on Oct 8, 2006, 4:59PM

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