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November 17, 2007

How Much is $1 Worth?

(Hold on to this idea for a moment: New York City has a very large diplomatic community, many of whom live and work in the city on very low salaries.)


Barring a major meltdown, Alex Rodriguez will play for the Yankees in 2008. It's also generally accepted that the total compensation of his new deal will eclipse the mammoth contract he signed back in 2001 with the Texas Rangers. And while Rodriguez's new contract will take care of the next ten generations of his family, why did he sign for so much? Is he that insecure about his ability? Or are the Steinbrenners that nervous that he'd jump to a rival? (And for the record, much of the Red Sox fan base hates Rodriguez with such a passion that it would have been a very risky move had the Sox tried to sign him.)

Signing for that much not only makes him look greedy beyond compare, it forever boxes him into a corner: if he screws up, he's a monstrously overpaid duffer. If he wins the MVP but fails in the postseason, he's a major letdown. And in the unlikely situation that the Yankees win the World Series despite his usual unfocused postseason performance, he's a deadweight. He's put himself in a no-win situation.

It's come out that Warren Buffett advised Rodriguez to sidestep his agent and approach the Yankees on his own. Now let's go back to my original thought. What if Rodriguez had gone down to Tampa, cap in hand, and asked for a symbolic salary of, say, $1?

I don't know how long Buffett talked to Rodriguez. But hopefully the idea of doing well versus doing good came up. If he had signed for a symbolic $1 salary, not only would he have become the ultimate Yankee and consummate international baseball diplomat overnight, Rodriguez would have set the press and the public on its ear, showing them that he was really playing for love of the game.

What is he playing for now?

Re: Dear Tumblrs

Numblr:

…so-called “txt speak” (see also: leet speak, game speak, 1337 5p34k, online speak, and so on) is somehow degrading, or destroying, the english language. What I would like is two things, (1) links pertaining to this subject, and (2) your own insights, if you have any.

You might be able to compare it to Newspeak in 1984. “txt speak” is a reduction in the language. Small vocabularies make complex ideas difficult to convey and the expression of simple ideas less precise.

We Like Firefox - Do Our Users?

I was asked recently if a significant number of our visitors were using Firefox. Our Web traffic trends indicate that they mostly aren’t: folks coming to the Digital Gallery who use Microsoft’s Internet Explorer still outnumber all other browsers 4 to 1. Although I can’t think of single person at NYPL Labs who doesn’t currently prefer a Mozilla browser, Microsoft’s IE - and this may remain a fact of life for awhile - dominates our overall usage statistics.

Common Gecko. Digital ID: 815158. New York Public Library
Common Gecko. Digital ID: 815158. New York Public Library

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November 16, 2007

The Coffee Calendar

C2008.jpgaugust_b.jpgRicardo Levins Morales, one of the main artists and organizers behind the Northland Poster Collective in Minneapolis has just released a great new collection of work in the form of a calendar. The 2008 Coffee Calendar is a wall calendar, a full color collection of Ricardo's art, and an introduction to the history, culture and politics of coffee. He has created an completely new body of art work around coffee and done a huge amount of historical investigation into the politics of coffee production. The calendar can be seen in all its glory here, as well as a list of online stores that carry it. The calendar is also union printed using high quality recycled paper and soy-based ink.

Friday Afternoon Cute: Kitten on a Bridge!

2007_11_catqnsbrg1.jpg

A woman who used to volunteer at the BARC cat loft has a great tale of a kitten she met on the Queensboro Bridge one morning while running. His name is Jeff Bridges.2007_11_catqnsbrg2.jpg

Jeff Bridges is the kitten I found while I was running over the Queensboro Bridge Thursday morning. How the hell he got on the pedestrian walkway of the bridge–a long, long fall on the right, eight lanes of traffic on the left and non-stop on-ramps at either end is anyone's guess. But there he was, scampering toward Manhattan with no intention of letting himself be caught. Pretty much all the other options besides somebody grabbing him were certain death, so I went after him.
After trapping him in an old paint bucket covered with a piece of plywood (from nearby construction workers), the kitten (which it turns out isn't feral) was taken in by his rescuer. After checking out the full photo set we're pretty sure you'll want to adopt him (we do!) -- so go here for more info on how to do so. Whoever ends up with Jeff Bridges, we really hope they keep the name.

Are You Ready for Some Football Soup?

This week, in Sunday Night Soups, the Patriot juggernaut comes to Buffalo. The venue and the time of year demands something hearty, and the Patriots demand a soup that involves ruthless, meticulous preparation. You'll need some pancetta, some farro, some chestnuts, and a couple quarts of rich chicken stock. We'll get down to business tomorrow.

Digital Gallery redesign: an update

I have finished the design for the new look of the Digital Gallery. For the most part, I’m totally excited about it. I’m a little sad that one or two ideas didn’t pan out, and I wish I could have come up with better solutions. But this is but the first of a few Digital Gallery revisions (as I’ll discuss further down), so for now, here’s what’s happening:

Home Page
DG Home Page, first versionWhile the elements of the home page have gotten more polished, the concept hasn’t changed much from its initial mockup: the main parts - the Gallery pick, the search box, and the browse list - were there from the beginning.

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Barack Steady

Funniest thing all day.

gladwell.com: Kenyan Runners

Fantastic post from Malcolm Gladwell about the dominance of Kenyan runners: Here's the appropriate thought experiment. Imagine that every year 50 percent of all American 10 year old boys were shipped to Boulder Colorado, where they ran 50 to 70 miles a week at altitude for the next seven years. Would the United States regain control of international middle and long distance running? Gladwell gets to the point fast, I like that.

Freetards Turn on Google

Fake Steve on GPL advocates who are pissed at Google for releasing Android under the “you can do whatever you want with it, including building non-open-source stuff on top of it” Apache License rather than the GPL. Hard to see why Google wouldn’t choose to use the GPL, given how many wonderful the user experiences the GPL has led to.

Kenyan Runners

Here is an excerpt from Alexander Wolff's excellent profile of the marathoner Alberto Salazar, in a recent Sports Illustrated:

Salazar ticks off the ironic circumstances that seem to cast the U.S. as a Third World country in distance running: "As big as we are, we have fewer people to draw on. In Kenya there are probably a million schoolboys 10 to 17 years old who run 10 to 12 miles a day.  . . The average Kenyan 18-year-old has run 15,000 to 18,000 more miles in his life than the average American--and a lot of that's at altitude. They're motivated because running is a way out. Plus they don't have a lot of other sports for kids to be drawn into. Numbers are what this is all about. In Kenya there are maybe 100 runners who have hit 2:11 in the marathon--and in the U.S. maybe five. . . "

     With those figures, coaches in Kenya can train their athletes to the outer limits of endurance--up to 150 miles a week--without worrying that their pool of talent will be meaningfully depleted. Even if four out of every five runners break down, the fifth will convert that training into performance...

We've always known that running is culturally important in Kenya, in a way it isn't anywhere else in the world. But these are staggering numbers. A million 10 to 17 year olds running 10 to 12 miles a day? I'm guessing the United States doesn't have more than 5,000 or so boys in that age bracket logging that kind of mileage. 70 miles a week is an enormous amount of running--even for an adult. I ran middle distance at a nationally competitive level as a teenager, and never got close to 70 miles a week.

I know this isn't going to put the genetic argument about Kenyan running dominance to rest. But maybe it should. It's a far more parsimonious explanation. No one ever claims that Canadians are genetically superior to everyone else when it comes to hockey, or that Dominicans have a genetic advantage when it comes to baseball. We all accept the fact that those two countries succeed at those sports because they draw their elite talent from a developmental pool that is simply larger--in relative and in some cases absolute terms--that other nations. Its a numbers game.  If Kenya really has a million kids, doing that kind of mileage, then we scarcely need any other explanation for their success.

Here's the appropriate thought experiment. Imagine that every year 50 percent of all American 10 year old boys were shipped to Boulder Colorado, where they ran 50 to 70 miles a week at altitude for the next seven years. Would the United States regain control of international middle and long distance running?

As Seen on TV: The Maple Syrup Smell on 30 Rock

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While the maple syrup smell remains a two-year-old mystery to us, 30 Rock entered the fray with a hypothesis. On last night's episode, Liz Lemon, who smells waffles from her Upper West Side apartment, calls Tracy Jordan to remind him to practice his Re-Run dance for the What's Happening! sketch. But Tracy, in his NJ home, says that the smell of waffles is distracting him. Then Liz gets another call - it's Jack Donaghy, over on the Upper East Side:

Jack: Do you smell maple syrup?
Liz: Yes!
Jack: Don't panic, Lemon, it's probably not a chemical attack.
Liz: What do you mean, probably?
Jack: It's probably just a strange wind pattern coming over those factories in Staten Island where food flavors are made. I don't think it's northrax.
Liz: What's northrax?
[Tracy starts his Re-Run dance]
Jack: It's a chemical agent we sold to the Saudis in the 1980s that smells exactly like maple syrup. But I don't think this is it.
We don't know how long ago this episode was produced, but just for that part, we give it five stars, especially since last week the smell returned. You can watch the full episode at NBC.

Alec Baldwin actually lives on the Upper West Side, which is where many of the maple syrup smellings occur. And when the city smelled like natural gas (or mercaptan, the chemical added to natural gas to make it noticeable), the city blamed New Jersey.

Edwards Campaign Accuses Hillary Of Laughing At Loss Of American Jobs — Did She?

On a conference call this afternoon, Edwards campaign advisers tore into Hillary Clinton over her performance at last night's debate, claiming she laughed off a question about trade policies that have a direct impact on the lives of working people:

"If you were in Iowa and you watched that debate," said Edwards campaign manger David Bonior, a former House Dem Whip, "and you were in tune to how those trade deals have hurt us, and you heard the response by Senator Clinton, and you heard the response by Senator Edwards, that would make a huge difference in regard to both of those candidates."

"I was shocked," said Leo Gerard, president of the United Steelworkers. "She might have wanted to laugh at Ross Perot, but she shouldn't have laughed at the fact that Ross Perot was right."

Here's a video of the moment where — according to the Edwards camp — Hillary laughed off the impact of NAFTA:

The Edwards camp's attack is part of a general argument that the Clintons are ultimately a bunch of corporatists selling out the American worker, and then dismiss any question about it. So do they have something here, or is this a stretch?

Proper Gmail IMAP for iPhone and Apple Mail

Much more complete setup instructions than Google’s own. By mapping Apple Mail’s special folders (Drafts, Trash, Spam) to Gmail’s built-in special folders, the “right thing” just happens. E.g., all of your sent mail goes into the same Sent Mail mailbox, whether you sent it from Mail on your Mac, MobileMail on your iPhone, or Gmail’s web interface.

Ian Rogers' 1994 zine about Sly and the Family Stone

a loving tribute from a man who really loves his music  

talk: what do do when your change agent is broken

I gave a talk yesterday at the NEASIS&T event in Providence Rhode Island. I was psyched to present with John Blyberg and Jill Stover (also at Designing Better Libraries) who have very different backgrounds but both gave great talks. I pulled the “after lunch” slot which is sort of what happens when I ask to not speak before 11 am but I thought it went really well. ASIS&T get togethers are generally a really good time because they are often filled with accomplished and interesting people. I’m not sure why this is, but it’s definitely something I’ve noticed. The topic for the day was From Guerilla Innovation to Institutional Transformation: Information Professionals as Change Agents which to me sounded a little silly, — I have change agent reflux disease — but everyone made really nifty stuff out of it and we had a good time despite being in a really weird room with iffy wireless.

Buoyed my my recent presentation in Michigan, I decided to write the talk I really wanted to give and talk a bit about how my activist background has informed my current work. Sometimes you have to say that something sucks [my suggestion is to go for “suboptimal”] and write a manifesto to get noticed, but that these are okay tacks to take if you’re really solving the problems and can do it without being a jerk yourself.

Anyhow, I did another Keynote presentation — I’m still in favor of a no-PowerPoint approach generally but I’m learning other methods for other occasions — and you can see my slides and links online here: Sleeper 2.0 - Agitprop problem solving. Thanks to Jill and John for giving such excellent talks and thanks also to ASIST&T for inviting me.

redacted as tour of modern media environment

A.O. Scott on Brian DePalma's new movie, "Redacted."

An unrivaled master of showy cinematic technique, he has made a film whose governing conceit is that it is not a film at all but rather a palimpsest of found video culled from consumer-grade camcorders, surveillance cameras, cellphones and Web sites. (There are also snippets from a French documentary, a mischievous parody complete with portentous music and solemn narration.) “Redacted” takes us on a tour not only of the battlefield, but also of the modern media environment, where no moment goes unrecorded and where everyone is, at least potentially, a filmmaker.

I'm not planning on seeing "Redacted" in the theater for a variety of reasons ("I don't get out much and I'd rather spend babysitter money on 'No Country for Old Men'" being the leading contender), but I wish there were  way to experience this tour of "the modern media environment" in that actual environment.

knapp on bonds

Chronicle sports columnist Gwen Knapp on the Bonds indictment:

If Bonds is guilty, the best outcome would be a plea agreement, requiring him to say aloud what really happened. The BALCO prosecution started with the mission of cleaning up sports, and a long jail term can't match the effect of a confession from a superstar.

Project Runway is back, finally

As I've mentioned before, the art world loves Project Runway. So as I disappear for the weekend (what, the umpteen-thousand...

KM vs. MK!

kate moss and mary kate.jpg Scene Two at the Mercer Hotel, as described by a socialite at dinner last night:

Photographers are staked outside the entrance, even though it's rainy and really cold.

Mary Kate Olsen is seated inside the plush lobby, debating the best way outside without smacking into them.

She calls her driver, then asks one of the hotel staffers if it's easier to exit out the back.

"Oh, those aren't for you," comes the reply, with a gesture to the paparazzi. "Those are for Kate Moss!"

Mary Kate safely leaves the building.

Wes Anderson should really make it into an animated short...

Measuring Your Attention Span

You've probably seen a Web site's audience size quantified in "hits." In recent years, this measure has been refined to the counting of unique visitors to a site and the number of pages each visitor views. But audience size...

Today’s Headlines

  • Ken Livingstone to Ban Cars From London's Busiest Streets (Times
  • Don't Like Congestion? Get Out of the City. (Sydney Morning Herald)
  • Port Authority Details Toll Jump; May End E-ZPass Discounts (NYT, Post)
  • Corzine Pledges 'Substantial' Toll Increases (NYT)
  • You See a Safer Street; Drivers See Fewer Parking Spots (Brooklyn Paper
  • 17-Year-Old Driver Kills Pedestrian; Charged for License Violation (Post)
  • Legislator Seeks to Outlaw Texting While Driving (Post
  • Court Rejects Bush Mileage Standards as Too Weak (NYT)
  • Detroit Mired in Poverty as Car Makers Fight for Inefficiency (BBC, Gristmill)
  • Bike Commuting in the 'Burbs? Yep. (Advocate)
  • This Holiday Season, Try Transit (AMNY)
  • The Red Hook Equation: Crappy Bus Service = Lower Rents (Curbed)

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New York magazine has compiled a great collection of vintage...

New York magazine has compiled a great collection of vintage NYC videos featuring the likes of Grandmaster Flash, the construction of the Empire State Building, Andy Warhol, and Union Square, circa 1896.

(link)

NY Times Hails Nouvel's Skyline-Enhancing Tower

2007_11_Nouvel.jpgNY Times architecture critic Nicolai Ouroussoff reviews Jean Nouvel's future 75-story tower at 53 West 53rd Street, describing it as "the most exhilarating addition to the skyline in a generation." He compares Nouvel's latest to the Woolworth, Chrysler and Seagram buildings.

Filling a 17,000 square-foot vacant lot next to MoMA, the structure will be the future site of a developer Hines' 100-room hotel and 120 "highest-end" (Hines' words) luxury apartments. MoMA, which sold the lot for $125 million (after completing an $858 million expansion), will use three floors for 50,000 square feet of exhibition space. Ouroussoff thinks this fusion of culture and commerce shows that Nouvel is "a master of balancing conflicting urban forces." Last spring, Ourossouff called Nouvel's Soho and Chelsea buildings "eye candy."

According to the Times, the building's design draws on the work of delineator Hugh Ferriss, who created renderings for Cass Gilbert's Woolworth Building and others. Its contorted form features crisscrossing beams on the facade. The frame is pushed to the exterior, creating big open floor plates for the museum's 2nd, 4th and 5th floor galleries. A restaurant and lounge will be below ground, with the top sheathed in glass.

Nouvel has worked on buildings from Reykjavik to Abu Dhabi. Here, aside from designing 40 Mercer (quaintly called "Soho Apartments" on Nouvel's web site - we think they are one in the same) and 100 Eleventh Ave. (with its famed automated parking), Nouvel was a finalist for the now stalled Brooklyn Visual and Performing Arts Library designed by winner Enrique Norten.

Hines chairman Gerald Hines said of the design, “Nouvel’s exciting concept has the potential to become an international architectural design icon.” Work at 53 West 53rd is expected to begin late next year.

Thoughts on the Security of qmail

Dan Bernstein wrote an interesting paper on the security lessons he's learned from qmail.

My views of security have become increasingly ruthless over the years. I see a huge amount of money and effort being invested in security, and I have become convinced that most of that money and effort is being wasted. Most "security" efforts are designed to stop yesterday's attacks but fail completely to stop tomorrow's attacks and are of no use in building invulnerable software. These efforts are a distraction from work that does have long-term value.

Very interesting stuff, some counter to conventional security wisdom.

I have become convinced that this "principle of least privilege" is fundamentally wrong. Minimizing privilege might reduce the damage done by some security holes but almost never fixes the holes. Minimizing privilege is not the same as minimizing the amount of trusted code, does not have the same benefits as minimizing the amount of trusted code, and does not move us any closer to a secure computer system.

November 15, 2007

kyoto tofu maker

Wandering Kyoto's narrow lanes at seven in the morning, I passed a row of machiya -- the city's centuries-old traditional wooden merchants houses. Lights shone bright inside one of them, the place buzzing with industry. I pressed my face to the window to watch a tiny man in a white cap, shirt and shop apron busily pressing tonyu -- soy milk. He looked up, smiled and waved me inside.

One of my great pleasures when visiting Kyoto is to amble aimlessly through its old neighborhoods first thing in the morning. This is a city that makes things, a city where traditional craft endures. Walking the streets I've watched craftsmen and women in ground-level workshops produce tofu, yuba (tofu skin, a delicacy), nama fu (wheat gluten, another delicacy), bamboo baskets, cabinets, paper -- and more -- the old fashioned way. Just like the tiny man in the white cap.

I slid open a glass door and entered his machiya. Inside, the sweet fragrance of soy milk hung in the humid, warm air. I walked on the old stone floor -- stones as big as suitcases, glistening and wet -- to a corner of his workshop, and watched. The man cooked tonyu in a complicated stainless steel contraption and poured the hot milk into three foot high stainless steel vats. As it cooled, he skimmed the surface to collect the yuba and portioned it on styrofoam trays. On a table near the entrance stood a collection of odd-shaped jars that once held baby food, coffee and pickles, and were now filled with tonyu. Neighbors dropped in to pick up a jar and drop off an empty one and a coin in its place.

After a half an hour, the man paused to dip a measuring cup into a vat and pour steaming soy milk into a coffee mug. "Dozo" -- please -- he said and handed me the mug. The soy milk tasted nutty and fresh and delicious, nothing like the packaged stuff I buy at home. He explained things in Japanese I didn't understand, sadly. He then proudly pointed to four plaques hanging on the wall. Why he won those awards -- that I could easily understand.

A little while later three women in flower-print smocks and kerchiefs covering their hair joined him in the workshop. They poured soy milk into molds and added the agent that turns it into tofu (what is that called?). I bid goodbye and stepped out again to the street, the morning crisp and cool.

"What if the gov’t gave Apple $300 for each iPod they manufactured. They would make one billion iPods..."

“What if the gov’t gave Apple $300 for each iPod they manufactured. They would make one billion iPods a month. What would happen next? They would sell them to other companies for $20 each, who would dissassemble them and make new consumer electronics out of the scavenged iPod parts. You would have telephones with scroll wheels and pink medicine cabinets made from Nano shells. The Sharper Image would sell The iPod Wall. This is a grid of 1,200 iPod screens coordinated to look like one massive iPod and costs a hundred dollars.

Replace iPods with corn kernels and you have the model for our federal food program.”

- Jakob Lodwick on the U.S. farm subsidies (read the whole thing)

Lost futures: Unconscious gestures?

Lamenting lost futures is not that productive, but it doesn’t stop me enjoying it. Whether it’s the pleasure of reading Ellis’s “Ministry of Space” and thinking “what if?” or looking through popculture futures past as in this Guardian article - it’s generally a sentimental, but thought-provoking activity.

Recently, though, I’ve been thinking about a temporarily lost future that’s closer to home in the realm of mobile UI design. That’s the future that’s been perhaps temporarily lost in the wake of the iPhone’s arrival.

A couple of caveats.

Up until June this year. I worked at Nokia in team that created prototype UIs for the Nseries devices, so this could be interpreted as sour-grapes, I suppose.. but I own an iPodTouch, that uses the same UI/OS more-or-less, and love it.

I spoke at SkillSwap Bristol in September (thanks to Laura for the invite) and up until the day I was travelling to Bristol, I didn’t know what I was going to say, but I’d been banging on at people in the pub (esp. Mr. Coates) about the iPhone’s possible impact on interface culture, so I thought I’d put together some of those half-formed thoughts for the evening’s debate.

The slides are on Slideshare
(no notes, yet) but the basic riff was that the iPhone is a beautiful, seductive but jealous mistress that craves your attention, and enslaves you to its jaw-dropping gorgeousness at the expense of the world around you.

skillswap250907

This, of course, is not entirely true - but it makes for a good starting point for an argument! Of course, nearly all our mobile electronic gewgaws serve in some small way or other to take us away from the here and now.

But the flowing experience just beyond Johnny Ive’s proscenium chrome does have a hold more powerful than perhaps we’ve seen before. Not only over users, but over those deciding product roadmaps. We’re going to see a lot of attempts to vault the bar that Apple have undoubtedly raised.

Which, personally, I think is kind-of-a-shame.

First - a (slightly-bitter) side-note on the Touch UI peanut gallery.

In recent months we’ve seen Nokia and Sony Ericsson show demos of their touch UIs. To which the response on many tech blogs has been “It’s a copy of the iPhone”. In fact, even a Nokia executive responded that they had ‘copied with pride’.

That last remark made me spit with anger - and I almost posted something very intemperate as a result. The work that all the teams within Nokia had put into developing touch UI got discounted, just like that, with a half-thought-through response in a press conference. I wish that huge software engineering outfits like S60 could move fast enough to ‘copy with pride’.

Sheesh.

Fact-of-the-matter is if you have roughly the same component pipeline, and you’re designing an interface used on-the-go by (human) fingers, you’re going to end up with a lot of the same UI principles.

But Apple executed first, and beautifully, and they win. They own it, culturally.

Thus ends the (slightly-bitter) side-note - back to the lost future.

Back in 2005, Chris and myself gave a talk at O’Reilly Etech based on the work we were doing on RFID and tangible, embodied interactions, with Janne Jalkanen and heavily influenced by the thinking of Paul Dourish in his book “Where the action is”, where he advances his argument for ‘embodied interaction’:

“By embodiment, I don’t mean simply physical reality, but rather, the way that physical and social phenomena unfold in real time and real space as a part of the world in which we are situated, right alongside and around us.”

I was strongly convinced that this was a direction that could take us down a new path from recreating desktop computer UIs on smaller and smaller surfaces, and create an alternative future for mobile interaction design that would be more about ‘being in the world’ than being in the screen.

That seems very far away from here - and although development in sensors and other enablers continues, and efforts such as the interactive gestures wiki are inspiring - it’s likely that we’re locked into pursuing very conscious, very gorgeous, deliberate touch interfaces - touch-as-manipulate-objects-on-screen rather than touch-as-manipulate-objects-in-the-world for now.

But, to close, back to Nokia’s S60 touch plans.

Tom spotted it first. In their (fairly-cheesy) video demo, there’s a flash of something wonderful.

Away from the standard finger and stylus touch stuff there’s a moment where a girl is talking to a guy - and doesn’t break eye contact, doesn’t lose the thread of conversation; just flips her phone over to silence and reject a call. Without a thought.

Being in the world: s60 edition from blackbeltjones on Vimeo.

As Dourish would have it:

“interacting in the world, participating in it and acting through it, in the absorbed and unreflective manner of normal experience.”

I hope there’s a future in that.

Examples of photographic tampering from the 1860s to the present....

Examples of photographic tampering from the 1860s to the present. This would be more instructive with the unaltered originals displayed in situ.

(link)

SNL and 30 Rock Take it to the Stage

200711snlonstrike.jpgFirst amNewYork outs the secret bars around town, and now the NY Post is revealing the up-until-now secret shows happening soon at UCB. The casts of 30 Rock and Saturday Night Live, both taking part in the WGA strike (as the actors are also writers), are bringing their shows to the stage. Each will perform new episodes live, in the small 150-seat theater -- 30 Rock on Monday the 19th and Saturday Night Live on Saturday, of course.

the stage version of Saturday Night Live has been kept something of a secret. It's not clear who will get a chance to buy tickets and when they'll be on sale. The guest host will be Superbad star Michael Cera, sources told The Post.
Cera was invited to host by SNL and UCB member Amy Poehler and won't be meeting with the cast until a few hours before the show! Good thing he has an improv background. Alas, it appears advanced reservations have been filled, however we'd suggest keeping an eye on the venue's site. A limited amount of tickets for 30 Rock will be available at the door the night of (getting in line now wouldn't be a bad idea). Each show is $20, with proceeds going to the Writers Guild strike fund -- and according to John Oliver, they sure could use some snacks down on the picket line.

Photo via WGAEast's Flickr.

Bonds Indicted

Barry Bonds has been indicted on charges of perjury and obstruction of justice. The so-called “BALCO Grand Jury” formalized the charges this afternoon after nearly eighteen months of work by this jury, adding to the time investigated by a previous grand jury and a multi-agency task force. More information soon.

** UPDATE: After reading the indictment, there are some interesting nuggets of information. Most notably, the indictment contains the first factual statement of Bonds and others having tested positive during the 2003 Survey testing conducted by MLB and seized by the government in 2005. Bonds was indicted on four counts of perjury and one count of obstruction.

Peter Rojas' RCRD LBL goes live

exclusive DRM-free music from their own new label and partnering with like-minded labels on a daily MP3 blog  

McCartney confirms Beatles going online by 2008

Former-Beatle Paul McCartney has echoed previous comments that the Beatles would be making their digital debut sometime in 2008. Of course, it won't be exclusive to iTunes, but we don't care.

Read More...

Bike Blender

Bicycle-mounted blender, great for blending.

30 Rock and SNL -- On Stage!

30 rock kenneth the page
So, it turns out some good -- nay, wonderful, but disappointing at the same time -- things are coming from this writers' strike: Since their shows won't be airing on TV, the casts of 30 Rock and Saturday Night Live are putting on stage versions of these television gems at the Upright Citizens Brigade Theater this coming Saturday and Monday! OMGOMGOMG. According to this NY Post article, the 30 Rock "play" is sold out (with limited tickets available at the door) but it's unclear what the ticket process will be for this this Saturday's SNL performance, with Michael Cera slated to host. However, a recent visit to UCBT's website made it seem like tickets were gone, gone, gone. If your dad's dentist cleans Lorne Michael's teeth, if you once sat next to a Baldwin (any Baldwin!) on a plane or if you have ever slept with Andy Samberg, now is a good time to call in a favor.

● Mailer, Cavett, Vidal, and Flanner

On his NYTimes blog, Dick Cavett remembers having Norman Mailer on his show along with Gore Vidal and Janet Flanner. It was a notorious episode; a perhaps more than slightly drunk Mailer lashed out first at Vidal and then everyone else in the room but couldn't keep up with the jeers and witticisms flying at him from all angles.

Mailer: I said that the need of the magazine reader for a remark he could repeat at dinner was best satisfied by writers with names like Gore Vidal.

Flanner: All those writers called Gore Vidal.

Vidal: I know. There are thousands of them, yeah.

Mailer: There are two or three.

Cavett: Who are some of the others?

Mailer [with a dark look]: I don't know.

Cavett: Who wants to host the rest of this show?

Mailer, years later, told me that it was at this point that "in the face of the Cavett wit and Flanner's deft interruption" -- adored by the audience -- and in consideration of his alcohol content, he realized that he was not being skillful at mounting a sustained argument.

In an interview a number of years ago with Cavett, Charlie Rose showed a clip of the incident:

The video should cue up at the clip in question, but if not, skip to 29:00 in. Highly entertaining reading and viewing.

30 Firms Submit Proposals for NYC’s Congestion Pricing System

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In response to its "Request for Expressions of Interest," the New York City Economic Development Corporation has received proposals from 30 companies interested in implementing New York City's congestion pricing pilot project. "This large number and quality of responses clearly indicates that the market place believes that the implementation of the City's congestion pricing plan is feasible," EDC writes.

Technologically and economically feasible, that is. As for political feasibility... still working on that.

The entire list of companies can be found on EDC's web site along with proposals from 21 of them. We've also provided links below to download the documents. Nine of the firms' proposals were considered "business sensitive" and not made available for download.

We're inviting readers to start looking through them and letting us know if you see anything particularly notable. IBM 's proposal is probably worth a close look since they developed Stockholm's congestion pricing system. Likewise, I hear that Bern Grush's Skymeter is proposing a rather unique technology solution. I was surprised to see that HopStop, the online subway mapping company, submitted a proposal.

I'd have to say that the big disappointment here is that the proposal from the never-before-heard-from "Congestion Solutions Group" was considered too confidential to put online. A veritable Super Friends of congestion pricing, the Group includes Northrop Grumman, Parsons, PIPS Technology, Transdyn, Rafael Viñoly Architects, Halcrow and ACS (we assume that last one is the IT company and not the American Cancer Society).

Based on an initial analysis of the 30 proposals, EDC notes:

  • Some proposed changes to the system suggested by respondents included implementing a cordon system as well as recommendations to alter the exact boundaries of these cordoned lines.
  • Given the proposed technologies the expected amount of required hardware would not be extensive and could be integrated into the City's existing urban design
  • Privacy issues can be adequately addressed by the encryption of wireless communications and strictly followed protocols to protect the public.
  • Several firms expressed confidence in their ability to implement the system on the necessary timeline, although most identified it as a challenging timeframe. Some respondents suggested a phased-in approach to address the timeline concern.
After the break you'll find the proposals available for download:

(more...)

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Last Iceberg

Last-iceberg

Looking at the icebergs near Franklin Island, Antarctica 2006 (more)

(via rory)

John Oliver, Writer

John%20Oliver.jpgBritish comedian John Oliver has become an indispensable fixture on The Daily Show, where he’s found a highly receptive audience for his particularly earnest style of fake reportage. But millions of viewers accustomed to their nightly laugh therapy have been going through heavy withdrawal since the Writers Guild strike put the kibosh on new episodes. At issue is the guild’s demand for a taste of the loot being raked in from new media outlets. The writers’ employers-turned-adversaries – the networks and movie studios – have been digging in their heels with an attitude best summed by EW’s Mark Harris: “The producers have essentially responded: What's this newfangled Interweb you're talking about? We don't know how it works! Are you sure there's a way we can make money from it? What a silly thing to even talk about! What next, flying cars?” We recently visited the WGA East picket line when it was down at Battery Park and spoke with John Oliver about the strike and Viacom's "spectacular balls."

Can you give people the short version why you’re on strike? Short version. Okay, the pretty short version is that the current contracts being proposed by the producers are pretty unfair. They’re making a lot of revenue from online advertising and none of that revenue comes back down toward the writers. So money’s being made but not distributed. The Writers Guild is trying to set a precedent so there will be fairer pay in the future.

Someone from the WGA, I think it was the president, said the strike could go on for nine months. I did not hear that. To be honest I find brinksmanship like that difficult to stomach and it makes both sides sound equally bad. They’re playing games with people’s lives at the moment, and I’m not even talking about the writers. On The Daily Show we have a staff who are very concerned at the moment about losing their jobs – researchers, P.A.s, etc. – and I find talk like that quite difficult to stomach. I understand they’re trying to play some kind of brinksmanship game but that doesn’t make it any less difficult to hear when friends of mine who live paycheck to paycheck are being seriously affected by this strike. And they don’t even stand to benefit from any of the negotiations!Are the strikers really inspired by the celebrities who come out to the picket line? The main hope is that this is over fast, so if it takes an actor turning up and handing out donuts for the press to take pictures, then so be it. People want this over. This could be over tomorrow; that is what everyone wants. So whatever it takes, I don’t care if a clown turns up and juggles. There is no self-respecting dignity when it comes to picketing so I couldn’t care less; whatever it takes to stop this.

Has anyone not part of the Writers Guild done anything that’s been less than supportive?
Not that I’m aware of. There has been criticism in the press of Ellen DeGeneres because she’s still working, but I would not join in with that because she’s protecting her staff who depend on her. It’s an untenable position for everyone.

Have you spoken with Jon Stewart since the strike started? I have. We’re all very worried. We have a staff of I don’t know how many and I’m not sure the livelihoods of these people is something that’s covered enough in the press. Everyone who works for our show stands to lose their job if we are off the air for too long and they get cut lose, so it’s a huge concern. I think sometimes when you see the writers marching up and down and laughing – because that’s what we do, those of us who write comedy tend to laugh about horrendous situations – I think sometimes that can look bad because it may look like people are taking it lightly. But no, it’s a horrible situation.

But while you’re on the picket line are you still coming up with great ideas for The Daily Show? Sure. You get trained to look at any serious situation and think, “That could be funny.” When I saw that emergency powers were being announced by Musharraf in Pakistan, it’s not ideal that my first reaction is, “Oh, that could definitely be funny.” That’s not the sign of a balanced human being! But that’s just the way it is. I also find it really difficult to know they’re not talking now. It’s inexcusable! Even if it’s in tense silence for ten hours a day, I can’t see any reason to not sit in a room when you’ve got people’s lives on the line. I can’t see any reason why that’s defensible.

What’s the sense on the picket line as to why that’s not happening?
Who knows? I have no idea. It’s difficult as well because we’re on the east coast and nothing happens here. So all we do is march around in a circle and hope.

If this strike is still going on in another two weeks what do you see yourself doing for a comedic outlet? Well, I can do stand-up. The thing that keeps me awake at night are my co-workers’ livelihoods, the co-workers back in the office. That’s why I’m having a hard time sleeping at night. And three hours sleep a night doesn’t help with the walking in circles. I’m not in any physical or mental shape to be doing this. I wasn’t before, to be fair, but I’m certainly not now.

Yeah, I don’t even see any Gatorade or Power Bars out here for you guys. Exactly! People aren’t trained for this. As you can see, writers are pasty creatures who are no friends to sunlight.

I see people yawning. Frankly, some of these guys don’t look like they’re going to make it
. The first writer who collapses with a donut in his mouth from walking in a circle, that’s how you’ll know we’re broken.

Why do you think the studios take this tight-fisted approach to writers’ residuals? I read a recent article in the Times that explained how the writers’ residuals amount to $120 million, compared to the “participations” that the stars get, amounting to $3 billion dollars. I don’t know; I’m not involved in movies. There are lots of different facets to this negotiation that maybe don’t affect people here but to get anything done you stand together. Obviously the studios’ approach sounds reprehensibly unfair. What is strange is that what is being proposed by the writers seems so fair and you can’t get in tune to the idea that strikes must be two-sided, both claiming wild things and there’s no middle ground. But the idea of claiming anything other than nothing in terms of a percentage for sales – not just for a standard wage but for sales when revenue is created on the internet – it seems so reasonable. And that is what becomes so frustrating and frightening when that is stonewalled. When you try and put yourselves in the producers’ shoes and understand why are they not doing this, the only thing you can come up with is so that they can have more money. I guess if I was so inclined that I wanted as much money as possible and no one else to have it then I might act that way. Otherwise I’m at a loss.

The writers from The Office were talking about how they wrote some web-only “promotionals” for the show and there was ad revenue generated from those and the writers weren’t paid any residuals. That’s right. Or, like, all our Daily Show clips were pulled off YouTube by Viacom, who is suing them for a billion dollars. That was not at our instigation – we were happy for people to watch the clips. But instead they wanted to set up a website where they can sell advertising while the clip is buffering, although I thought we were at the point where clips don’t need to buffer anymore. So you have to watch a commercial for thirty seconds or whatever. So they’re clearly making money on that; they’re also clearly making money because they’re suing YouTube for a billion. So that seems quite strange when they’re saying, “Well, there’s no money to be made off the internet but we’re suing YouTube for a billion dollars.” That takes spectacular balls! There are so many areas of it that seem so desperately unfair.

Perry Mason Season Two!

Perry Mason Season Two (Part Two) is out from Paramount and when I hear that intro music I get an instant boner. The memorable theme was composed by Fred Steiner who did the Star Trek theme not to mention The Bullwinkle Show. I love these mysteries. Based on the character created by Erle Stanley Gardner, Perry Mason (played wonderfully by Raymond Burr) was an unbeatable attorney with his trusted gorgeous secretary Della Street (Barbara Hale) and crafty private detective Paul Drake (William Hopper -- who usually greets Della with a "Hi beautiful!" when he enters the office). But the shows are wonderfully plotted and constructed mysteries filled with '50s B-actors that repeatedly show up playing sleazy dames or oily bad guys. It's also amazing about the output -- this is the second half of the second season and there are 15 episodes! Some of the titles are wonderful: The Case of The Stuttering Bishop, The Case of ohe Dangerous Dowager, The Case of the Lame Canary. They're so much fun and look great on DVD.