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June 6, 2009

getting there...

Today Tesla spent most of her day in "big girl" underwear! Granted we didn't go too far from the house all day, but she had no mishaps! We went to gym class in the morning, with her in her underwear, then went to a coffee shop where she peed in the potty. Later at home, other than her nap, she was in undies. In the evening, she finally asked for a diaper which I put on her knowing she probably felt the need for #2, which she did. I've read about #2 being harder...that some kids will be potty trained for pee, but want diapers for for #2. She's used her potty for #2, but only after sitting on it forever while getting to watch Sesame Street or Handy Manny.

Details that I'm sure is not interesting for many, but for me, it's huge!

Where I am with NetNewsWire

Afternoon coffeePeople ask me what’s up with NetNewsWire — and this week they’ll ask me in person. So I figured I’d better write a post about it.

Here’s the scoop: both versions are in extremely active development. I’m currently working on NetNewsWire 3.2 and 4.0 for Mac and NetNewsWire 2.0 for iPhone.

I recently set up Twitter accounts for them: NetNewsWire/Mac and NetNewsWire/iPhone. I haven’t posted much yet, but I will. (You can also follow my personal account, but I often post things that have nothing to do with NetNewsWire. And I can’t do support via Twitter via any of the accounts.)

I don’t have time estimates — any guesses would be completely wrong. But nobody’s more impatient than I am.

What’s coming

You may have seen the FeedDemon beta with Google Reader syncing.

The plan is to add Google Reader syncing to NetNewsWire 3.2/Mac and NetNewsWire 2.0/iPhone also. I can’t promise for sure for-sure, but I’m 95% sure.

More about NetNewsWire 3.2/Mac

This version, as the number suggests, isn’t a huge upgrade — the main thing is Google Reader syncing. (Plus a couple small features and some bug fixes.) It will be a transitional release — it drops a bunch of stuff, gets leaner, and moves some of the data storage over to the format 4.0 will use.

Here’s what it drops: Tiger support is gone — it will require 10.5 or greater. The DotMac/FTP syncing and Bloglines syncing are gone. Some little features like the Send Email to Author command are gone.

My favorite part is under-the-hood — dropping code I don’t need for Tiger support, mostly. Switching to ObjC 2.0 properties, especially.

More about NetNewsWire 4.0/Mac

Work on 4.0 is in parallel with other work — but it’s farther behind. It will also be a bigger upgrade.

I’d talk about what’s going to be in it, but it’s too soon.

Well, I can talk some technical stuff: I plan to move storage completely over to Core Data and I’d like to turn on garbage collection.

More about NetNewsWire 2.0/iPhone

It’s a race — I don’t know which will ship first, NetNewsWire 2.0/iPhone or NetNewsWire 3.2/Mac.

I’ve spent the last six months or so mostly in iPhone-land, working on the foundation for NetNewsWire 2.0. Along the way we discovered it was generalizable and that there’s a business doing private-label apps based on the same foundation that will power NetNewsWire 2.0. The highest-profile example is All Things Digital — if you use it, you are in a way using an early version of NetNewsWire 2.0.

It turns out that learning how to do good news readers on iPhone is harder than I expected. Almost the entire ballgame is about performance.

Think of all that a Twitter client has to do — then imagine running 100 Twitter clients at once. I think I’ve spent about 3 man-months just in Shark and Instruments, figuring out how to scale and perform well on the iPhone, which is for real a new platform, even though we still get to write in Cocoa.

Destroying the hard drive(Another thing I spent a lot of time on was UI. NetNewsWire 1.0 for iPhone is quite spartan, you’ve noticed.)

Anyway, the plan is to add Google Reader syncing for NetNewsWire 2.0 — and a few other things, which I don’t have time to write about now.

But it’s all new — taken apart, scrapped, put back together, taken apart again, written anew, etc.

WWDC

So, if you see me at WWDC, tell me how your stuff is going. I’m interested. And now you already know how it’s going with NetNewsWire. :)

Don’t Believe the Type!

We will, we will Rockwell. Rock the Caslon. I Meta Girl. ITC Clearly Now. Tempted by the Frutiger ’nother. Weiss Do Fools Fall in Love? Rockwell Amadeus. Dax The Way (uh huh, uh huh) I Like It. Please Mistral Postman. If I Could Turn Back Times. Gill Sans in a Coma. Get Down Onyx. Myriad a Little Lamb. Clarendon (I Know This World is Killing You.) On the Wingdings of Love. I Wanna Bold Your Sans. Some Like it Haettenschweiler. Janson Queen. I Do Not Want I Avant Garde. Scenes From an Italic Restaurant. Hang On to Your Eagle. Take a Janson Me. My Name is DIN (and I am Fonty.) Font Like an Egyptienne. Hotel Caledonia. Electra Avenue. Garamond (My Wayward Son.) My Tahoma. Fear of a Black Italic. I’m So X-Heighted. Nothin’ V.A.G. Thing.

Twitter is reaching a cultural apotheosis right now with the #fontsongs topic, still trending strong. (Ms. American Typewriter Pie, Burning Down the House Gothic, Love Me Two Times Roman, Ring My Bell Gothic...) Special thanks to everyone who included an H&FJ font in their title (We Are The Champion, Knockout on Heaven’s Door, Whitney Baby One More Time, Dirt Didots Done Dirt Cheap, Auld Verlag Syne, It’s a Hard Knox Life, Chronicle Man...)

Yesterday I asked — rhetorically, I thought — “who can work Arnold Böcklin into one of these?” Meeting the challenge triumphantly came @mattwiebe with It’s Arnold Böcklin Roll (But I Like It), @mlascarides with Keep Arnold Böcklin (In the Free World), @angvalenz with Block Böcklin Beats, and @e_limbach’s No Sleep Till Böcklin. (Next challenge: “Two Lines Pica Antique No. 2.”)

The thread’s still running if you want to join in. And if you really love me, darling, bring me Exocet. —JH

Baseball: Blog All Open Tabs

Lately, my musings on baseball have turned to the connection between religious reliquary and baseball memorabilia. Here are some links that touch on this subject and others that don't: 

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With baseball cards somewhat passe nowadays, these connoisseurs came to the auction to buy genuine, "game-used" equipment and paraphernalia straight from the clubhouse, complete with "letters of authenticity" from experts, family members and previous owners. "The closer you get to the player, the better," explained Leland's chairman, Joshua Evans. "Lots of use is desirable." 



****


****

The catcher hits for .318 and catches every day 
The pitcher puts religion first and rests on holidays 
He goes into cathedrals and lies prostrate on the floor 
He knows the drink affects his speed he’s praying for a doorway 
Back into the life he wants and the confession of the bench 
Life outside the diamond is a wrench 

("Piazza, New York Catcher," Belle and Sebastian)

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NINE: A Journal of Baseball History and Culture

"NINE studies all historical aspects of baseball, centering on the societal and cultural implications of the game wherever in the world it is played. The journal features articles, essays, book reviews, biographies, oral history, and short fiction pieces."


****


"The score presented the opportunity for Thayer to get some work in, and holy heavens did he ever. When the camera flashed to Thayer, the first and only thing anyone noticed was the miraculous mustache, one with roots all the way to Mecca and back. This my friends, should be on scouting reports."

****

And this gem by Stephen Jay Gould:

Baseball (as the codified form of a large variety of basically similar stick-and-ball games) has, like the poor, always been with us. Teams, leagues, and various lists of "official" rules had coalesced by the mid-nineteenth century, but Jane Austen refers to something called "base ball" in her 1797 novel Northanger Abbey, and various contests based on hitting a ball with a stick and scoring by running around bases came to America in the early days of European colonization and then grew and diversified as the nation expanded and knit together.



****

Online discussion spaces about baseball skew heavily male, some of them exclusively so. It is a routine tactic to express one’s hatred of one’s rivals in effeminacy terms, impugning their manhood, implying that they are like those lesser creatures: women. T-shirts abound: A-Rod Sucks Randy’s Johnson, Derek Jeter Drinks Wine Coolers. Success is masculinity; a pitcher’s ability to intimidate correlates positively with the size of his testicles. Sometimes, as a female fan, it is hard to express one’s opinion about a player without being accused of romantic feelings.

It does get tiresome after a while, looking into the mirror of the fandom and not seeing my own reflection. 

Obama Administration Adds Renowned Hacker to Homeland Security Advisory Council [Cybersecurity]

Shared by mathowie
Holy shit, this is a brilliant move.

Jeff Moss, who you may know as the founder of the hacking conference DefCon, was sworn in yesterday as one of the new members of the Homeland Security Advisory Council. And we think it's a shrewd and thoughtful move.

Moss, also known as Dark Tangent, founded both the DefCon and Black Hat hacker conferences in addition to legit security work—most notably at Ernst and Young, one of those giant corporations that provides auditors, attorneys, brokers, designers, and lots more to other companies. He's a sort of godfather of hackers, a pioneer who uses his underground skills in mostly above-ground ways.

As the Obama administration has been placing a heavier focus on cybersecurity, it's an extremely smart move to ask one of the world's foremost professional hackers to assist on the Department of Homeland Security Advisory Council. He's got enough expertise to really be able to offer some help, but he's also not a dangerous hacker—one analyst called him "as corporate as hiring someone out of Microsoft," meaning that for the hacking world, Moss is hardly a loose cannon. But that's exactly why it's also a smart political choice. Picking a hacker seems like an edgy choice, but Moss is a guy who's worked for Fortune 500 companies, not someone who's working in his basement to bring down the power grid.

We're looking forward to seeing cybersecurity finally advance, and this kind of guy is just what we need to get ourselves back on track. [CNET]



Staturday: The Decline of the Financial Industry

Over the last three years, the percent of graduating seniors from Harvard University who have gone on to take jobs in finance and consulting has dropped.


Staturday: The Decline of the Financial Industry thumbnail

Leonard Cohen

February 19, 2009 -- Leonard Cohen performs in front of a sold out house at the Beacon Theatre in New York, NY for the first time since 1993.

We only got one song and had to shoot from the back of the house (88 feet away). But it was worth it. The full set.

That Makes Sense

I didn’t realize that the people behind the Gawker/Bloodcopy debacle were also the creators of The Blair Witch Project.

June 5, 2009

Remembering Rajeev

It has been a long time since I have updated this blog. In fact, I have been doing some research for what I thought would be my next post.

Unfortunately, life does not always give you the luxury to plan what may be close to your heart next. It is with great sadness that I write about the passing of my teacher and good friend Professor Rajeev Motwani. But I would rather not dwell on the sorrow of his death and instead celebrate his life.

Officially, Rajeev was not my advisor, and yet he played just as big a role in my research, education, and professional development. In addition to being a brilliant computer scientist, Rajeev was a very kind and amicable person and his door was always open. No matter what was going on with my life or work, I could always stop by his office for an interesting conversation and a friendly smile.

When my interest turned to data mining, Rajeev helped to coordinate a regular meeting group on the subject. Even though I was just one of hundreds of graduate students in the department, he always made the time and effort to help. Later, when Larry and I began to work together on the research that would lead to Google, Rajeev was there to support us and guide us through challenges, both technical and organizational.

Eventually, as Google emerged from Stanford, Rajeev remained a friend and advisor as he has with many people and startups since. Of all the faculty at Stanford, it is with Rajeev that I have stayed the closest and I will miss him dearly. Yet his legacy and personality lives on in the students, projects, and companies he has touched. Today, whenever you use a piece of technology, there is a good chance a little bit of Rajeev Motwani is behind it.

The Moon in HD

HD video of the Moon from 13 miles above the surface taken by Japan's KAGUYA probe. The probe's orbit has been decaying since it began circling the Moon and will crash on the surface at 18:30 GMT on June 10.

Tags: astronomy  moon  space  video

Tom Swifties

Schott's Vocab is holding a Tom Swifty competition this weekend.

"Who discovered radium?" asked Marie curiously.
"Just parsley, sage and rosemary," said Tom timelessly.
"Show no mercy killing the vampire," said Tom painstakingly.
"It keeps my hair in place," said Alice with abandon.

There are already over 1000 comments.

Tags: language

This made me laugh...

...and now I feel bad.

So earlier today Buster Olney threw out a rumor that the Braves were looking at Brad Penny. This makes absolutely no sense since a) the Braves just kicked a guy whose number will soon be retired to the curb because they have too many starting pitchers and b) Penny makes $5mil which the Braves can't afford. A trade for Penny would make no sense at all unless two or three other deals went down at the same time and multiple dominoes falling blockbuster deals like that just don't happen outside of fantasy sports. The rumor has already been debunked by Mark Bowman anyway.

So of course any time the Braves are mentioned in trade rumors, good 'ol Frenchy is mentioned. It's amazing how badly the tide has turned on Jeff. Even the announcers for the Gwinnett Braves are talking about how he's likely to be traded during the broadcast. So much for hometown hero. Shysterballer Craig Calterra came out with this quip that made me literally LOL:
Normally I'd counsel against bringing in a seventh starter, but since this is supposed to be for Francoeur, you could put Penny in right field and it would still be a net upgrade.

Hell, Francoeur for Bill James' belly button lint would be an upgrade.

Upon reading this, I burst out laughing and then felt bad because The Natural has now fallen to the level of belly button lint. I don't think even Michael Vick fell as fast and as hard as Jeff. Someone out there say a prayer for poor Jeff in his time of need... or at least pray for his swing.

Deep Thought

"Modern day lynchings" seem to happen to people who get caught trying to do old-fashioned lynchings.



The American Cancer Society wants the Mets to wear their traditional uniforms


Now this is what I'm talking about. The American Cancer Society is raising funds to try to get the Mets to clean up there act and start wearing their traditional colors. This means the blue hat (both home and away, see photo) and the pinstripe shirt/pants. All white jerseys are acceptable, too. They're asking that you join their team and pledge $1 for each game the Mets wear an acceptable uniform. We here at Mandatory Mustache have been pushing for this for years, and we couldn't be more excited. Find more information here.

Why are they doing this? Well, they've got a great explanation on their site, which I've pasted below. I couldn't have said it better myself.

...

Founded in 1962 to bring National League baseball back to New York City, the Mets were named for the New York Metropolitans who played in New York in the 1880's. New York's new team was an homage to its old; they wore the blue of the Brooklyn Dodgers and the orange logo of the New York Giants. In short, the Mets were an effort to keep alive the great traditions of New York baseball.

As the Mets played their first two seasons in the Giants old home, the Polo Grounds, while waiting for the new Shea Stadium to be built, fans who saw the blue and orange knew that those colors meant something. It meant that, yes, National League baseball in New York had a long and glorious past, but now, with the Mets, it also had a future.


Fast forward to the late 1990's, when, for the last few years, the Mets hadn't been doing so well on the field, and sales of their merchandise started to suffer. According to Dave Howard, the Mets’ executive vice president of business operations, market research at the time showed that black sporting merchandise sold better. Younger generations were more likely to buy black baseball hats and jerseys, irregardless of the team that was on it. So just like that, the Mets began to sell out over 100 years of baseball history in an effort to make more merchandise sales.


As one blogger poetically put it: "The Mets, always seeking new ways to alienate their loyal fanbase," are "taking a sport steeped in tradition and taking a dump on it."


And to a certain extent, this is perfectly understandable. Alternate uniforms, particularly black ones, sell. (And many teams started to figure this out. At one point, it seemed that every single professional sports team, from the Detriot Lions to the Kansas City Royals, had alternate black uniforms.) But people can wear black Mets hats and shirts all they'd like. I'm not going to argue with you that blue and orange are easier to match with street clothes than black is...But plenty of organizations sell "alternate" colors without actually wearing them. Check out MLB.com, and you can buy a Yankees or Dodgers hat in black, or just about any color. In fact, I ran into a friend of mine today with a black Yankees cap on. "I like to wear black." he said, "but I would kill them if they ever wore this during a game."


The difference is, on the field, you respect the history and tradition of the organization.
What uniforms never look dated? Uniforms like the Yankees, Giants, Dodgers, and Red Sox. They're the same (more or less) as they've always been, and they'll never go out of style. They look as good now as they did in the 1940's and as good as they will in 2040.

What uniforms are the most embarrassing? When teams follow fashion trends, only to be left with horribly outdated uniforms ten years later (see: the White Sox and Astros of the 80's). The black uniform trend of the late 90's, when it seemed like every baseball team wore black, are already starting to look dated; even the Royals have figured that out.


Much like modern architecture would in the heart of Paris, wearing trendy uniforms doesn't make us look cool, it makes us look like we don't understand the importance of the history that surrounds us.


To me, there's a big difference between teams who take their history seriously (see: Yankees, Giants, Dodgers, Cubs, Cardinals, Red Sox, Tigers) from expansion, small market, or small budgeted teams who are desperate to sell merchandise anyway they can (see: Orioles, Blue Jays, A's, Marlins, Pirates, Diamondbacks, and Rockies, all who have alternate black uniforms.)


Which do the Mets want to be?


And this seems to be representative of a larger problem within this organization. The Mets are a storied franchise with a history to be proud of, and instead we act like an expansion team who's more interested current gimmicks and trends, as if we have no traditions or history to celebrate, and are desperately vying for anyone's attention.


We don’t use our own theme song anymore (though we'll save the Sweet Caroline discussion for another website), there’s nothing in the stadium dedicated to the team or its championships, we’re, perhaps, the only team in Major League Baseball who has their pennants hidden from sight, and we can’t even wear our own uniforms or proper colors anymore. Quite frankly, its embarrassing.


Tradition is not something that’s innate; it needs to be learned and passed down from generation to generation. And right now, its falling through the cracks. It saddens me to think that we’re loosing an entire generation to marketing and trends.

(If we must wear alternates, may I suggest doing what the Phillies and Indians do, and make them "throwbacks" and a nod to history. Wear them, but as alternates, that is, one day a week. That way the Mets can sell more uniforms, but still respect tradition.)


I look back on the 47 years of Mets pinstriped history, from the first team picture in the Polo Grounds, to the '69 and '86 championship teams, and feel immense pride. The blue caps with the best logo in baseball, the orange NY, a symbol of New York's National League baseball tradition started in 1883 that we continue on today.

Then, I look at today's team in black and blue caps and black jerseys in an effort to look trendy and cool, and feel confused and saddened. I'm not an old man. In fact, I'm too young to even remember the Mets winning a World Series (I was three in 1986), but its the sense of history and tradition that makes baseball so special, and separates it from every other professional sport in America.


We as baseball fans are lucky to have it. We as New Yorkers are even luckier than most. Why deny ourselves of it?


The Mets are a first class baseball organization, both with our play on the field, and our continuation of over 125 years of National League baseball in New York City. Let's start acting, and dressing, like it.


Remember, "The fans stay true to the orange and blue!"

A reminder of how simple business can be when you don't make it complicated

Yesterday I found a flyer on my front door.

I’ve been staring at a project in my backyard for a few weeks. Staring hasn’t gotten it done. So I figured I’d see what it would cost to have these guys do it.

I called them. 10 minutes later the guy came by. He was down the street on another job. We walked out back. I told him what I needed done. He looked around for 20 seconds and said $300. I said “deal.”

That’s it. No proposal. No “I’ll get back to you tomorrow”. No “Let me see how much the materials will cost and I’ll drop an estimate in your mailbox next week.”

Just $300. Deal. When can you start? Wednesday. How long will it take? A few hours for a few guys.

He knows his business. I know what my time is worth. End of transaction. It was so damn refreshing.

I know everything can’t be done like this, but often it seems like we’ve slid down a path of formality with so many things that really don’t need it. Extensive contracts, delays, red tape, precise cost estimates based on precise amounts of materials, “let me think about it and I’ll get back to you,” etc. Essential? Sometimes yes, but most of the time probably not.

I remember the tail end of our time as a web design company. When we started we did 20 page proposals. I remember pulling all nighters getting a proposal ready. Pages and pages of stuff. What a waste of time.

Towards the end we were doing one page proposals. It didn’t seem to matter. We were going to get the job or we weren’t. Over six years I never saw a connection between length and detail of proposal and winning a job.

Same thing with contracts. Sometime we hire an outside contractor or specialist to give us a hand on a project. Our contractor agreement used to be 8 pages long. Lawyers wrote it. Our current contractor agreement is one page long. I wrote it then showed it to our lawyers. They said it was fine. Done.

I know it seems like a stretch to compare lessons from a door flyer for a small landscaping job to 10 page legal contracts for 3 month long expensive web design projects. But maybe it isn’t.

On doing what you're good at

A great quote from Kim Gordon about the "Radiohead model" of selling records (via Idolator, who has more to say about it):

"I don't really think they did it by themselves," Gordon counters. "They did a marketing ploy by themselves and then got someone else to put it out. It seemed really community-oriented, but it wasn't catered towards their musician brothers and sisters, who don't sell as many records as them. It makes everyone else look bad for not offering their music for whatever. It was a good marketing ploy and I wish I'd thought of it! But we're not in that position either. We might not have been able to put out a record for another couple of years if we'd done it ourselves: it's a lot of work. And it takes away from the actual making music."

Q&A: BP’s Will Carroll, on Mets Medical Team

In a post to his blog for the New York Post, Joel Sherman writes:

“Perhaps the most important job the Mets could undertake now is to completely review - and fix where necessary - their training and medical protocol. They must look at everything with as much impartiality, honesty and integrity as can be mustered.  Because from the outside looking in the Mets’ training-medical situation looks awful.”

 …at this point, any time the Mets mention sending a player to be examined by doctors, i imagine the Marx Brothers rolling in to the room, like in A Day at the Races…

…the reality is, the Mets are teamed up with the elite group in its field, the Hospital for Special Surgery in New York, and it’s a pretty extensive partnership from what i understand…  instead, from what i can gather, much of the team’s trouble may stem from the relationship between the players and the trainers, and letting the players have too much say in terms of how they deal with injury

 …so, i e-mailed Will Carroll, who has strong relationships with medical staffs all across baseball, the author of The Juice, and the noteworthy Under the Knife column from Baseball Prospectus i asked will a series of questions, which you can read below:

Matthew Cerrone: Mets fans believe these sorts of mass injuries and mishandling of the team’s physical condition is exclusive to the Mets.  Do you feel this way?

Will Carroll: No. We’re not seeing a rash of one type of injury, one way of getting injured, and there’s nothing outside of what we call ‘luck.’  Luck is of course all the things that aren’t immediately apparent.  Do we blame the Mets for Jose Reyes having a muscle strain, or credit him for having several healthy years when that was a big question when he came up?  Do we knock them for Ryan Church’s injury any more than the Yankees should be knocked for Xavier Nady having an elbow injury? Neither team had any reason to see the injury coming.  JJ Putz has a bone spur.  Is that worse than Brad Lidge’s knee?  These aren’t one-to-one comparisons really; it’s just how we think of them. We all want our team better than their rival and that our guys are better than their guys… To give this some perspective, the Mets have lost just over 300 days and about $10 million to the DL so far.  Sounds like a lot, but it’s less than both the Angels and Dodgers… Last year on this date, the Mets had lost 400 days to the DL and about the same amount of dollars.

Matthew Cerrone: So, I shouldn’t look at the Yankees, who were able to accurately diagnose Alex Rodriguez’s hip in March, send him for surgery and have him back in May, and wonder why the Mets are seemingly incapable of this type of quick and efficient action?

Will Carroll: Remember, Rodriguez had hip pain last season.  They treated it, much the way the Mets did with Carlos Delgado, and got him through the season.  I don’t think the differences between Rodriguez and Delgado are that significant.  It’s never as simple as saying, ‘This is it,’ the player wants to play, the manager wants players, and the press is hounding them.  You always have to try to avoid surgery. Add in second opinions, agents and contracts and it’s never as cut and dry as it might seem.

Matthew Cerrone: So, the bottom line is, in your opinion, the Mets are not handling things all that differently from other organizations, despite how I feel?

Will Carroll: They’re doing better than last year!  Yeah, it stinks when it all happens at once or you lose a star player (or three), but no, they’re not so far outside of the realm of other teams.

Abraço Makes Way for Saffron Soda and Summer Pastries — Grub Street: New York Magazine’s Food and Restaurant Blog


Andrew Carmellini at Abraco. Photo: Melissa Hom

Congrats to Jamie, Elizabeth, and Jordan for this tasty piece in New York Magazine!

Check the link below to see what NY Mag has to say about this Counter Culture brewing shop, and to view their summer menu.

Abraço Makes Way for Saffron Soda and Summer Pastries — Grub Street: New York Magazine’s Food and Restaurant Blog.

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Posted in cafes, coffee, people Tagged: barista, cafe, coffee, counter culture, espresso, ny magazine, NYC

Errol Morris series finished up

Over on his NY Times blog, Errol Morris finishes up his excellent seven-part series on Vermeer forger Han van Meegeren. Here are the links to all seven parts: one, two, three, four, five, six, and seven.

Tags: art  crime  errolmorris  hanvanmeegeren

Brainstormer: sketch topic generator

brainstormer

The Brainstormer is a fun little application designed by Andrew Bosley to generate random sketch topics by combining random words. Let’s give ‘er a spin:

Invention, Egyptian, fishing boat.
Remorse, colonional, zoo.
Conflict with a god, mechanized, attic.

This sort of thing is just as useful for writers, cartoonists, and anyone stuck in a rut who just needs that little seed of an idea to get going.

(via Finn Clark)

Quote of the Day: Kate Winslet on the Hair Down There

katewinslet.jpg

-Photo by Getty Images-

"Let me tell you, The Reader was not glamorous for me in terms of body-hair maintenance. I had to grow it in, because you can't have a landing strip in 1950, you know? And then because of years of waxing, as all of us girls know, it doesn't come back quite the way it used to. They even made me a merkin because they were so concerned that I might not be able to grow enough. I said, 'Guys, I am going to have to draw the line at a pubic wig. But you can shoot my snatch up close and personal.'"

-- Kate Winslet, to Allure, on getting the right, um, look, for her Oscar-winning role.

 

The woman said "snatch" -- man, I love her.

 

Safety in Numbers: It’s Happening in NYC

safety_in_numbers.jpg

The city's expanding bike network is paying dividends -- boosting the level of cycling and making streets safer in the process. Snagged from the latest issue of TA's StreetBeat, this graph is a great illustration of the "safety in numbers" effect identified by researcher Peter Jacobsen in a landmark 2003 paper published in Injury Prevention. The stats in New York reinforce Jacobsen's body of evidence that the more bicyclists and pedestrians are out on the street, the safer biking and walking becomes.

"Safety in numbers" also explains why the U.S. has such a high rate of cyclist injuries and fatalities compared to countries like the Netherlands and Denmark, where biking is much more common. And it's pretty much Exhibit A when it comes to proving the folly of "safety campaigns" like the one currently underway in Savannah, which Sarah wrote about in her post today. Fine pedestrians or otherwise discourage walking, and you only make streets less safe.

A rule of thumb for choosing column order in indexes

I wanted to share a little rule of thumb I sometimes use to decide which columns should come first in an index. This is not specific to MySQL, it's generally applicable to any database server with b-tree indexes. And there are a bunch of subtleties, but I will also ignore those for the sake of simplicity.

Let's start with this query, which returns zero rows but does a full table scan. EXPLAIN says there are no possible_keys.

SQL:
  1. SELECT * FROM tbl WHERE STATUS='waiting' AND source='twitter'
  2.  AND no_send_before <= '2009-05-28 03:17:50' AND tries <= 20
  3.  ORDER BY date ASC LIMIT 1;

Don't try to figure out the meaning of the query, because that'll add complexity to the example ;-) In the simplest case, we want to put the most selective column first in the index, so that the number of possible matching rows is the smallest, i.e. we find the rows as quickly as possible. Assuming that all the columns have an even distribution of values, we can just count the number of matching rows for each criterion.

SQL:
  1. SELECT sum(STATUS='waiting'), sum(source='twitter'),
  2.  sum(no_send_before <= '2009-05-28 03:17:50'), sum(tries <= 20), count(*)
  3.  FROM tbl\G
  4.  *************************** 1. row ***************************
  5.                        sum(STATUS ='waiting'): 550
  6.                         sum(source='twitter'): 37271
  7.  sum(no_send_before <= '2009-05-28 03:17:50'): 36975
  8.                              sum(tries <= 20): 36569
  9.                                      count(*): 37271

This is pretty simple -- all I did was wrap each clause in a SUM() function, which in MySQL is equivalent to COUNT(number_of_times_this_is_true). It looks like the most selective criterion is "status=waiting". Let's put that column first in the index. Now, pull it out of the SELECT list and put it into the WHERE clause, and run the query again to get numbers within the subset of rows that match:

SQL:
  1. SELECT sum(source='twitter'),
  2.  sum(no_send_before <= '2009-05-28 03:17:50'), sum(tries <= 20), count(*)
  3.  FROM tbl WHERE STATUS='waiting'\G
  4.  *************************** 1. row ***************************
  5.                         sum(source='twitter'): 549
  6.  sum(no_send_before <= '2009-05-28 03:17:50'): 255
  7.                              sum(tries <= 20): 294
  8.                                      count(*): 549

So we're down to a reasonable number of rows (the count() is changing because I'm running this on live data, by the way). It looks like the 'source' is no more selective, that is, it won't filter out any more rows within this set. So adding it to the index would not be useful. We can filter this set further by either the 'no_send_before' or the 'tries' column. Doing so on either will reduce the count of matches for the other to zero:

SQL:
  1. SELECT sum(source='twitter'),
  2.  sum(no_send_before <= '2009-05-28 03:17:50'), sum(tries <= 20), count(*)
  3.  FROM tbl WHERE STATUS='waiting' AND no_send_before
  4.  <= '2009-05-28 03:17:50'\G
  5.  *************************** 1. row ***************************
  6.                         sum(source='twitter'): 255
  7.  sum(no_send_before <= '2009-05-28 03:17:50'): 255
  8.                              sum(tries <= 20): 0
  9.                                      count(*): 255
  10.  
  11. SELECT sum(source='twitter'),
  12.  sum(no_send_before <= '2009-05-28 03:17:50'), sum(tries <= 20), count(*)
  13.  FROM tbl WHERE STATUS='waiting' AND tries <= 20\G
  14.  *************************** 1. row ***************************
  15.                         sum(source='twitter'): 294
  16.  sum(no_send_before <= '2009-05-28 03:17:50'): 0
  17.                              sum(tries <= 20): 294
  18.                                      count(*): 294

That means we can add an index on either of (status,tries) or (status,no_send_before) and we will find the zero rows pretty efficiently. Which is better depends on what this table is really used for, which is a question I'm avoiding.


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June 4, 2009

ooo-ii: The Design of the Star Trek Movie Information Displays

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After having watched the Star Trek movie in the Sydney IMAX theatre (and almost getting a neck strain desperately looking for the miniscule USS Enterprise in some of ultra-wide shots), one has to admire the incredibly designed information panels on the bridge. I was not surprised to learn that the company behind its execution, OOOiii [ooo-ii.com], was also responsible for the gesture-like interfaces in Minority Report and The Island.

On a technical level, the live visual effects office OOOii created a complete Flash / ActionScript 3 framework for compositing and sequencing various effects that was used live on the set during filming. An AIR application was used for authoring the various sequences and also to control them as the actors manipulated them. The resulting architecture thatutilized many computers, dynamic content rendering, and broadcasted meta data, to create what appears to be a contiguous world into which all of the screens act as windows. It also means that the man who converted his studio flat into a replica Star Trek spaceship probably saw this coming when he sold his apartment last year.

Still interested? You can explore a 360 degrees rendering of the bridge on the OOOii website, admire the original concept art from James Clyne, or watch an interesting interview with the creators.

See also Simultaneous Star Trek Voyager Singularity Video

Best TV of the decade

Variety polled members of the Television Critics Association for their picks for the best TV of the past decade. Here are their choices for drama series and comedy series:

Drama: Friday Night Lights, Lost, Mad Men, The Sopranos, The West Wing, The Wire.
Comedy: 30 Rock, Arrested Development, Curb Your Enthusiasm, The Daily Show, Everybody Loves Raymond, The Office.

Tags: bestof  lists  tv

Chamillionaire Withdrawals From Mixtapes & Refuses To Drop New Album, "It's Not Coming Out"

Chamillionaire, who is known for his popular mixtapes, has announced he will no longer make mixtapes and he's broken the silence on his long-awaited Venom album.

[Visit SOHH.com for more information]

MasterPeaces: High Art for Higher Purpose

This just in from the Center for the Study of Political Graphics out in Los Angeles:

masterpeace1.jpg
MasterPeaces:
High Art for Higher Purpose
June 6 - 27, 2009

DaVinci Gallery
Los Angeles City College
855 N. Vermont Avenue
Los Angeles, CA 90029
323.953.4000

Gallery Hours: Thursday, Friday & Saturday, 12 – 4 pm

From Dada to Punk, from anti-war movements to feminism and ecology, high art has been repeatedly incorporated into a visual language that ranges from the iconoclastic to overt protest. MasterPeaces shows how works by Leonardo, Michelangelo, Picasso, Warhol and many others have been parodied, appropriated or altered to make statements about a variety of contemporary issues.

Opening Reception: Saturday, June 6 12 – 4 pm

Symposium: Saturday, June 20, 2009 2-4 pm
The Center for the Study of Political Graphics, students and faculty in the Designing the Political course at Otis College of Art and Design, will discuss the dialogue between the original art and the contemporary protest poster.

Al Shaw Talks About the Redesign of TPM's Homepage

Quick Post

The site is much cleaner, but I'm really impressed by the CMS tool he created. It allows editors to try out different homepages without ever messing with templates or code. Good job, Al.

http://www.shhhaw.com/?p=34

Life on the Line: A Peek at Grant Achatz's Memoir

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[Photographs courtesy of Grant Achatz]

Excited for the Bruni memoir? Wait until you see chef Grant Achatz's. Over the weekend, chef Achatz sent us and Pete Wells a copy of the proposal for his new memoir, Life on the Line, an account of his battle with tongue cancer, his career as a chef, and the life of his restaurant Alinea.

Though we only get excerpts from a few chapters now, it's compelling read. We get a look at his James Beard experience— he thought Blue Hill's Dan Barber was a lock— and how it helped the bottom line of the restaurant. We learn about how Alinea came to be and about Achatz's early and harrowing experience working for Charlie Trotter. Most touchingly, he writes about what it was like to get the cancer diagnosis, hear his odds at survival, go through chemo while working 14 hour days, and lose his sense of taste during service. To take a look at the proposal, download the pdf here, or just see Wells' take.
· Life on the Line Proposal [PDF]
· The World’s First Gastronomical-Oncological Coffee Table Book? [Diner's Journal]
· All Grant Achatz Coverage [~E~]

Come on in 'The Kitchn'

Each week we round up our favorite posts and recipes from our friends at The Kitchn.

20090604-thekitchn.jpg

This week, the Kitchn shares 123 tips, ideas, and reviews on cheese. If you're lactose-intolerant, you might wanna take a Lactaid before reading this.

Also on the Kitchn, inspiration for leftover rice, IKEA animal cookie cutters, a recipe for spinach pizza with white beans and taleggio, and what non-cocktail things to make with Bloody Mary mix.

Email Details Secret Google-Apple Deal on Employees [Labor]

Silicon Valley businessmen fancy themselves unflinching hard-core capitalists. Yet they hate to compete for workers — and the New York Times found an email to prove it.

The Justice Department is investigating whether large tech companies illegally conspired over employee poaching. It's an open secret in the Valley that tech companies have agreements not to actively recruit one another's workers; Kleiner Perkins partner Randy Komisar called these "gentlemen's understanding[s]" in the New York Times today. It appears the Justice Department may have finally decided to make an issue of the practice on antitrust grounds.

If that's the case, some of the largest tech companies are at risk. The Times quoted a former Google recruiter saying the company distributes a list of companies whose workers cannot be approached. Then there's the email:

A December 2007 e-mail message written by a Google recruiter and obtained by The New York Times suggests that the company might have had an agreement with Apple on recruiting.

Laura Sheppard, a contract recruiter at Google, sent the e-mail message to a job candidate asking him to put her in touch with another potential candidate. "It is a bit touchy since he works for Apple," Ms. Sheppard wrote, adding that Google had "a nonsolicit agreement with them."

Google declined to comment on its hiring practices or on the e-mail message, whose authenticity could not be independently verified.

There you have it: When it comes to immigration controls or the taxation of stock options, tech honchos are all about the free market. But when it comes to the sort of competition that most benefits your average Silicon Valley worker — competitive hiring — suddenly they turn into feudal lords. Is that really so "gentleman"ly?

[Times]

Yankee stadium draught beer $11

Yankee stadium draught beer $110604091421a.jpg

Optical illusion shoes

It took me at least 30 seconds of looking at these shoes to realize that the woman wasn't floating two inches off the ground and what I thought were shadows are actually heels. Even knowing the secret, the effect switches for me like a Necker cube or the spinning dancer.

Tags: fashion  opticalillusions  shoes

World's Cutest Foot: Don't remember if it's Art's or Yoshi's! :-)

Babyfoot_June22009.jpg

Jan Ullrich TextPortrait [Flickr]

Hugger Industries posted a photo:

Jan Ullrich TextPortrait

Racing cyclist Jan Ullrich TextPortrait by Ralph Ueltzhoeffer

Posted on Bike Hugger

##

Jan Ullrich - Portrait - Ralph Ueltzhoeffer - Jan Ullrich (born December 2, 1973 in Rostock, Germany) is a German professional road bicycle racer. In 1997, he was the first German to win the Tour de France. He went on to achieve five second place finishes, along with a fourth place (2004) and a third place finish (2005). Critics consider Ullrich as one of the most talented riders of all time: he can combine great power with a soft, athletic style, with his time trials as perfect examples. Despite, or perhaps because of this talent, critics consider Ullrich to be "lazy" as he is notorious for becoming out of shape during the off season. Ullrich has won a gold and a silver medal in the Olympics 2000 in Sydney, as well as the 1999 Vuelta a España. Although not known as a one-day race specialist, he won the HEW Cyclassics in front of an adoring home crowd in Hamburg in 1997, and has made podium finishes in other editions of the HEW Cyclassics, and the hilly classic Classica San Sebastian. His victorious ride in the 1997 Tour de France led to a bicycle sports boom in Germany. Biography Early training Ullrich won his first bicycle race (at school) at the age of nine. He was educated in the sports training system of the German Democratic Republic, and attended the SC Dynamo sports school in Berlin in 1986. After the fall of the Berlin wall and the reunification of Germany, Ullrich and his trainer, Peter Sager, moved to Hamburg. In 1993, Ullrich surprisingly won the amateurs road world championship in Oslo. At the same time, Lance Armstrong won the professionals world championship. After this and other successes, Ullrich became a professional member of Team Telekom. From 1994 to 2005, he lived in Merdingen, Germany, with his long-term partner Gaby Weiss. The couple have a baby, Sarah, who lives with Gaby in Merdingen. Ullrich resides in Switzerland since they split up in 2005, allegedly due to Weiss's reluctance to be in the limelight, which conflicted with Ullrich's enjoyment of celebrity life. 1997 Tour de France In Ullrich's first one and a half years as a professional, he was inconspicuous. At his first start at the 1996 Tour de France, he reached a sensational second place behind his Danish teammate, Bjarne Riis. He won the final individual time trial and secured himself his first Tour stage win. Ullrich with teammate Udo Bölts crossing the Vosges mountains during the 1997 Tour de France. Despite being a teammate of the previous year's winner Bjarne Riis, Ullrich quickly became the favorite in the 1997 Tour de France. Riis was not strong enough to keep Ullrich down in the mountains or in the time-trials. After a dominant win in a mountain stage earning his first yellow jersey, the German press started following the Tour more closely. Despite Marco Pantani's devastating attacks in the Alpe d'Huez and Morzine stages, Ullrich was able to limit his time losses. For performance and ability to keep his nerves, the French sports newspaper L'Équipe, considered him to be one of the top bicycle racers with the words Voilà le Patron ("Here is the boss"). Ullrich won another stage in the Tour and became the first German to be the overall winner. He also became the only person in Tour history to win a time trial with a three minute gap between him and the number two. At the age of 23, Ullrich was also one of the youngest winners ever. He was chosen "sports person of the year" in Germany in 1997. The eternal second Ullrich was the defending champion of the 1998 Tour de France. He again obtained the yellow jersey, but he had an off day day in the rainy mountains, where he lost too much time on the later champion and natural born climber Pantani. The Tour of 1998 was haunted by doping affairs, giving it the nickname "Tour de Dopage".The following year, he missed the 1999 Tour de France — which was won for the first time by American Lance Armstrong — due to a knee injury. However, he returned in time to win the 1999 Vuelta a España, defeating the Spanish favourite Abraham Olano of Team ONCE. He also became the world time trial champion, which made up for his somewhat lost season. The 2000 Tour de France saw former champions Ullrich and Marco Pantani and defending champion Armstrong line up against each other for the first time. However, Armstrong proved too strong to upstage, as he did again in the 2001 Tour de France despite Ullrich wearing the jersey of the German National Champion, and the fact that he arrived at the Tour obviously in form, finishing in fourth place just three seconds behind third place Armstrong in the opening prologue. His ride in the 2001 Tour was memorable for his crash during which Armstrong waited for him to return to his bike. In interviews, Ullrich cited his failures to defeat Armstrong despite his preparations as his reasons for falling into depression in the next year. Despite his failure to ascend the top of the podium in the Tour de France, Ullrich delivered an outstanding performance in the 2000 Summer Olympics in Sydney, Australia. After establishing a 3-man breakaway with Telekom teammates Andreas Klöden and Alexandre Vinokourov, Ullrich won the gold medal with Kloden and Vinokourov rounding out the all-Telekom podium. He established himself as a world-class time triallist by winning the Silver medal in the individual time-trial event, losing by a small margin to Viatcheslav Ekimov and beating rival Armstrong to third place. In May of 2002, Ullrich temporarily had his driver's license revoked after a drunk driving incident. After a positive blood sample for amphetamine in June of 2002, Ullrich's contract with Team Telekom was ended, and he was banned for 6 months. He explained that the positive result was from ingesting the recreational drug ecstasy, which had been cut with amphetamine. He had not been racing since January due to a recurring knee injury, and the German Cycling Federation's disciplinary committee agreed that he was not attempting to use the drug for performance enhancement, so he was only given a minimum suspension. In January of 2003, Ullrich and his longtime advisor Rudy Pevenage joined the Team Coast outfit, but after severe financial problems, Coast pulled its sponsorship, and Team Bianchi was formed. He finally returned to racing in March of 2003, preparing for the Tour de France. The Tour de France of 2003 would become a memorable one. Nobody, including Ullrich himself, knew what to expect from him after such hectic years. For the first time in years he was not considered one of the top favorites; however, Armstrong still considered him very dangerous. In the first week, Ullrich got sick and almost retired from the race. In the Alps stages Ullrich lost one and a half minutes on Armstrong and his Tour seemed lost. In the 12th stage, Ullrich fought back hard in the time trial, as he became the only one to finish within an hour. Armstrong was overpowered and had trouble with the heat, and lost one and a half minutes to Ullrich. Ullrich now found himself within a minute of Armstrong in the classification. The next day, he closed the gap in the first mountain stage by another 19 seconds and the clash would become epic: Ullrich seemed stronger then ever as he was able to stay with Armstrong in the mountains. Two days later Ullrich was able to ride away from Armstrong on the Tourmalet, but he could not sustain his pace and Armstrong caught up. In the final climb of that stage Ullrich dictated the pace, and it seemed that Armstrong was not in the condition to attack. More than half way into the climb, Armstrong's handlebar got caught in a spectator's bag and he fell. Ullrich decided not to take advantage of the situation and waited. For some time, whether Jan Ullrich waited for Armstrong to remount was subject of intense debate, although Ullrich himself asserted that he did indeed wait and did not attack. In a recent interview Armstrong admitted that Ullrich did wait for him, and that Armstrong himself had been misled at the time by Tyler Hamilton's gesture and assertion that Ullrich had not waited. According to Armstrong, his fall gave him such an adrenaline boost that he could attack. Ullrich lost 40 seconds in the final kilometers, but all was not over: the 2nd, and final, time trial would be decisive. In that time trial, Ullrich suffered a dramatic crash and saw a potential stage and tour victory disappear. In the general classification, Ullrich ended 2nd with a gap of just 61 seconds in one of the greatest Tours de France in history. Ullrich's remarkable comeback was acknowledged by the Germans as they gave him the sportsman of the year award later that year. In terms of finishes, Jan Ullrich could be compared with Raymond Poulidor, who was called the "eternal second" (with the difference that Poulidor never won the Tour de France). Also like Poulidor, Ullrich has not donned the Maillot jaune since 1998. A better comparison would probably be to Joop Zoetemelk, who won the Tour once as well and finished in second place six times, only once more than Ullrich. For the 2004 season, Ullrich returned to Team Telekom (now named T-Mobile, after a popular division of Deutsch Telekom). Ullrich won the Tour de Suisse during his preparation for the Tour de France. In the 2004 Tour de France, he finished in fourth place, 8:50 behind Armstrong. It was Ullrich's first finish lower than second. T-Mobile teammate Andreas Klöden finished second, and Ivan Basso third. Ullrich said that he had been infected by a cold from his newborn baby, and was not able to ride to his full capacity. Ullrich in Hanover. For 2005, Ullrich again captained the talented T-Mobile squad. As was his normal routine to prepare for the Tour de France, Ullrich maintained a low profile for much of the 2005 early season campaign, surfacing to test his preparedness in the 2005 Tour de Suisse, in which he finished third after Aitor González (Team Euskaltel) and Michael Rogers (Team Quick Step-Innergetic). Ullrich is constantly criticized, and sometimes parodied, for his weight, especially for large gains in the winter, but he maintains that he always races it off in time for the Tour. Compared to his perennial rival, Lance Armstrong, Ullrich has been said to have perhaps a more advantageous physiology that would prevail were it not for the near-maniacal training regimen of Armstrong, but this is debatable. Armstrong himself admitted that it is Ullrich whom he considers to be his most dangerous rival, going as far as admitting that he would examine photos of Ullrich in the early season races to see how his form was developing. The day before the 2005 Tour de France, during a training ride, Ullrich crashed. He was closely following his accompanying team car when it stopped unexpectedly. He was unable to stop and plowed into the back windshield, narrowly avoiding cutting a major artery by several millimetres. He was not wearing a helmet at the time. During the 2005 Tour de France, Ullrich was passed by Lance Armstrong in the first stage time trial after starting a minute before him, causing speculation that he was once more doomed to be beaten by the American. Ullrich fell again in the mountains, bruising his ribs. During several other pivotal moments in the Tour, he could not keep up with Armstrong or Ivan Basso. Ullrich began focusing on finishing ahead of the surprise star of the mountains, Michael Rasmussen, for a podium position in the general classification. At the individual time trials nearing the end of the 2005 Tour de France Ullrich had a stellar time trial, demolishing the competition, save Lance Armstrong who came through to set an even quicker time near the end of the stage. Rasmussen had a terrible time trial, which consisted of several crashes and around five bike changes, which ultimately gave Ullrich a podium place in the Tour de France. Post-Armstrong Lance Armstrong retired after the Tour de France in 2005, and Ullrich's career is coming to its end as well. Jan has stated he will likely quit after 2007 season However, he seemed more motivated than ever to win at least one more Grand Tour (either the Tour,Giro or Vuelta ). Notorious for coming out of the winter with serious weight problems (see above) and in bad condition, he began his preparation for the 2006 season early, with his mentor Rudy Pevanage finally back in the T-mobile staff and watching his every move. Early reports indicated that Jan was indeed in much better shape than in previous years and would be ready for what could be his second victory in the Tour de France. Ullrich finished 115th in the Tour de Romandie on April 30. However, Jan injured his knee in the off season and this could have limited his performance in the 2006 Tour de France, had he participated (see below). In May, riding in the 2006 Giro d'Italia, not to win but to prepare himself for the Tour de France, Ullrich targeted the Stage 11 50km ITT, and won it by a decisive 28 seconds over Maglia Rosa Ivan Basso, who beat 3rd placed Marco Pinotti by another 33 seconds (which means Ullrich beat everyone except for Basso by over a minute). Only five riders were able to finish within two minutes of Ullrich's time. Ullrich dropped out of the Giro during Stage 19, with back pain. Team Director Rudy Pevenage stated that the problem was not bad but merely as a precaution to avoid possible Tour de France problems. He won the Tour of Switzerland for a second time in preparation for the Tour de France, winning the final time trial in decisive and dramatic fashion jumping from third to first in the GC. Operación Puerto doping case In the weeks prior to the Tour de France 2006, Ullrich's name was mentioned in a large Spanish doping scandal, nicknamed Operación Puerto doping case. Ullrich himself has always denied the rumors. However on Friday, 30 June 2006, one day before the start, he was suspended from participating in the Tour de France. Jan Ullrich's biggest rival (according to many experts) Team CSC's Ivan Basso, who finished 2nd in 2005, and several other riders were also excluded. The decision to exclude Ullrich could be based on several text messages from his mentor, Rudy Pevenage, with Doctor Fuentes. Ullrich himself stated that he has nothing to do with Fuentes and he will try to prove this. If found guilty by the UCI, Ullrich faces an almost certain career-ending suspension. As of 20 July 2006, Jan Ullrich has been fired from T-Mobile in relation to the aforementioned accusations. T-Mobile general manager Olaf Ludwig announced the news during the 18th stage of the Tour de France between Morzine and Macon, though the sacking had been made in writing on Thursday. The German rider published a statement on his website saying that his dismissal was 'unacceptable.'"I am very disappointed that this decision was not communicated to me personally but that it was faxed to my lawyers," Ullrich added. "I find it shameful that, after so many years of good cooperation and after all I have done for the team, I am being treated as a fax number." There are rumours linking Ullrich with rivals Discovery Channel, team of retired Lance Armstrong. Discovery Channel opted for Levi Leipheimer, instead, as the future of Ullrich remains uncertain, as he also was excluded from the 2006 Vuelta. Ullrich is trying to defend his reputation in court,where he won a case against Dr. Werner Franke. Franke accused Ullrich of buying doping up to 35.000 Euros each year, after reviewing the files of the Puerto affaire. The court stated that Franke has to keep his comments out of the media as his statements lack solid grounds. Franke however also went to court against Ullrich, claiming that Ullrich lied while being under oath when asked if he had used doping. At this point, the Swiss cycling federation (Ullrich lives in Switzerland and rides with a Swiss license) are investigating all the documents and will come to a verdict soon. Meanwhile, the justice department raided his house for several hours, collecting DNA material. Ullrich was on a honeymoon during the event with his new wife Sara, and was so shocked with the news that he aborted it. Signature bike frame line In May 2006 Ullrich launched a signature bike frame line, the "Jan Ullrich Collection"[9], which he helped to develop. There are three models catering for all types of cyclist, from enthusiast to pro. They take their names after significant times in Jan's career. The 'Campione', the 'Olymp' after his Gold and Silver Olympic medals, and finally, the 'Grand Tour' after his Tour de France victory in 1997. They range in price from 1395 to 2995 Euros and are available only as frames (not as complete bikes)

Jan Ullrich

‘Sarah Connor Chronicles’ Producer Reveals Bitter End

"VULTURES! VULTURES!"Wow, io9 points us to this blog post by Josh Friedman, the now-former executive producer of Terminator: The Sarah Connor Chronicles, about the bitter end of his show. “It was Open Season on the Sarah Connor Suite as My Room of Ones Own soon became the Potential Room of Any Jackass Pilot Producer who Thought His Show was getting Picked Up. And believe me, there’s a lot of those assholes. Poking their heads in, hopped up on good test scores in the key demos, power-drunk and showing off their spanking new laminated Warner Bros. ID card hanging off a lanyard like a slutty USC freshman and her Spring Weekend mug.” Oh, you really want to read this.

Barista in the Wild, Part 4: A Relationship With Espresso

Note: Serious Eats contributor Allison Hemler is a NYC-based barista who recently traveled to Seattle to check out the internal coffee college at Starbucks HQ. This week, she'll be educating us on tidbits she picked up in class, with today's focus on the espresso.

20090604-barista1.jpg

A latte poured by a barista at Stumptown Coffee in Portland, Oregon.

Any seasoned barista will tell you what the time before being cleared on an espresso machine is like. You're stuck at the cash register, acting as the interpreter between the customer and the artist behind the La Marzocco who pulls shots, steams milk, and applies a delicate touch to a porcelain cup as it makes its way to a caffeine-starved owner. The barista does a dance with his or her calloused and brown-stained fingers to create the fine art of the handcrafted espresso drink. I remember when it was my time. My trainer, Erin, told me I was fully capable. She watched me pull that perfect 25 second shot and pour my skim cappuccino into a huge heart, the texture reminiscent of Marshmallow Fluff.

20090604-barista2.jpg

Espresso shots from the Mastrena

Espresso is not all art and perfection. It can be hellish and frustrating when shots change speed at the drop of the hat, causing that delicious dark crema to turn to watery dirt with no warning. It's all part of the relationship with the manual espresso machine. Starbucks either is very smart or taking the easy way out by using all automatic espresso machines. I suppose when you have over 150,000 employees working in stores with such a high turnover rate, the time, effort and maintenance required for a manual machine isn't worth it. Pushing buttons cuts down on hours in training time, leaving employees to study recipes and milk steaming methods.

Starbucks has a fully customizable drink menu which makes the barista not even wince at the venti-caramel-skim-no-foam-macchiatos-with-whip. The newest espresso machine at Starbucks, the Mastrena, will make its way to 75 percent of company-operated stores by the end of 2010. Not only is it better for talking to customers since it's at a lower height—there's no dosing or tamping, and shots are pulled by pressing the "single" or "double" button, and automatically stop between 18 to 23 seconds. The steam wand automatically stops around 150 degrees. To me, it takes the fun out of espresso. To Starbucks, it's just a wise business plan for such a massive company, built on being cost-effective and efficient.

Starbucks espresso doesn't have much of a crema—simply because they don't use robusta beans in their espresso blend. Robusta is a lower-grade coffee bean which some experts refer to as "filler." All the quality shots I've had in the past have used robusta, and I think it gives the espresso character and life. When I saw the shots run through a Mastrena at the Starbucks headquarters in Seattle, my heart sunk.

I wanted the espresso to be amazing, to come back home to my friends and rave about it, that I've been deceived all these years. Starbucks is not so well-known for creating a mouth-watering espresso drink—they made the act of drinking espresso mainstream, and I appreciate them for doing so. We'll just never have that same relationship that I have with a cortado made with Counter Culture beans and Organic Valley milk.

Barista's tip: I've heard plenty of coffee industry people say "the more you know about espresso, the smaller your drink." While I'm not a pro, I can't handle a straight shot, or even a macchiato. The smallest I'll go is a six-ounce americano with room for milk, but the thought of drinking—or even serving—a venti (20 ounce) latte makes me uncomfortable. Next time you go into your favorite espresso bar, get an americano misto. About one-third steamed milk on top of an americano (espresso and hot water). It's pure heaven.

Correction, Clarification, Apology

TelegraphIn response to my long-ass screed about Graydon Carter yesterday, a reader writes: “Great bit, and I’m reluctant to criticise because your précis of the Euro elections was great, but the Telegraph didn’t just pay to get a jump on their rivals. The July the 1st release is going to be redacted. For ’safety’ reasons many personal details and, most importantly, the addresses of MPs are being witheld. Without these it would have been impossible to uncover the repeated ‘flipping’ of the designated second home or its presence far from Westminster.

It is cheque-book journalism but really does have a public-interest defence. (Expect it to be used as an excuse for every sleazy tabloid buy-up for the next ten years).”

Fair enough. I don’t know that it takes away from my larger point—to the extent that actually tracking down the redacted information rather than outright buying the unscrubbed version would have been the kind of “real reporting” that might actually save newspapers—but I was perhaps a little ungenerous in comparing the Telegraph’s work on the story to mere transcription. Sorry about that.

Loafer Update!

Long time readers of this blog will know that I am OBSESSED with penny loafers.

And since coming out as someone who is loafer-obsessed, I have met many other people who have a similar ... enthusiasm. So I thought I'd share links to two styles I've found recently that, although not as nice as my favorite (and no-longer-made) Via Spigas, are pretty damn good.

First, Macy's has these, from Marc Fisher (which I think is one of their house brands, but I'm not sure):


marc fisher loreann women's penny loafers


Today they are $39! (They were >$70). Click on the image to visit the Macy's page. I bought a pair of these and they are comfortable, definitely.

Okay, these next ones are man-made materials (aka vegan). Many of you have asked if I knew of non-leather alternatives, and now I do! Plus, they're dirt-cheap: $29.99 at Overstock.com. (click image to visit site)


journee women's penny loafers


What I really want are these, from Marc Jacobs:


marc jacobs penny loafers


The worst part is that I already HAVE them -- I found a pair on eBay that weren't anywhere NEAR $260, and bought them. And found that they were the wrong size. (The seller translated a European 38 as "8.5" which it is NOT.) I relisted them on eBay, if you want them.

Of course, even though I wear penny loafers EVERY DAY, I don't really need any more pairs. Why don't I? Because THIS is my penny loafer collection:

whoa penny loafers

(And yes, that is a pair of Liberty Jack Purcells on the edge there.)

Does anyone else wear a slight variation of the same damn shoe every day? (Anyone else who presents as female, I mean, I know most guys basically wear the same shoe every day.) Represent in the comments!

Fresh Stuff From Jim Darling in Beacon, NY

darlingface.jpg

From Jim:

"Walking up close to one of my favorite buildings in town, I noticed the collapsed tunnel that goes under the old factory. The door and window coverings made for a nice pair of eyes. To paint the right eye I balanced on some rusty pipes that stick out from the ground. Once the eyes were finished, the building asked me for a smoke and so I gave him one."


Wikipedia excerpt about Ze Frank's The Show: Topics ranged from serious socio-political commentary to absurdist comedy and running gags. One such gag was to open episodes with outlandish skits, followed by the question "Are the new viewers gone yet?" This is more or less how I feel about Twitter right now, except the new viewers aren't gone yet.

Christina Ricci Breaks Off Engagement

christinaricci.jpg

-Photo by Getty Images-

At least they broke up before they got married -- that's so rare in Hollywood these days.

Christina Ricci and her boyfriend, Owen Benjamin, have reportedly called off their wedding plans. Multiple sources confirmed to People.com that the couple decided marriage wasn't for them.

"Owen had a birthday party this past Sunday, and everything seemed fine. Sometime after, they got into a fight and decided to reevaluate things. [Then] the engagement was off," the insider blabbed.

Another source said Christina and Owen got cold feet before last week, but that they are not bitter towards each other at all.

"They really are still close," adds the source. "They talk almost every day. It was a very mature decision and they both felt good about it. They're definitely still friends."

The couple got engaged in March, after meeting last year.

BOY IN THE BUBBLE

So where was I?

Oh. Right.

I had this little scary robot show and for whatever reason couldn't convince enough people that it was a) scary enough b) robot enough or c) in English. Add that dim sum combo of factors to a red bean paste of non-monetizable early adopters dvring the show like motherfuckers and now I'm unemployed.

Everyone says having your show cancelled is like a death but I've been dead before and at least when you're dead you don't get thrown off the Warner Bros. lot for haunting your old parking space. They probably mean it's like the death of a friend or a family member but that shit only hurts when it's YOUR friend or family member and even then it's mitigated by age, lifestyle and whether that person was a Hollywood friend or a real one and whether that family member left you money.

Losing your show is more like a surprise divorce where you get served papers in the morning and your (ex)wife is fucking Human Target by three in the afternoon using the same time slot your child was conceived in and also where she did that one thing that one time on your birthday.

People say the bright side to losing your show is gaining time to spend with your family but I'm pretty sure that waking up next to your ex-showrunner spouse whom you haven't seen for two and a half years is pretty close to waking up next to that special someone you met the night before at Carlos n' Charlie's in Cancun on Spring Break.

WIFE: Oh...It's you.
EX-SHOWRUNNER: Hey baby.
WIFE: You look...different than I remember.
EX-SHOWRUNNER: I've gone a little grey.
WIFE: Or a little fat.
EX-SHOWRUNNER: Pretty sure it's grey.
WIFE: Pretty sure...fat. Was I...drunk?
EX-SHOWRUNNER: Drunk? When?
WIFE: I don't know. The whole time?

You should own your self-inflicted wounds if for no other reason than a) they are yours and b) you inflicted them, you dumb motherfucker, but I do want to say in my own defense that it takes a special kind of someone to work seventy hours a week where it is HALLOWEEN 24FUCKING7 and not pack on a few--

WIFE: Dozen.

A dozen--

WIFE: A few dozen.

a few dozen pounds fine I get it. A few dozen pounds consisting mainly of but not limited to: Chocolate Pop Tarts, Twinkies, Ding Dongs, double-decker PB&Js, pink and white animal cookies, duck sandwiches, maricopa almonds, stinky cheese, french bread, deer in a thai curry peppercorn sauce, trail mix with the peanuts picked out, breakfast sausage, pistachios, Diet Coke, large Jamba Juices, those little Butterfingers, lox when we had Zvi the Israeli P.A., and sushi.

And I'm willing to own that. Especially the sushi part.

One of the hardest parts of having your show cancelled is the part BEFORE it's cancelled, when it's "on the bubble". The absolute hardest part of that, besides the phrase "on the bubble," is everyone gets it in their head that you actually know what's happening with your show and you're just not telling them. No one believes the show's fate is in the air, they believe the fate's been decided, you know the fate, but you're just not sharing it with anybody. Now understand this: at any one time on a show there are over TWO HUNDRED people working on a show. OVER TWO HUNDRED FAMILIES DERIVING THEIR INCOME FROM YOUR LITTLE CREATIVE ENDEAVOR.

What kind of fucking asshole would I be if I knew they were all going to be out of work in a month but just didn't feel it was politically expedient to tell them?

CONSCIENCE: Hey. Buddy. That grip's wife is having a baby in two months. He's thinking of leaving to work on a feature.

ASSHOLE ME: We're cancelled in two weeks.

CONSCIENCE: We gotta tell him.

ASSHOLE ME: Nah. People leaving. Bad for morale. Not politically expedient.

Who but a heartless cocksucker would stop someone from getting other work knowing they had no future at their current job? (Other than William Morris and Endeavor, that is.)

But I progress.

I guess there were signs that the show was in trouble (other than the 1.3 rating and the four share). First there was the day I was in my office and looked up to see Chuck Lorre and a Warner Bros. facilities manager standing in my doorway pointing to various features and using their hands to take "air measurements." (Chuck tried to play it off like waving to me God Bless him, but I know an air measurement when I see it.)

I know what you're all thinking: Chuck Lorre needs office space? What the fuck for? Doesn't he already have office space spread out all over half the fucking studio? Isn't it enough that Charlie Sheen's trailer is the size of Waylon Jennings' tour bus and it blocks the best way to ride a golf cart from a certain scary robot writer's office to a particular scary robot sound stage? There's only 2 and half men for fuck's sake, and one of them's like, six years old or something.

You think MR. CHUCK FUCKING LORRE that just because you've pimped my show on Big Bang that you can stand out in my hallway with a basket waiting for the guillotine to fall and my head to roll right to you? Do you think you can do that? Air measurer?

Damn right you can. You're Chuck fucking Lorre and you own my ass.

But Chuck didn't take my office--I believe he said something about my private bathroom having a non-platinum sink--and what I thought was good news soon became anything but. Because while you may be a bubble show to your family and your fans, as far as the studio goes the minute your show wraps you are a deadbeat renter who's already forfeited his cleaning deposit.

It was Open Season on the Sarah Connor Suite as My Room of Ones Own soon became the Potential Room of Any Jackass Pilot Producer who Thought His Show was getting Picked Up. And believe me, there's a lot of those assholes. Poking their heads in, hopped up on good test scores in the key demos, power-drunk and showing off their spanking new laminated Warner Bros. ID card hanging off a lanyard like a slutty USC freshman and her Spring Weekend mug.

And yet. No one took it.

I was starting to feel like Grandma's hand-knit afghan at the garage sale that starts out a keepsake you couldn't part with but ends up as the substitute for styrofoam peanuts when you need to wrap up the six matching sunflower pattern kitchen glasses your mother gave you when you left for college.

Eventually I cracked and started taking the whole thing personally. I'd hear them coming and start screaming "Vultures! Vultures! Come in vultures!" It was that John Irving novel with the orphans and the older ones just know they're fucked and they start rejecting the parents before they can be rejected--

(It's here that I just want to note that I haven't read "that John Irving novel" but I'm pretty sure I saw a movie based on "a John Irving novel" and I feel like that scene was in the movie and should've been if it wasn't.)

--I really did this. Forget the John Irving thing. I really did yell this at people. No one thought it was funny. Well. I did.

I also considered renting the office back from Warner Bros., myself. It was a romantic gesture, or a lazy one, as I had a huge stuffed cow and a Lego Tower of Babel that I couldn't fit into the back of my Chrysler. As it turns out, the studio will rent you back their offices, but at THE SAME RATE THE PRODUCTION PAYS, which, while I can't remember the exact amount, worked out to something around $450,000 a month. But that did include the private bathroom with the non-platinum sink.

Eventually the day came when I was evicted from the room I'd written thirty episodes of my very first television show. I packed a very large SUV with a very large amount of computer equipment, scripts, DVDs, Sarah Connor memorabilia, something that may or may not have been many half-empty tequila bottles, some office supplies I don't want to talk about, and possibly some gum and trail mix. Despite the show NOT yet being cancelled, I was the last person to leave the empty building and would've turned the lights out if I was paying for the electricity.

I drove up to the security gate and prepared to be waved through, knowing there was a good chance this was the last time I'd be on this lot in my capacity as Executive Producer of Terminator: The Sarah Connor Chronicles. It was after 8:00 and that meant I was guaranteed a "trunk check," a phenomenal Hellerian ritual by which the guards checked your trunk and NO MATTER WHAT WAS IN THERE let you leave the lot. I had never known ANYONE to EVER explain themselves regarding the contents of their trunk during the trunk check ritual. I think this has even happened:

GUARD: Trunk please.
ANONYMOUS TV PRODUCER: Sure, Frank. How's the kids?
GUARD/FRANK: Good. Good. (Checks trunk) Is that Bugs Bunny in there?
ANONYMOUS TV PRODUCER: Yeah. I roofied him.
GUARD/FRANK: Sure. Yeah. Looks that way.
ANONYMOUS TV PRODUCER: I'll probably bring him back tomorrow.
GUARD/FRANK: All righty. Make sure to call him a drive on, though. Otherwise we can't let him on.
ANONYMOUS TV PRODUCER: Of course. I'm no rookie, Frank.

So on my final official day on the lot I pull to the guard shack with my SUV full of EVERYTHING.

GUARD: Hey. How're you tonight?
ME: Last night, Frank. Last night on the lot.
GUARD: Looks that way. That your whole office in there?
ME: Pretty much.

As I start to pull away--

GUARD: You got your property sheet?
ME: Excuse me?
GUARD: Your property sheet. Like an inventory sheet. With all of this inventoried and signed off on by the production.
ME: What?
GUARD: I'm gonna have to ask you to turn around and return to the lot, go to your production offices, and get an executive to inventory all of this, certify it as yours, and then sign the sheet. Then you can leave.
ME: Frank. Let me explain something. There is nobody else. I'm it.
GUARD: Well someone is going to have to list, certify, and sign.
ME: Someone? Like who someone?
GUARD: Someone. A producer. Someone.

And then it hit me.

ME: Frank! I'm that someone! It's my show! I am the someone that I'm looking for!
GUARD: Wait. Who are you?
ME: I'm Josh Friedman, Frank! And until I drive past this guard shack I am the Executive Producer of this tv show! I am the someone! Can't I give myself permission to leave?

At which point Frank went to the guard shack. A line of cars had formed behind me, wondering what kind of fuck up was holding up the line at nine o' clock at night. Frank returned with a form, in triplicate.

GUARD: List the items. Certify they're yours. Sign off.
ME: I am, in essence, authorizing myself to leave and thus no longer be the Executive Producer.
GUARD: As far as we're concerned, yes.
ME: Works for me.

And so I did. And so I had. And so I wasn't.

As I drove off I rummaged through the questionable office supplies for a piece of gum. Stuck it in my mouth, accelerating onto Barham Blvd. into the night. I blew a bubble.

It would be another month before it popped.

June 3, 2009

and also a density

Damon and Carlton reveals some hints how the show will end. “The end of the show will be a combination of trying to answer mysteries the audience still cares about, such as the statue and the Smoke Monster. We’ll also be answering the skeletons in the cave question. We will answer the questions we feel are important and central to the plot. At the same time we will be trying to tell redemption stories about the characters. These characters do indeed have a destiny."

Fairey Update




I don’t know if anyone is dying for a Shepard Fairey update but here’s the latest.

Because of my involvement with the Fairey/Garcia/AP case, I have now been served a subpoena by Fairey’s lawyers and will shortly be deposed. This means gathering every piece of paper relating to any of the above and then being questioned and recorded under oath. No big deal, just a pain.

By coincidence, I happened to be in Boston today and thought I should visit Shep’s show at the ICA. As I have always maintained, I’m actually a fan of Fairey’s work (just not his image “borrowing”) and it’s an amazing show. Beautifully and thoughtfully conceived and installed and full of good work. If you’re anywhere nearby go and see it.

As many of you know I enjoy taking pictures in museums and it always seems silly to me to not allow photography. At this show, however, the young guards were trained with what seemed like military precision - always on the move, crossing from one gallery to another in a way that never left a room unguarded. It was eerie and ironic. But not quite as hypocritical as the sign that greets you as you’re about to enter the show requesting “Please no photography in galleries”!




So in true guerilla spirit, I had to snap at least one with my iPhone:




If all this wasn’t enough, last week I got an e-mail from the film-maker and journalist, Edward Nachtrieb. As Nachtreib explained:




Exactly 20 years ago I took this picture of an armed Chinese soldier at the onset of martial law in Beijing. That same image, with no attachment to its original context or how it fits into the Chinese story, was appropriated by artist Shepard Fairy (of the Obama "Hope Poster" fame).

Beijing residents, using busses and their bodies, had blocked a convoy of soldiers attempting to enter the city. This was the first appearance of lethal weapons on the streets and was a precursor of what was to come on June 4. I'm sure the reality of the picture is not relevant to the artist...but I find that disturbing. Images stripped of their context but retaining strong emotional elements are hallmarks of fascist and Soviet propaganda styles - an acknowledged inspiration for this artist. In this case, I think a lack of accurate context for the image drains it of meaning. It's also dishonest. I suggest that Mr Fairey credit those whose materials he uses to "inspire" him. The truth of things might help enhance the depth of how his work is perceived and actually make it more interesting to contemplate and not just cool to look at.




Inside Fairey’s ICA show, one of the wall texts proudly quotes Warhol saying “Art is anything you can get away with.” This is one of many things the court will have to decide in the Fairey/AP case.

Donald Knuth: Mathematical Ideas, or Algorithms, Should Not Be Patented

Donald Knuth, distinguished computer scientist, recipient of the Turing Award, creator of the TeX computer typesetting system, and author of The Art of Computer Programming, which some call the Bible of computer programming, has submitted a letter [PDF] to the European Patent Office for submission to the EPO's Enlarged Board of Appeal considering the question of software patents and whether they should be allowed in Europe. Here's his view:
Basically I remain convinced that the patent policy most fair and most suitable for the world will regard mathematical ideas (such as algorithms) to be not subject to proprietary patent rights.
He attaches a letter he wrote in 1994 to the US Patent and Trademark Office, explaining why software patents were -- and would be -- so damaging. How true his words proved to be. Here's a snippet:
I am told that the courts are trying to make a distinction between mathematical algorithms and nonmathematical algorithms. To a computer scientist, this makes no sense, because every algorithm is as mathematical as anything could be.
Ah! But will the EPO listen?

The God And Goddess Of Heaven And Earth Have Split Up!!!!! | Dlisted

Shared by Eve
I'll believe it when I see it.

Dave Eggers on the death of print

he's conflating literacy with print, but I'm very excited to see his newspaper prototype [via

The Assumptions Designers Make

(Why Mobile Phones Don’t Make Sense To Everyone)

A “Tea with Teresa” podcast with Natasha Alani, Researcher for Adaptive Path’s Mobile Literacy Project

Download podcast here


Natasha Alani
By now you may have heard about the release of research and designs from Adaptive Path’s Mobile Literacy project. If you haven’t, here’s the gist: In and effort to understand how mobile technology can work more effectively in emerging markets, Adaptive Path went to rural India to investigate the impact of mobile technology and developed concepts for new mobile devices for this market.

I interviewed Natasha Alani, one of the researchers, about her trip and what she witnessed in India. It’s an interesting conversation that will give you some insight into the obstacles that those in rural and highly illiterate societies confront when trying to use something many of us take for granted as simple: a mobile phone. Natasha talks about how the basic assumptions underlying most mobile phone designs (ie: literacy, numeric literacy, and an understanding of basic computer functions) can quickly become obstacles for communication. She also poses an exciting challenge for mobile phone designers everywhere: step back, break apart foundational assumptions in mobile design, and explore new possibilities. The result could be an opportunity to make mobile communication truly accessible to a much wider global audience.

To see the designs that came out of this research visit: http://www.adaptivepath.com/mobileliteracy

Seedbomb

A project from Jin-wook Hwang:

Seedbomb is a non-military bomb that protects earth from worsening desertification and lessens sandstorms. [...] When a Seedbomb is released from an airplane, Seedbomb is disassembled in the air and seed capsules inside of the bomb spread out widely and fall on the ground.

As individual seeds grow into plants, the case surrounding each seed breaks down due to the moisture generated by the plant through transpiration.

Tags: art  jinwookhwang  seedbomb

Base64 encoding options on the Mac and iPhone

On Unix platforms, a common approach for Base64 encoding is to use libcrypto (the OpenSSL library). However, like most C libraries, you need to wrap it to integrate with Objective-C data types (like NSData and NSString) and it isn't available on the iPhone. I'll show you how to handle base64 encoding/decoding with OpenSSL and without so you can handle the Mac and iPhone equally.

Introduction

Base64 is an encoding for transferring binary data in 7-bit text. Originally used in email, it is also used for binary encoding data in HTML files. Another common use for Base64 is in HTTP Basic Access Authentication where it is used to transfer login details (which might not be printable characters).

The key library for handling Base64 on the Mac is normally libcrypto (the OpenSSL library), so it's a little disappointing that libcrypto isn't available on the iPhone.

Using OpenSSL

Via the command line

On the Mac, you can handle simple encoding tasks like base64 encoding with OpenSSL on the command line:

echo "Base64 encode this text." | openssl enc -base64

gives the encoding result:

QmFzZTY0IGVuY29kZSB0aGlzIHRleHQuCg==

The reverse is handled in the following manner:

echo "QmFzZTY0IGVuY29kZSB0aGlzIHRleHQuCg==" | openssl enc -d -base64

giving

Base64 encode this text.
In code

As you'd expect, doing the same work in code takes a little more typing. First, we're using a library, so we need to include it (in your Project's Build Settings under Other Linker Flags add the flag -lcrypto). Once that's done, you should be able to use the following method in a category on NSData:

#include <openssl/bio.h>
#include <openssl/evp.h>

- (NSString *)base64EncodedString
{
    // Construct an OpenSSL context
    BIO *context = BIO_new(BIO_s_mem());

    // Tell the context to encode base64
    BIO *command = BIO_new(BIO_f_base64());
    context = BIO_push(command, context);

    // Encode all the data
    BIO_write(context, [self bytes], [self length]);
    BIO_flush(context);

    // Get the data out of the context
    char *outputBuffer;
    long outputLength = BIO_get_mem_data(context, &outputBuffer);
    NSString *encodedString = [NSString
        stringWithCString:outputBuffer
        length:outputLength];

    BIO_free_all(context);

    return encodedString;
}

To handle a Base64 encode.

By default, encodedString will have newlines every 64 characters. If needed, you can disable the inclusion of newlines by adding the following line before the BIO_write:

BIO_set_flags(context, BIO_FLAGS_BASE64_NO_NL);

Tthe "BIO" system (I think it stands for buffered I/O) is not very symmetric so the code for decoding is quite different:

+ (NSData *)dataByDase64DecodingString:(NSString *)decode
{
    decode = [decode stringByAppendingString:@"\n"];
    NSData *data = [decode dataUsingEncoding:NSASCIIStringEncoding];
    
    // Construct an OpenSSL context
    BIO *command = BIO_new(BIO_f_base64());
    BIO *context = BIO_new_mem_buf((void *)[data bytes], [data length]);
        
    // Tell the context to encode base64
    context = BIO_push(command, context);

    // Encode all the data
    NSMutableData *outputData = [NSMutableData data];
    
    #define BUFFSIZE 256
    int len;
    char inbuf[BUFFSIZE];
    while ((len = BIO_read(context, inbuf, BUFFSIZE)) > 0)
    {
        [outputData appendBytes:inbuf length:len];
    }

    BIO_free_all(context);

    return outputData;
}

An interesting point to note at the top of this function: I add an extra newline to the start of the string. This is because if you have not disabled newlines and the string does not contain at least 1 newline, BIO_read will fail.

Handling Base64 on the iPhone

Using libcrypto isn't possible on the iPhone — the library isn't there. The other functions that libcrypto handles can be found elsewhere:

  • md5 — use the CommonCrypto implementation CC_MD5
  • sha — use the CommonCrypto implementation CC_SHA
  • Public/Private Key Encryption/Decryption — use the SecKeyEncrypt/SecKeyDecrypt functions in the Security framework

You can find the documentation for the Security Framework by performing a standard Xcode API lookup. For some reason though, the CommonCrypto functions only appear in a full-text search.

The Base64 functionality of OpenSSL doesn't have an accessible equivalent on the iPhone, even though NSURLConnection, CFHTTPMessageRef and WebKit must all have access to an implementation — whatever they use is not accessible.

Encoding Base64

Fortunately, Base64 is a fairly simple encoding. At its heart, it looks like this:

static unsigned char base64EncodeLookup[65] =
    "ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz0123456789+/";

//
// Inner loop: turn 3 bytes into 4 base64 characters
//
outputBuffer[j++] = base64EncodeLookup[(inputBuffer[i] & 0xFC) >> 2];
outputBuffer[j++] = base64EncodeLookup[((inputBuffer[i] & 0x03) << 4)
    | ((inputBuffer[i + 1] & 0xF0) >> 4)];
outputBuffer[j++] = base64EncodeLookup[((inputBuffer[i + 1] & 0x0F) << 2)
    | ((inputBuffer[i + 2] & 0xC0) >> 6)];
outputBuffer[j++] = base64EncodeLookup[inputBuffer[i + 2] & 0x3F];

This might be a little ugly to look at if you're not use to seeing bitmasks and bitshifts but it is only a couple lines. It does little more than the comment states: it turns 3 bytes into 4 chars, with the specific chars specified by the base64EncodeLookup mapping.

Of course, while this code handles the center of the main loop, there's almost a hundred lines total in the complete implementation that I wrote.

As part of keeping the function optimal, I wanted to keep the conditionals out of the inner loop (making vectorizing easier). I succeeded and there are no conditionals in the inner loop but this means that there are a few tail conditions to handle in the epilogue.

I also wanted to calculate the exact size that would be required for the output buffer, so it can be allocated once with no waste, but this too occupies a few lines worth of space.

Decoding Base64

Decoding works similarly to encoding, except that in decoding we are reducing 4 characters down to 3 bytes instead of vice versa:

//
// Store the 6 bits from each of the 4 characters as 3 bytes
//
outputBuffer[j] = (accumulated[0] << 2) | (accumulated[1] >> 4);
outputBuffer[j + 1] = (accumulated[1] << 4) | (accumulated[2] >> 2);
outputBuffer[j + 2] = (accumulated[2] << 6) | accumulated[3];

More interesting than the code in this case is the lookup table that each of these accumulated bytes passes through before being used here:

//
// Definition for "masked-out" areas of the base64DecodeLookup mapping
//
#define xx 65

//
// Mapping from ASCII character to 6 bit pattern.
//
static unsigned char base64DecodeLookup[256] =
{
    xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, 
    xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, 
    xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, 62, xx, xx, xx, 63, 
    52, 53, 54, 55, 56, 57, 58, 59, 60, 61, xx, xx, xx, xx, xx, xx, 
    xx,  0,  1,  2,  3,  4,  5,  6,  7,  8,  9, 10, 11, 12, 13, 14, 
    15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, xx, xx, xx, xx, xx, 
    xx, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 
    41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, xx, xx, xx, xx, xx, 
    xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, 
    xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, 
    xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, 
    xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, 
    xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, 
    xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, 
    xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, 
    xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, xx, 
};

The "xx"s in this table are just a #define of 65 (i.e. outside the valid range of Base64) but they provide an interesting visual representation of the 6-bits that each Base64 character can occupy within the 8-bit byte.

I was unable to remove all of the conditionals from the inner loop of the decode side and keep the "skip over invalid characters" requirement.

This "skip over invalid characters" stage (where characters are accumulated until 4 valid characters are found) is handled by the following loop (which immediately preceeds the previous "store the 6 bits from each of the 4 characters as 3 bytes" code):

//
// Accumulate 4 valid characters (ignore everything else)
//
unsigned char accumulated[BASE64_UNIT_SIZE];
size_t accumulateIndex = 0;
while (i < length)
{
    unsigned char decode = base64DecodeLookup[inputBuffer[i++]];
    if (decode != xx)
    {
        accumulated[accumulateIndex] = decode;
        accumulateIndex++;
        
        if (accumulateIndex == BASE64_UNIT_SIZE)
        {
            break;
        }
    }
}

This is the only part which makes the decode stage sub-optimal. If you had Base64 input data with no newlines and no other characters requiring skipping, I think you could remove this section entirely so that the inner loop of the decode function could be vectorizable.

Conclusion

Download the NSData+Base64 class and header (4kB).

In this post, I've shown you how to use the default command-line and library options for Base64 handling on Mac OS X. I've also shown you the approach I use for Base64 encoding and decoding on the iPhone.

The libcrypto libraries (when available) are not as tight and simple as custom code for the task but do have the advantage that the pipeline for feeding data into them is more configurable.

I'm certainly not the only one to present C libraries for Base64 encoding that will work on the iPhone but the approach I've used should be efficient (especially the internal implementations in the C-functions) and it should drop into a Cocoa project on the iPhone very easily.

20 Years On

Coupla First Ladies Sittin' Round The White House Talkin'
There is way too much going on in this picture of Nancy Reagan visiting with Michelle Obama at the White House, so I’ll just put it up here. I mean, Jesus, who would have etc.? As a brilliant Russian philosopher once said, “What a country.”

UPDATE: Eminem Confirms MTV Stunt, "I Went Back To My Hotel & Laughed Uncontrollably"

After recent reports of his MTV incident with comedian Sacha Cohen being staged and him being robbed at his California hotel room, Eminem has broken his silence on both issues.

[Visit SOHH.com for more information]

CrunchPad: The Launch Prototype

We’ve been working hard behind the scenes on the CrunchPad since our last update in April, and have just about nailed down the final design for the device. We’re showing the conceptual drawings here today. In another few weeks we’ll have the first working prototypes in our office.

This launch prototype is another significant step forward from the last prototype. The screen is now flush with the case and we’ve decreased the overall thickness to about 18 mm. The case will be aluminum, which is more expensive than plastic but is sturdier and lets us shave a little more off the overall thickness of the device.

I believe the device now actually looks better than the original concept design we published last summer. Compare this to the first prototype and you can see how far we’ve come. If you’re interested, here’s Prototype B. Pictures of Prototype C, which is the device we’re actually demo’ing to people now, are here.

A lot has happened behind the scenes, too. Our partner Fusion Garage continues to drive the software forward, and we are in deep discussions with key partners to bring the device to market. If you’d like to see the previous CrunchPad in action, we have a previously-private video available on YouTube that shows our vision for the user interface and the last version of the software stack. This is a Linux based operating system and a Webkit based browser. The device boots directly into the browser.

The next time we talk about the CrunchPad publicly will be at a special press and user event in July in Silicon Valley. If you’d like to be emailed when new news comes out, send an email to crunchpad@techcrunch.com and we’ll put you on the list.

More images of the CrunchPad below:



Crunch Network: CrunchGear drool over the sexiest new gadgets and hardware.

The Privileged Life Of Sonia Sotomayor

Bronx Brahmin“I’m sure when Sonia Sotomayor was six years old, being raised by a single Puerto Rican mother in the Bronx in the 70’s, she knew she could kick back and riiiiiide it out, because she was on fucking Easy Street, baby.” Sonia Sotomayor was nine when her father passed away. Other than that, this refutation of some of the most recent idiocies uttered about the Supreme Court nominee is pretty damned perfect.

The demise of "form follows function"

Regarding the design of digital products, form doesn't follow function anymore.

Thanks to digital technology, designers can squeeze so many functions into such tiny containers that there is more computing power in a basic cellphone (not a fancy model, like a BlackBerry or iPhone, just a cheap one) than at NASA's headquarters when it began in 1958. That is why the appearance of most digital products bears no relation to what they do.

I've heard this idea expressed before, specifically about the iPhone, but I can't remember where. Maybe it was Rawsthorn herself in Objectified?

Tags: alicerawsthorn  design  iphone

Photo



Note: Keep the Comments Coming

So far, I believe things are going well with the new system for comments.

Interestingly, Deadspin.com was recently forced to switch policies as well, here, so I’m glad to see I am not alone.

For those who missed MetsBlog’s new system, click here.

Remember, in order to be accepted in to the system, you must have a history of posts that can be reviewed, so keep posting.

Also, like I said last week, it could take me anywhere from one day to one week, or more, to get through the comments that are currently awaiting moderation, which, right now, sit at 1,446 – so keep posting, and establish what you’re about.

To read what makes a good commenter, click here.

Pt. 2: Darryl Strawberry answers your questions

http://www.rootzoo.com/videos/view/MLB-Baseball/RootzooTV-Darryl-Strawberry-answers-your-questions/4345

Pt. 2: Darryl Strawberry answers your questions

Darryl Strawberry on Pete Rose

http://www.rootzoo.com/videos/view/MLB-Baseball/Darryl-Strawberry-on-Pete-Rose-and-Steroid-Users/4348

Darryl Strawberry on Pete Rose

Stumped: Is Stumptown This Decade's Starbucks?

2009_06_stumptown.jpgMany New Yorkers have been quick to jump aboard the Stumptown bandwagon, eagerly anticipating the Portland coffee chain's roaster that's set to open in Red Hook, happily accepting it at some of the city's hippest restaurants (Momofuku, Frankies Spuntino, Freemans) while they await its big opening in the Ace Hotel this summer. It's safe to assume there are still glowing trend pieces about the growing coffee brand that have yet to be written.

But a writer for NY Press becomes one of the first to say "Not so Fast":

"Stumptown shouldn’t be mistaken for the bohemian paradise that its owner and his legions of promoters and sycophants would have you believe. Like Starbucks, the company it professes to abhor, Stumptown provides a ready-made, generic bohemianism, one where people know exactly what to expect. Stumptown’s current strategy is essentially a retread of Starbucks’ corporate model from more than a decade ago."
Without really addressing the taste of the coffee—or its similarity to other high end roasters and cult favorites like Intelligentsia or Blue Bottle—the author is mostly attacking the marketing, the self righteousness of the brand's image (Let’s not forget the questionable—if not outright noxious—notion that consuming can ever be a truly noble activity"), and the almost religious attachment to "fair trade" ("...fair trade practices like Stumptown’s pervert the natural functioning of agricultural markets in poor countries...). It's a good read, and we encourage you Stumptown zealots and detractors alike to respond in the comments.
· Totally Stumped [NYPress]

oriolesmagic: One more shot of the rainbow over Camden, from...



oriolesmagic:

One more shot of the rainbow over Camden, from last week.  Click for a large, high res image.

we will be there in two weeks! see you then.

Staging at Per Se: Want to know what it's like...

Want to know what it's like staging at Per Se? This chef is blogging it: "Staff meal was enchiladas, I'll have to say may have been the best enchiladas I have ever eaten." Up next: breaking down 200 live langoustines. [Passion & Obsession]

Social A’s: Do I Acknowledge The Plight Of Gays At My Straight Wedding?

Social A'sDear Answer Lady,

At my wedding [Ed. Note: Damn, it is wedding season up in this advice column!] in fast-approaching 2010 I would like to somehow recognize those in the audience who were or are unable to marry because they are gay. A wedding ceremony inherently contains a wealth of self-aggrandizing pats-on-the-back, but I feel like it’s doubly in-your-face-haha-we-are-getting-married for those who can’t do the same. Our audience will have both family and friends in those shoes, spanning the Greatest Generation to Gen X. What is a tasteful way to incorporate this sentiment into our all-too-hetero ceremony?

Mr. Conflicted Vows-Taker

p.s. The ceremony is not in a religious venue, obvs.
p.p.s. I don’t mean recognize like “Hey, Anne, she’s out there and cannot…” but more generally. Also obvs.

Dear Conflicted,

Skip it. A wedding ceremony is going to be in-your-face-haha-we-are-getting-married no matter how many caveats about “sorry we’re getting married when gays can’t or couldn’t get married too” you throw in there. And actually, it seems to me that it would be nearly impossible to express this sentiment in front of the “audience” — it might behoove you to start thinking of them as “guests”! — without seeming like you are patting yourselves on your respective backs even harder. You know? A) for getting married and B) for being good people who care about evil and social injustice.

I think, Conflicted, that your vows are not the time to grandstand about your stance on gay marriage, or Darfur or universal healthcare or freeing Mumia*. Your vows are, for better or worse, only about the two of you. (Vow joke!) If you do say something, even if you don’t single out Anne or whoever, Anne or whoever is going to feel singled out, possibly in more ways than one. Instead, talk to these friends and family members privately about your feelings, if you think they might not know where you stand, but save the speeches for a marriage equality rally. Which, you are probably going to one of those every weekend, right?

*this joke seems really dated but, you know, he is still in jail!

Questions? We can help! Write to advice at TheAwl.com!

Previously: When Two Men Fall In Love

Confirmations: Danny Meyer, Anne Hathaway Make Central Park Debuts June 10

2009_06_dannyanne.jpgCentral Park: Now that Sir Danny Meyer has signed on the dotted line, reps at Union Square Hospitality Group can confirm that their fearless leader will indeed open his newest operation, Public Fare at Central Park's Delacorte Theater, one week from today. Bonus: it's the debut of starlet Anne Hathaway in Twelfth Night!

Sadly, they won't pony up the menu details, other than to say it will be a "well-sourced, simply-prepared menu ideally suited to outdoor dining in the park," so we can only desperately hope for Shack burgers and concretes. Public Fare will be open from 8 a.m. - 8 pm nightly (including intermissions). See the full press release for more.

June 3, 2009 New York – Hudson Yards (HY), the catering and events business from Danny Meyer’s Union Square Hospitality Group (USHG), is pleased to announce it will create and operate a new concession, Public Fare, for The Public Theater at The Delacorte in Central Park.

Public Fare will serve a well-sourced, simply-prepared menu ideally suited to outdoor dining in the park from Hudson Yards’ Executive Chef Robb Garceau and USHG Culinary Director Michael Romano. This concession will be open initially from 8:00 AM – 8:00 PM (but will remain open through intermission on performance nights) feeding both guests of The Delacorte and park patrons alike beginning in early June.

“My colleagues and I are thrilled to bring Public Fare to this beloved theater in Central Park,” shares Danny Meyer, CEO of Union Square Hospitality Group. “We look forward to being a part of this cherished rite of summer in New York, and hope our food will be another reason for park-goers to visit The Delacorte.”

“Every summer, Shakespeare in the Park offers world-class theater in one of the most beautiful settings in New York,” said Public Theater Executive Director Andrew D. Hamingson. “We are thrilled that Hudson Yards will be joining us at The Delacorte to add their delicious creations to this unique experience.”

This opening also marks the beginning of a partnership in which Hudson Yards is the exclusive caterer for all The Public Theater’s catered events at The Delacorte.

· Danny Meyer's Public Fare to Open Next Week [~E~]

Sonnet 99

The forward violet thus did I chide:
Sweet thief, whence didst thou steal thy sweet that smells,
If not from my love’s breath? The purple pride,
Which on thy soft cheek for complexion dwells,
In my love’s veins thou has too grossly dyed.
The lily I condemned for thy hand,
And buds of marjoram had stol’n thy hair;
The roses fearfully on thorns did stand,
One blushing shame, another white despair;
A third, nor red nor white, had stol’n of both,
And to his robb’ry had annexed thy breath;
But for his theft, in pride of all his growth,
A vengeful canker ate him up to death.
More flow’rs I noted, yet I none could see,
But sweet or color it had stol’n from thee.



This is the only fifteen line sonnet by Shakespeare.  Regarding line 5: In Elizabethan times, those of noble birth would trace the veins in their hands and arms with blue pencil.  This was also a common practice in the court of Louis XVI.  The expression 'blue blood" derives in part from the visibility of blue veins on pale skin.  Tan skin was considered plebian and associated with outdoor labor. 

What I’m Up To: Joining the Advisory Board at Pelotonics

Pelotonics logoI’m happy to announce that I’m joining the advisory board at Pelotonics, LLC, a startup here in San Diego making a project management web application of the same name. I met founders Troy Malone and Daniel Marashlian last summer at the bonfire meetup I organize here in town, and their energy and enthusiasm impressed me off the bat.

As a product, Pelotonics is both very mature and just getting started. It’s live and available for folks to sign up and use, but it hasn’t even begun to get the recognition it deserves. My recent informal survey of what project management apps people are using seems to indicate that there’s a market for something somewhere in between Basecamp and Microsoft Project. Pelotonics has a great shot at that market.

This is the first time I’ve advised a company, but it’s something I’m already enjoying. I’ve worked at internet startups almost my entire career, and I love to see the inner workings of a successful online product. As a blogger who’s constantly dealing with product pitches, it’s going to be very interesting role reversal; part of my job will be helping the wizards behind the Pelotonics curtain get the word out.

Of course, as someone who critiques software for a living, I’ve got lots of opinions on how Pelotonics can improve, and I’ll also be sharing them with Troy and Daniel in the coming months. Finally, I’ll note my involvement on the board any time that I mention Pelotonics or cover any of its competitors.

If you’re in the market for a project management webapp, give Pelotonics a whirl, and let us know what you think.

Related: Marshall Kirkpatrick’s post at ReadWriteWeb, Gina Trapani to Join Productivity Company Pelotonics As Advisor

Paul McCartney playing Citi

Paul McCartney playing Citi: I know he is Paul McCartney and all and I was a rabid (I mean rabid - my mother would still be buying me Beatles stuff if I hadn’t explicitly told her “stop” when I was 15)  Beatles fan in my early teens, but - I cannot wrap my brain around going to see this. Equally, I don’t know how I can NOT go. But then again I sat out the “Born In The USA” tour when it hit stadiums and never had a problem with it.

The tank man of Tiananmen

The NY Times Lens blog, which has been really good right from the start, has a great story today about the photographers who took the pictures of the man in the white shirt staring down the tanks in Tiananmen twenty years ago.

As the tanks neared the Beijing Hotel, the lone young man walked toward the middle of the avenue waving his jacket and shopping bag to stop the tanks. I kept shooting in anticipation of what I felt was his certain doom. But to my amazement, the lead tank stopped, then tried to move around him. But the young man cut it off again. Finally, the PSB (Public Security Bureau) grabbed him and ran away with him. Stuart and I looked at each other somewhat in disbelief at what we had just seen and photographed.

I think his action captured peoples' hearts everywhere, and when the moment came, his character defined the moment, rather than the moment defining him. He made the image. I was just one of the photographers. And I felt honored to be there.

Tags: china  photography  tiananmensquareprotests

Up and Away (2006) - Michael Bell-Smith

Rocketboom International Talent Search

talentsearch.rocketboom.com

While June May Look Modest...

Anunu_Cupping Table_Blog.jpg... there is so much going on behind the scenes!

So... there are no new coffees this month, but it's prime time for approving samples from some of our favorite Central and South American coffee producing countries. We have many lots of new Colombia Las Mingas in the sample roasting queue, along with new Panama Hartmann Honey and a whole slew of Cup of Excellence auctions just around the corner. Tomorrow is the El Salvador CoE auction, and I can't wait to see how some of my favorites do! The CoE Costa Rica auction will take place next Thursday, and while we haven't even roasted these samples yet, I know there are going to be some beautiful mild coffees in that group. In any case, visit the blog on Friday to see if we bid on any El Salvs!

Later this month we will also begin to see arrival samples of some of the coffees we've purchased earlier this spring. We've got two (that's 2) east African coffees that are going to hit American soil in late June / early July. Kenya Gatomboya is first on my 'Eagerly Awaiting' list. The Kenyan lots that we've purchased in March are really killer, and I really can't wait to see them on our offering list. The second coffee on its way is our new crop Ethiopia Amaro Gayo. This will be the first of hopefully many years we will be offering this solid fruit bomb Ethiopian. Much more to come on the new release tip in July!


Emergency cuff links

If you have a pair of small binder clips:

Binder Clips

then you also have a pair of emergency cuff links.

Tags: evanroth  fashion  hacks

Creative Review: The Making of The Rakes’ “Klang”

Work Associates created these beautiful covers for recent releases from British pop band “The Rakes.”

Covers for “1989” and “Reason” from The Rakes

The studio “based their imagery partly on Bauhaus principles and on colour theorist Ludwig Hirschfeld-Mack’s 1920s experiments with various apparatus that could generate moving projections of coloured light. His processes were later explained in his booklet, Farben Licht-Spiele.”

Rock - Paper - Scissors



So, ... Im happy to report that a new video (Ive spent the last 3 months working on) will premiere on the 5th in a show at Kunsthaus Graz called Rock - Paper - Scissors. Ill also upload the vid on "the net" shortly thereafter, so dont fret if you cant get to Austria .......... Ps - Ill also be doing a performance at the opening (see idea #5 from this pdf for more info). Also performing will be the Red Krayola and Kim Gordon & Jutta Koether.

The Movie Producers Talk! Turns Out: Things Are Hard

SPRINGTIME FOR DIRECTORS AND MOVIE STARS.....This roundtable of Hollywood producers is ten kinds of hilarious, at least in part because of this question: “Gary, your last two films were ‘Crank: High Voltage’ and ‘Underworld: Rise of the Lycans.’ Is there a future where you make Philip Roth’s ‘American Pastoral’?”

Barista In The Wild, Part 3: Working Towards Coffee Sustainability | Serious Eats


Allison Hemier’s third Serious Eats post focuses on sustainability, and includes a photo from Tonx.  Allison says she’s “not drinking the kool-aid” while promoting Starbucks green buying practices, and to be fair, she does seem to be taking a fairly objective and thoughtful approach to the topic.  Included in this post are shoutouts to Intelligentsia Coffee and Tea, and our own Gimme! Coffee.  Thanks Allison!

Barista In The Wild, Part 3: Working Towards Coffee Sustainability | Serious Eats

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Posted in coffee, gimmecoffee, travel Tagged: coffee, gimmecoffee, intelligentsia, origin, starbucks, sustainability, travel

Meyer's Public Fare Shoots to Open Next Week

2009_05_thebard.jpg
The reps over at Danny Meyer's Union Square Hospitality Group won't confirm, but our inside source uptown tells us his planned restaurant for Central Park's Delacorte Theater (Home of "Shakespeare in the Park") is now being called Public Fare, training is underway, and it's shooting to open as soon as June 10.
· BOOM! Danny Meyer to Open 'The Bard' in Central Park [~E~]

boofda: steveanderson: Fenway. 5/31/09. i hate phish. but this...



boofda:

steveanderson:

Fenway. 5/31/09.

i hate phish. but this is cool.

20 Years On

Tiananmen Square

A Coffee Lover’s Perfect Mate – washingtonpost.com


Serious Eats is not the only media company getting in on the hot coffee action.  The Washington Post published an article today on brewing at home.  Keywords include Blue Bottle Coffee Co, Peregrine Espresso, and the Beehouse Dripper.

A Coffee Lover’s Perfect Mate – washingtonpost.com

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Posted in cafes, coffee, coffee equipment Tagged: bluebottle, brewing, cafe, coffee

National Fist Bump Day

POLITICS BUZZ: In honor of the terrorist fist jab heard round the world, today is the first annual National Fist Bump Day. Share it with the ones you love, and relive the magic all over again.

Contribute: Add an image, link, video or comment »

The Best Links:

  1. The official website.
  2. the next great American holiday?
  3. Even the pundits embrace it.
  4. Remembering the Terrorist Fist Jab
  5. Has the fist bump finally surpassed the high five?

Quote of the Morning: 'Why Add Water to Eggs?'

bug-qb-egg.jpg"I could never understand why people add water to their eggs. I generally add 2% milk or higher percentage milkfat, or even sour cream. But the water makes no sense to me. I had watered-down eggs in the Navy and to me they were tasteless. Can anyone explain why this is done, besides 'That's how the French do it'?" LunaPierCook

nathan sawaya: LEGO brick artist



nathan sawaya is a LEGO artist who creates a wide array of objects and sculptures from the
infamous plastic bricks. working from his new york studio since 2000 he has used around
1.5 million bricks until now to construct wildlife, gadgets, landmarks and surreal sculptures.
he also builds pieces live at events and has completed works for community projects...


rebirth of new orleans, 2006

the 'rebirth of new orleans' sculpture for example, was commissioned by the new orleans public library.
children were asked to draw and write about what they felt was important for the rebuilding of new orleans.


rebirth of new orleans, 2006
sawaya then translated some of their drawings into a LEGO sculpture. the piece took six weeks to
build and is composed of 120,000 LEGO elements. more on this project here.


iPhone, 2007


PC mag computer, 2006


via


via


reflection, 2006


circle triangle square, 2009


yellow, 2006

see many more of nathan's works.

via lost at e minor

New York's flagship Apple Store doing great business

Filed under: , ,

New York City's flagship Apple Store, located on 5th Avenue in Manhattan, is doing tremendous business. According to The New York Post, that store raked in $440 million in one year. Of course, the location doesn't hurt. It's right by Central Park and the huge, glass cube is a real tourist draw.

The Post also notes that the SoHo store pulled in $100 million, but didn't provide any stats on the West 14th Street store. In the meantime, construction has begun on what's rumored to be a fourth NYC store, expected to open at the corner of 67th and Broadway on Manhattan's Upper West Side later this year. If that store and a rumored Brooklyn store are opened, NYC would boast six stores total (including the Staten Island store).

Apple intends to open 25 new stores for fiscal year 2009, half of them outside the United States.

[via AppleInsider]

TUAWNew York's flagship Apple Store doing great business originally appeared on The Unofficial Apple Weblog (TUAW) on Wed, 03 Jun 2009 06:00:00 EST. Please see our terms for use of feeds.

Read | Permalink | Email this | Comments

June 2, 2009

In The Booth


In which we peer into the minds of our beloved SNY commentators with a random quote from a recent game...

Jon Stewart: They have a sushi bar here.
Kevin Burkhardt: Well, they had that at Shea.
Jon Stewart: They did, but I think it was just old dead fish.
---------------------------------------
Kevin: I was looking at the ratings from your show the other day, is it true the Ron Darling show is the highest rated show ever? 
Jon: Amongst a certain demographic.
Kevin: What demographic is that?
Jon: Aging ballplayers. I think Sid Fernandez watched and he counts as three. He scored very high with aging Hawaiian pitchers. So we have Sid Fernandez and, well... 
Sid Fernandez.

Anagrams and Crossing Delancey

I finally have an answer to the old question: if you could choose any superpower, what would it be?  Why, I'd like to be able to anagram (if I may use it as a verb) any word, headline or sentence that comes my way!  A Word a Day (awad) recently tweeted a link to their other blog, and my new favorite site, The Anagram Times.  They take current headlines and make anagrams out of them.  For example:

Original:  Conan O'Brien makes debut on The Tonight Show

Anagram: NBC booked a hot, huge Irishman.  Town tense... not.

Then, while I was on the Anagram Times site, I saw a link to DelanceyPlace, a site that sends you nonfiction literary excerpts every day.  I was somewhat suspicious as to the quality of these excerpts, but these amazing paragraphs greet you on the first page:

In today's excerpt, John Steinbeck eulogizes his recently deceased friend, Ed Ricketts:

I have tried to isolate and inspect the great talent that was in Ed Ricketts, that made him so loved and needed and makes him so missed now that he is dead. Certainly he was an interesting and charming man, but there was some other quality that far exceeded these. I have thought that it might be his ability to receive, to receive anything from anyone, to receive gracefully and thankfully, and to make the gift seem very fine. Because of this everyone felt good in giving to Ed--a present, a thought, anything.

Perhaps the most overrated virtue in our list of shoddy virtues is that of giving. Giving builds up the ego of the giver, makes him superior and higher and larger than the receiver...It is so easy to give, so exquisitely rewarding. Receiving, on the other hand, if it is well-done, requires a fine balance of self-knowledge and kindness. It requires humility and tact and great understanding of relationships. In receiving, you cannot appear, even to yourself, better or stronger or wiser than the giver, although you must be wiser to do it well.

It requires self-esteem to receive--not self-love but just a pleasant acquaintance and liking for oneself.

John Steinbeck, The Log from the Sea of Cortez, Appendix, ""About Ed Ricketts"", Penguin Books, 1951, pp. 272-3

Beautiful.  I signed up for a subscription right away.

Doc Gooden - Dr. K shirt on Etsy



Doc Gooden - Dr. K shirt on Etsy

Bike Tube Vending

Schwalbe Bike Tube Vending maching -- for 6 euros.

tube_vending.jpg

Uploaded by PresleyJesus | more from the Bike Hugger Photostream.

The Performing Arts and the Economy

I'd like to share with readers the following essay by my friend Naama Zahavi Ely. This essay appeared in the program for a benefit on behalf of the International Vocal Arts Institute. For the past couple of years, Naama's daughter Kinneret has attended their summer opera workshop, Sadnat Ha-opera, where she has had the chance to study with a stellar international faculty. Last summer in Israel, I attended the workshop's free, end-of-summer concert in Yaffo's Gan Ha-Pisgah.  Joan Dorneman of the Metropolitan Opera, who is also the program's Artistic Director, introduced the performance with the observation that "Sadna ["workshop"] means 'music in Tel Aviv.'  It's not a Hebrew word anymore--it has become international."  The students, backed by the Israeli Cameri Orchestra, performed pieces from Carmen, Die Zauberflöte, Tosca, and Lucia di Lammermoor, as well as other operas.  The standout was Mari Moriya, who already has an impressive professional resume.  Her rendition of "Il dolce suono" from Lucia brought people to their feet.

In this economy, local art cultures around the globe are struggling to operate with fewer resources.  Naama's piece persuasively reminds us that when we attend a show or exhibit, whether at home or away, we're supporting all sides of the stage.   


THE PERFORMING ARTS AND THE ECONOMY


by Naama Zahavi Ely (nxzaha@wm.edu)


Written for Kinneret Ely's recital in Williamsburg, Virginia, May 10, 2009, to benefit the International Vocal Arts Institute (IVAI) In times like these, when millions are out of a job or losing their homes, how can one ask fellow-citizens to donate to luxuries like art, rather than help people make a living? One could argue that the arts are not a luxury but a necessity. My point is far less lofty. I would argue that by supporting the performing arts, we are in fact creating and sustaining jobs – worthy and deserving jobs. Performing artists, by and large, don’t work for the sake of money. The hard labor and the long and costly training required by their professions rarely win adequate compensation in purely monetary terms. Artists choose their professions for love: they love music and ballet and theater, and they want to share that love with you. They want to share with you their music, their acting, their dancing, their vision of a great masterpiece that cannot come fully to life without being performed. In order to do so, they need to make a living. And some of them manage to make their living by performing art. Without an audience, there can be no performing arts. One can’t put a production in a drawer, like a poem or a painting waiting to be discovered in better times, and one can’t perform in a vacuum. So, if you love music – if you love theater – if you love opera – if you love ballet: please do your part. Please come: if you can’t afford expensive tickets, buy the less expensive ones. Please support your local companies, and the national companies we all benefit from. Please enable the musicians to transport you with their music, the actors to perform their magic, the ballerinas to soar, the directors to create their alternate reality, one evening at a time. Please give an opportunity to those who work behind the stage -- the organizers, the builders of sets, the lighting directors, the costume-makers – to do their part. They are skilled in making wonders out of almost nothing; but they do need to be given the opportunity to work their wonders. If you support the performing arts – by attending and buying tickets, and by offering donations – you are sustaining jobs that cannot be exported overseas. There are few profiteering middlemen in the performing arts, either on the stage or behind it: the gleanings are too slim for those not moved by love of the arts. By supporting local companies, you enable dedicated artists to continue sharing the excitement of live arts with you and with your loved ones. By supporting the large, national companies such as the Metropolitan Opera or the Martha Graham Dance Company, you help make the arts available at the highest level to yourself and to millions of others. Every symphony orchestra or local opera company that folds is a major loss. Beginning performers must start somewhere, and so must choreographers, directors, and set designers. If there are no smaller companies for them to begin and develop in, we may find ourselves years from now starved at the top. Even with up-to-date broadcasting like the Metropolitan Opera in HD, which I love and urge you to attend, there is no substitute for a live performance. But for that to happen, one needs to have performing companies within reach. Each such institution holds intangibles that can be lost irretrievably: a hands-on tradition of the craft passed from veterans to newcomers, a spirit of collaboration, an artistic vision, a place in the lives of families. So – please do your part. Go to museums and arts exhibits. Come to concerts. Applaud your favorite opera diva or divo. Support young artists’ programs. Donate if you can. Let Shakespeare go on living, and Euripides, and Sophocles. Let Don Giovanni keep up his catalog of ladies, and Musetta charm her admirers. Let them transport you to a world where there is no recession, and help them preserve the ephemeral thread of the performing arts, one evening at a time. Thank you.

WordPress Plugins for Collaboration Emails


In talking with publishers who are using WordPress as a full CMS for their sites, many folks are eager to enhance the “Submit for Review” feature for Contributors to include email notifications.

Peter Keung of Mugo Web, has created two Open Source GPL plugins that provide this enhanced functionality.

The first is Peter’s Collaboration E-mails:

This plugin enables automatic e-mails to the relevant users at the different post status transitions: when posts are pending; when they are approved or scheduled; and when their statuses are changed from “pending” back to “draft”.

The second one is often used in conjunction to append relevant notes, called Peter’s Post Notes:

Add notes on the “edit post” and “edit page” screens’ sidebars in WordPress 2.7 and up. When used with Peter’s Collaboration E-mails 1.2 and up, the notes are sent along with the e-mails in the collaboration workflow. There is also a general and private notes system on the dashboard.

You can download both these plugins from the WordPress.org plugin directory along with 5300+ other Open Source GPL plugins: Peter’s Post Notes and Peter’s Collaboration E-mails.

JD Salinger sues over unauthorized Catcher in the Rye sequel

a fictional version of Salinger appears as a character in the book [via

Who Does The NYT Follow?

Who Does The NYT Follow?: Kinda interesting: Who do the people of the NY Times follow on Twitter? The Times itself doesn’t come in until #12. (I come in at #180 — 14 spots above Shaq! I’m hoping to defy that new power law by barely posting lately.) See also: Who do the people of Twitter follow? [via]

Moore Should Go For Less

juliannemoore_vogue_july09cover[1].jpgWe at Fashionista are having yet another debate this afternoon. This time, a back and forth over the July cover of British Vogue, which features a heavily made up Julianne Moore. Shot by Alasdair McLellan, the coverline calls Moore "the most glamorous grown-up on screen."

We all like Julianne (some of us more than others), and we've always loved that she's so fresh-faced - with her beautiful pale skin, freckles and red hair all complementing each other. The "glamorous" make-up used for the Vogue shoot is too heavy for my taste and, dare I say it, verging on Norma Desmond territory. To me, she looks way older than she is.

Both Hollywood and the fashion industry are youth crazy, so it is great to see a beautiful woman over 40 holding her own and still scoring covers. But no one wants to look ten years older than their real age, right? Especially if they biggest line on the cover is "Ageless Style"

Abby, apparently the voice of dissent in the office today, thinks she looks gorgeous. Though she admits to being biased on all matters related to Julianne Moore.

What do you think?

--AMANDA JEAN BOYLE




Related: Fashion - Julianne Moore - Fashionista - Vogue - Design

China's success at erasing history

James Fallows reports that China has been very successful in erasing the Tiananmen Square protests from the official record.

I have spent a lot of time over the past three years with Chinese university students. They know a lot about the world, and about American history, and about certain periods in their own country's past. Virtually everyone can recite chapter and verse of the Japanese cruelties in China from the 1930s onward, or the 100 Years of Humiliation, or the long background of Chinese engagement with Tibet. Through their own family's experiences, many have heard of the trauma of the Cultural Revolution years and the starvation and hardship of the Great Leap Forward. But you can't assume they will ever have heard of what happened in Tiananmen Square twenty years ago. For a minority of people in China, the upcoming date of June 4 has tremendous significance. For most young people, it's just another day.

As the June 4 anniversary of the crackdown approaches, the Great Firewall of China has been strengthened by adding Twitter, Flickr, Hotmail, and Bing to the list of sites that are unavailable by China's internet users. (via snarkmarket)

Tags: china  jamesfallows  tiananmensquareprotests

Snapple and Mets together on a coffee truck

Snapple and Mets together on a coffee truck0602091108b.jpg

What's Next For Digital Publishing

mbcircus1.jpgThis morning, PCMag.com executive editor Dan Costa hosted a panel at Mediabistro Circus where he discussed the future of digital journalism with Anil Dash from Six Apart, Blurb founder Eileen Gittins and Rob Samuels, the director of mobile product development for the The New York Times.

Costa opened the discussion with a story about a freelance writer who pitched him recently. The writer said his rate was 15 cents per word. Is this this future of journalism?

Both Dash and Gittins agreed that measuring the rate a writer is paid based on number of words is outdated. Today, it's all about being entrepreneurial, creating a brand and building a following. "If you can go to Dan and show that you have 10,000 avid followers, your rate per word will go up," Gittins said.

continued...

eMusic subscribers sound off

In a company blog post on Sunday, eMusic CEO Danny Stein shared some exciting news with the site’s 400,000 subscribers: songs from Sony Music’s catalog would soon be available to download. But he didn’t mention the bad news: most subscribers will end up paying the same amount and getting fewer downloads per month.

I didn’t know much about eMusic before this announcement, but my colleague Ben Levisohn has been a subscriber for a while – he likes the range of independent artists you can find on the service that others like Rhapsody and Napster don’t offer. Ben doesn’t see much in this Sony deal for him, since it brings mostly mainstream pop and rock he tends to shy away from. But like it or not, he’s going to end up paying for the new material, since his monthly allowance of songs for $11.99 just dropped from 40 to 30 – meaning he’ll effectively pay 40 cents a track rather than 30.

eMusic has offered a range of pricing options in the past, and each one has been affected differently. Some subscribers who were paying $14.99 per month for 65 downloads can now only get 37 downloads – a 100% price increase. Rather than outline these changes in the aforementioned blog post, the company directed users to a separate page to see "how this change affects your account."

Many subscribers are unhappy about the new arrangement, and they’re letting the company know how they feel in the comment section of chief executive Stein’s blog post. The entry now has more than 490 comments, and from my unscientific count the majority of them are negative. I noticed at least a dozen comments from subscribers who say they’re leaving. Here’s a sampling:

Aaron Batista writes:

The emusic pricing structure has allowed me to be musically adventurous, but once it changes I will have to be more conservative with my credits. This will limit emusic’s value as a way for new artists to get heard.

ColtraneWasGod writes:

I wanted Sony back catalogue, I could buy a lot of it at Amazon MP3 Store for $5-$7 per album already, since that’s a big chunk of the “classic” bargain catalogue there.

kranky writes:


So I’m losing almost half my downloads but I’m gaining Hall & Oates — wow what a bleepin’ deal! Way to stick to the early adopters who built emusic.

Sam writes:

Having been a member since 2005, I’m on a 65/month at $15 plan. Now I will get 37/month for that same price, I’m told. Maybe it makes sense, in the aggregate, to drive away people like me.

Certainly, the nickels and dimes the company is charging per song are far below the 99 cent gold standard set by Apple’s iTunes, a price Sony, EMI, Universal, and Warner have grown accustomed to - if grudgingly. But eMusic is a different model, aimed at driving higher volumes of sales. And judging by the passionate responses in this comment thread, it appears to be supported by a community of dedicated consumers of music, not just the folks who drop by for the latest #1 hit.

So while Sony is bending to work with another Internet startup, the price hike indicates it’s unwilling to bend too far. It’s also evidence that eMusic may be out of touch with what its subscribers want -- that, or as subscriber Sam suggests, it's giving the less profitable customers the boot.

Obituary: Sal, of Upper West Side Favorite Sal and Carmine's, Dies

Sad news. Sal of the Upper West Side's Sal and Carmine's has died. We received a report over the weekend from Josh G. that the neighborhood favorite was shuttered due to "an emergency." And now today comes word from Alex Belth of Bronx Banter as to the state of that emergency:

Sal died late last week. I’ve been eating their pizza since I was a kid. Sal and Carmine. Two short, taciturn men in their seventies, though they look older. I never knew who was Sal and who was Carmine, just that one was slightly less cranky than the other. These are the kind of men that don’t retire but are retired.

Coming on the heels of the Newsweek story I just linked to, this couldn't be a sadder and more timely illustration that the great, longtime pizzamen slinging everyday (yet exceptional) slices are treasures we're quickly losing.

Our condolences go out to Sal's family, friends, and fans—and to Carmine, the business partner Sal took on in the '90s. He will be missed.

According to Bronx Banter, Sal's funeral was yesterday, and the shop reopens today.

Surprise wedding reception by Improv Everywhere

Improv Everywhere's newest prank is their best yet: they threw a wedding reception for a random couple getting married at City Hall.

The reception was an incredibly fun time. We had planned to stage the mission for more than one couple, but Frank and Raff were just too perfect. They stayed for over an hour and completely yes-anded everything we threw at them. There were moments where it felt like we actually did all know each other and you sort of forgot you were "acting."

Tags: improveverywhere  marriage  nyc

Serious Cheese: All About Cheese Knives

20090602-cheeseknives.jpg

Photograph from Balakov on Flickr

For some reason the American kitchen is a breeding ground for useless gadgets, tools, and knickknacks. Do we really need a separate tool to make balls out of melons? (Actually, melon ballers are quite useful for many different tasks, but that's a subject for another post.)

Living in New York City, where most apartments have tiny kitchens with only a handful of cabinets, I am forced to be ruthlessly Spartan with my gadgetry. This is why I am generally opposed to cheese knives. I tend to follow Alton Brown's golden rule: never own a kitchen gadget that has only one use. So what kinds of knives do work well with cheese? My suggestions, after the jump.

Soft, Spreadable Cheeses

I simply use a butter knife or a spoon.

Soft and Semi-Soft Cheeses

This is the one case where I would recommend getting a knife made specifically for cheese. I own this Swissmar Soft Cheese Knife. The holes help prevent soft cheeses from sticking to the blade thereby maintaining the structural integrity of each slice. At $13.95, I think it's worth getting if you eat lots of soft cheeses such as Brie, Reblochon, and Fontina.

Firm Cheeses

What about that venerable staple of 1980s party hosting, the Swissmar Cheese Plane? There are times when I like using it, especially for firm cheeses that taste good sliced really thin (like Gruyère), but it's certainly not a necessity when kitchen space is tight.

Semi-Firm and Hard Cheeses

I use my Wüsthof Classic 3.5" Paring Knife. It's small enough to fit on a cheese plate, yet sturdy enough to work well with lots of different cheeses.

The Rest

The rest of the lot are pretty useless. Like this Swissmar Cleaver that is supposedly only for cheddar—a major violation of Alton Brown's rule. Or how about this Wüsthof Parmesan Cheese Knife for $80? You could do just fine with a regular chef's knife, which you could buy for only $20 more.

What about you? What kinds of knives do you keep around for cutting and serving cheese?

About the author: Jamie Forrest publishes Curdnerds.com from his apartment in Brooklyn, New York, where he lives with his wife, his daughter, and his cheese.

But what was the question?

this is good

But why not right there? nabbed from brittney on flickr

Why GM failed

GM declared bankruptcy yesterday and the rush is on to explain what went wrong. Here are a few explanations I found, along with some possible solutions.

After 101 years, why GM failed, Peter Cohan, DailyFinance:

4. Failure to innovate. Since GM was focused on profiting from finance, it did not really care that much about building better vehicles. GM's management failed to adapt GM to changes in customer needs, upstart competitors, and new technologies.

Seven reasons GM is headed to bankruptcy, Sharon Silke Carty, USA Today:

When GM realized how fast 1990s buyers were switching to trucks as personal transportation, it overreacted, pouring time and money into SUVs and pickups at the expense of car development. The result: As long ago as 2000, Wall Street was warning that GM could be overcommitted to trucks and wind up out of phase if the pendulum of buyer preference swung back to cars. Once consumer tastes began changing, the market was awash in new truck models, and profits were sapped by discounts needed to keep sales boiling.

Goodbye, GM, Michael Moore:

The products built in the factories of GM, Ford and Chrysler are some of the greatest weapons of mass destruction responsible for global warming and the melting of our polar icecaps. The things we call "cars" may have been fun to drive, but they are like a million daggers into the heart of Mother Nature. To continue to build them would only lead to the ruin of our species and much of the planet.

G.M.'s Road From Prosperity to Crisis, NY Times:

The company reached a deal with Saab to expand its European presence. Having an extensive brand lineup had been a primary strategy at G.M. since its creation in 1908. But this tactic eventually became costly, as brands overlapped and competed for business and money.

GM Reinvention, GM. Twitter, Flickr, Facebook, it's all there. Oy.

Ten Vehicles That Bankrupted GM, Matt Hardigree, Jalopnik:

The Pontiac Aztec was one of the first major crossover vehicles brought to market in the U.S. [It was] combination of car-like handling and fuel economy with SUV-like space and aggressive appearance. The concept was a hit and now most automakers are shifting towards crossover. The Aztec was a massive failure. It was an attractive idea in an amazingly unattractive shell. It failed almost entirely based upon its appearance.

Who's to Blame for GM's Bankruptcy?, William J. Holstein, BusinessWeek:

GM simply was not ready to respond to Toyota Motor and other Japanese manufacturers when they began to gain serious ground in the early 1980s. Toyota, in particular, had developed a lean manufacturing system that was completely different from the mass-assembly-line techniques GM was still using, many decades after Henry Ford perfected them. GM's fractured structure meant that each division had its own manufacturing processes, its own parts, its own engineering, and its own stamping plants.

How GM Lost Its Way, Paul Ingrassia, WSJ:

The picture of a heedless union and a feckless management says a lot about what went wrong at GM. There were many more mistakes, of course -- look-alike cars, lapses in quality, misguided acquisitions, and betting on big SUVs just before gas prices soared. They were all born of a uniquely insular corporate culture.

The Quagmire Ahead, David Brooks, NY Times:

Over the last five decades, this company has progressively lost touch with car buyers, especially the educated car buyers who flock to European and Japanese brands. Over five decades, this company has tolerated labor practices that seem insane to outsiders. Over these decades, it has tolerated bureaucratic structures that repel top talent. It has evaded the relentless quality focus that has helped companies like Toyota prosper.

The End of the Affair, P.J. O'Rourke, WSJ:

We became sick and tired of our cars and even angry at them. Pointy-headed busybodies of the environmentalist, new urbanist, utopian communitarian ilk blamed the victim. They claimed the car had forced us to live in widely scattered settlements in the great wasteland of big-box stores and the Olive Garden. If we would all just get on our Schwinns or hop a trolley, they said, America could become an archipelago of cozy gulags on the Portland, Ore., model with everyone nestled together in the most sustainably carbon-neutral, diverse and ecologically unimpactful way.

Why GM failed, Jack Lessenberry, Detroit Metro Times:

What's wrong, in a nutshell, is that it is a narrow, insular culture. Those who make it to the top of the heap, like Rick Wagoner, tend to be white Anglo-Saxon Protestant males who have worked at the same company their entire career, and have come up with the same set of buddies. Sort of like the Delta Tau Delta fraternity Wagoner joined when he was in business school.

Update: The WSJ's Photo Journal blog has photos and brief stories of a number of people affected by GM's bankruptcy. Gary Thomas, a mechanic from Kingston, TN, put about $800,000 in GM bonds.

"I thought I was doing the right thing. I wasn't investing in stocks. GM was a solid company. ... The bonds were my entire nest egg. I'm not a whiner and I don't want special treatment. What really ticks me off is that it seems like we are getting less than everyone else and we deserve to be treated equally. I'm just trying to figure out a way to make it to 65 so I can start drawing my social security."

Update: After Many Stumbles, the Fall of a Giant, Micheline Maynard, NY Times:

The company did have vast numbers of loyal buyers, but G.M. lost them through a series of strategic and cultural missteps starting in the 1960s. It bungled efforts in the 1980s to cut costs by sharing the underpinnings of its cars across different brands, blurring their distinctiveness. G.M. gave in to union demands in 1990 and created a program that paid workers even when plants were not running, forcing it to build cars and trucks it could not sell without big incentives.

Tags: automobiles  business  gm

Nintendo reveals new Super Mario Bros. for Wii


Nintendo surprised nobody at its press conference by announcing a new Super Mario Bros. for Wii, with Cammie Dunaway and Bill Trinen from Treehouse introducing the aptly titled New Super Mario Bros. Wii. The title will feature multiplayer-friendly gameplay, supporting up to 4 players for some local action.

The multiplayer will have an emphasis on co-operative play, all while maintaining that classic Super Mario look and feel. Thus, you'll find warp pipes, hidden areas, and plenty of coins to collect. It's not all old hat, however, as the NIntendo presentation showed off a new Propeller suit, where Mario and company had a propeller attached to their heads. While playing (you hold the Wiimote sideways), players can jerk the Wiimote up to cause their in-game player to fly into the air.

Nintendo says the game will be available during the holidays this year, and will be on the show floor all this week. You can bet we'll be stomping Goombas as soon as we can, and will be sure to get you our impressions as soon as possible.

JoystiqNintendo reveals new Super Mario Bros. for Wii originally appeared on Joystiq on Tue, 02 Jun 2009 12:18:00 EST. Please see our terms for use of feeds.

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Just Say No

lindsay-lohan-picture-3forungaro.jpgThis morning Page Six reports that Lindsay Lohan is in Paris talking to the House of Ungaro about a role as a "creative consultant."

Apparently, Esteban Cortazar isn't happy about it. And rightly so. If this is true, we hope he stands his ground against this very transparent publicity ploy.

He's the best thing that's happened to the house in a long, long time. And they would be well-served by keeping him around for a while to give some much-needed continuity.

Furthermore, we just can't understand how one could think of Ms. Lohan as the go-to choice for any sort of fashion gig. Her style isn't exactly interesting or wide-ranging. The actress has a hard enough time getting a job in her chosen profession. And obviously she isn't the poster child for reliability.

And what on earth does she have to do with Emanuel Ungaro?

We truly hope she can salvage her once promising acting career. We've long rooted for her to get that all sorted out and come back with something as beloved as Mean Girls.

But, Lins, if you have to do the fashion thing, please stick to the leggings.




Related: lindsaylohan - Esteban Cortazar - Emanuel Ungaro - Paris - Fashion

Live Donkey Kong record attempt

Steve Weibe is trying to break Billy Mitchell's Donkey Kong record live. As in right now! The pair's exploits were chronicled in the documentary King of Kong. (via waxy)

Update: The score to beat is 1,050,200 points. (Oops, Wiebe just died as I was typing this. He's got two guys left.) Wiebe owns the second highest score with 1,049,100 points.

Update: He just died again. He's at ~370,000 with one guy left. Not looking good.

Update: Last guy. 457,000. Not looking good.

Tags: donkeykong  kingofkongafistfulofquarters  movies  stevewiebe  video  videogames

Mets Mustache Greats #8: Bobby Valentine

Years with Mets: 1978. 1996-2002 (mgr).

This one should really go without saying. But since this is a blog and I'm probably expected to write something, I'll give you three reasons Bobby V. is a Mustache Great. Here they are (in order of importance):

1. Valentine claims to have invented the wrap sandwich.

2. In 2005, Valentine won the Japan Series with the Chiba Lotte Mariners. He promptly challenged the "World Champion" Chicago White Sox to a seven game series. The challenge was not met.

3. The Mustache Incident:
Valentine is infamous for a dubious incident during a game in 1999 in which he was discovered to have sneaked back into the team dugout after being ejected, by wearing a disguise consisting of a change of clothes, sunglasses, and a "mustache" painted on his upper lip with eye black. [Wikipedia]

Any questions?

In Videos: Most Jewish Delis Named in One Minute

20090602-invideos-mostdelis.jpg

Many of us set personal records, but for David Sax, it's being able to name more Jewish delis than you in a minute. In this video, he achieves his goal according to The Universal Record Database, listing 30 in total, including classics like Zabar's, Stage, Katz's, Ben's, and Gottlieb's. Maybe there's some scientific evidence that corned beef stunts memory loss? Sax is also the creator of the blog Save The Deli, which inspired his same-named book coming out in October, available now to pre-order. The video, after the jump.

Most Jewish Delis Named in One Minute

Related

The Best Jewish Delis: What's Your Favorite?
The Carnegie Deli Pastrami Sandwich Mitosis
Jewish Food Authorities Weigh in on Dr. Brown’s Cel-Ray
The Year of the Pickle, and Other Jewish Food Astrology

letsplaytwo: fuckyeahdodgers: rhncrtch: Im not a dodger fan,...



letsplaytwo:

fuckyeahdodgers:

rhncrtch:

Im not a dodger fan, but this picture of their stadium is caraaazyyyyy.

cooking

And it wouldn’t be surprising if, with a little exposure to the kitchen, Mrs. Obama took to cooking herself. Her progress could be our progress. After all, great cooking involves a blend of curiosity, determination and style, all traits she possesses. And with those arms, she could out-whisk anyone.

Wonderful op-ed from Amanda Hesser about the importance of cooking. Ed Levine agrees, but they both have a common blindspot - why wouldn't Barack be the chef?

2009 Yankees: Errror-free since...18 games ago

Why is that 18 game stretch so important? Why, it's a major league record of course! And who do the Yanks pass to obtain this record? The 2006 Red Sox, making it all the sweeter for pinstripe supporters.

The Yankees played error free for the 18th straight game, surpassing Boston's major league mark of 17 set in 2006. New York's last error came on May 13 at Toronto when shortstop Ramiro Pena misplayed a ground ball.


The Yanks are 14-4 in that stretch, and seem to have found their groove.

Cyclist Struck Yesterday Morning at Third and Atlantic in Brooklyn

A reader emailed yesterday reporting that a bicyclist had been struck and seriously injured at the corner of Third Avenue and Atlantic Avenue near downtown Brooklyn. NYPD confirmed the collision late yesterday afternoon:

This morning at approximately 0723 hours, in the confines of the 84 precinct, Police responded to 3rd Avenue & Atlantic Avenue on a call of a bicyclist struck. The bicyclist was taken to Lutheran hospital, condition unknown. Driver remained on the scene.

Lutheran could not give an update on the status of the cyclist without the victim's name, which NYPD did not provide. A reader who witnessed the aftermath of the crash reports that an officer said the victim sustained serious, potentially fatal injuries. When asked for more details about the circumstances of the crash, NYPD's public information office said it had no more information.

If you have information about this crash, please share in the comments or email tips@streetsblog.org.

I’m A Celebrity, Get Me Herzog

A thorough review of “I’m A Celebrity, Get Me Out of Here”: “all I could think of was Herzog, Herzog, Herzog”!

Khaaan! Agaiiin!

While discussing this morning's post about Khaaan! at the breakfast table with us, Ollie showed his growing dramatic range as an actor by reenacting the scene.

It's no chicken dance, but it's not bad.

Tags: movies  olliekottke  startrek  video

Inventory

Inventory: The Onion just announced it will be releasing an “obsessively specific pop-culture list book” called Inventory.

Ollie does Khaaan!


Ollie does Khaaan!
Originally uploaded by jkottke

Too Bad I Just Spent My Last $242,000

Erez

(via nyt)

Michelle Obama: Should Our First Lady Also Be America's Chef de Cuisine?

20090311-micheleobama.jpgThe New York Times' Amanda Hesser made an interesting, thoughtful, and insidiously provocative suggestion over the weekend; that Michelle Obama, who has already adopted local, healthy food as one of her signature issues (how was dinner at Blue Hill the other night?), should also encourage families to sit down to meals they have actually cooked instead of ordered or reheated. So here's the question: Should our First Lady also be our nation's chef de cuisine?

Hesser was actually having an Alice Waters moment (Alice has been advocating this for years), but somehow coming from Hesser, this bit of advocacy sounded downright soothing. There's no doubt that both Hesser and Waters are right: Cooking and eating meals together are good for families, good for tummies and taste buds, and good for the country as a whole.

There appears to be one major impediment to the Obama administration adopting this issue: Michelle Obama doesn't like to cook.

Should we chip in to get Michelle some cooking lessons? Send her some cookware? Can't the White House's hipster chef de cuisine, Sam Kass, give her a few pointers? Stage a cook-in on the White House lawn? I'd like to suggest some Serious Eats cooking video webisodes starring Sam Kass and Michelle Obama. We'll even pay the production costs.

Khaaan!

Artist Daniel Martinico took William Shatner's finest moment as an actor and stretched it out into a 15-minute video.

You'll notice the crowd gets quiet after the first few seconds. It draws you in, forces you to pay attention, even if it's just staring at the back and forth eye tics on Shatner's face for a minute at a time. "In that moment everyone responds to it," Martinico says. There's laughing at first, but then people get into the rhythm of it and study the various little muscles as they pull and twitch on Kirk's face. "It's a phenomenal range in just a few seconds."

Here's the first two minutes of the video.

It's pretty mesmerizing, even small and at poor quality. (via greg)

Tags: art  danielmartinico  startrek  video  williamshatner

Obligatory Redux

The last time we did this it didn't turn out so well as the namesake had some difficulties in the starts after my excessive gloating. However, my sense of adventure just won't go away so let's keep poking that bear with a stick!





IPHRERKBBPitches/StrikesWPA
Joba Chamberlain842252106/66.293


Oh my, it's as if he can pitch in the eighth inning even when he isn't coming in from the pen! What new hidden folds in Francesa's skin "rationale" will we discover next time? I await with baited breath.

Matt Stairs: Old Guy, Good Hitter

My mind works in strange ways… or as some would say, not at all. Tomato, tomahto.

I was thinking about Raul Ibanez a while back and marveling at his late-career surge. On a totally unrelated note, I noticed the other day that Gary Sheffield is putting up some nice numbers (.283/.427/.505) for the Mets this season. That’s pretty good for a 40-year-old, and I speak from experience, being one myself.

A 40-year-old, that is; not a good hitter. Just to be crystal clear.

Then I got to wondering about other guys in their forties this year. Jamie Moyer just notched his 250th career win, while Randy Johnson is knocking on the door of #300.

Great stories, both, but not what caught my eye. I’m more interested in Matt Stairs. Have you seen what he’s doing for the Phillies? It’s a microscopic sample size, but the guy is hitting .281/.465/.594.

Look, anything can happen in 43 plate appearances, but here’s the thing. Stairs has been a good hitter for a very long time. He owns a career .266/.359/.484 line, with 257 home runs.

Stairs didn’t see material playing time at the big-league level until he was 29. That year he hit .298/.386/.582, with 27 homers in 410 trips to the plate. This was the first of three straight productive seasons for Stairs:

1997: 410 PA, .298/.386/.582, 27 HR
1998: 593 PA, .294/.370/.511, 26 HR
1999: 623 PA, .258/.366/.533, 38 HR

He tailed off a bit after that and saw his plaing time reduced… and then settled in as a solid part-time player for several years. Stairs never saw 500 plate appearances after his age 32 season, but neither did he dip below 315 until… well, presumably he won’t reach that in ‘09.

Just two years ago, Stairs hit .289/.368/.549 in 405 plate appearances for Toronto. That’s not shabby for a 39-year-old. Or for a hitter of any age.

Why do I care about any of this? Two reasons. First, I get a kick out of players whose careers defy expectation — like an Ibanez or a Stairs (or a Moyer, for that matter).

Second, Stairs is the kind of player who will be forgotten in 20 years but shouldn’t be. He’ll be like, I don’t know, George Hendrick. That’s not a great example because Stairs and Hendrick had different skill sets, but I’m looking for guys who weren’t stars but who played good baseball for an extended period of time before fading into relative obscurity.

If you’re my age or older, there’s a good chance you remember Hendrick. If you have even a passing interest in the history of baseball, you may know who he is. But a lot of people have no idea who Hendrick was or that he was a pretty good hitter.

Stairs could end up in that same category, which would be a shame. So we talk about him now and hope that people appreciate what he’s done (and what he’s still doing).

Then maybe one day you’ll be watching a game with your kids and see someone come to the plate who has put together a quietly productive career. And maybe you’ll say to them, “You know, this guy is a pretty good hitter. Kind of like Matt Stairs.” And maybe they’ll ask you who Matt Stairs was. And maybe you’ll tell them.

Mental Hopscotch

Favianna Rodriguez Mental Hopscotch $25 I made this print in a one day workshop with my favorite linoleum block artist, Artemio Rodriguez. This print is a self portrait - a print about a girl who is consistently obsessing about her future and dissecting her past. The title of the piece is based on a song by Missing Persons, an 80's band originating in Los Angeles. The song is called "Mental Hopskotch" and it goes like this: "Sometimes you say you will sometimes you say you won't you always keep me waiting waiting hesitating hey yeah At times I think you do at times I think you don't my mind is rollerskating, skipping, jumping rope, and fading Mental Hopscotch why must you treat me this way Mental Hopscotch ready or not I'm going away" This print is a small edition of 50. Figure is letterpressed on white textured paper Red face is screenprinted 10 x 8 inches signed / numbered edition of 25 MentalHopskotch_400.jpg

Paul's Citi Field Forever

http://www.loge13.com/img/paul-mccartney.jpg
According to TicketsNow.com, Paul McCartney will be the first rock concert at Citi Field, although nothing is yet confirmed.

Citing "various reliable touring industry executives," the site said Paul will play July 17 and 18 during the All-Star break. A third show may be added for July 21.

Paul played a part in the last concerts at Shea Stadium, when Billy Joel was the headliner. Of course, before his successful solo career, McCartney played in a small little rock and roll band that played the first concert ever at Shea, which was the first time ANY rock band played a stadium show.

Folks can debate Shea Stadium's aesthetic limitations and its contributions to baseball lore, but there is no questioning the Mets former home's contribution to rock and roll history. It was the only arena on earth to host The Beatles, The Stones, The Who, Grand Funk Railroad, The Police, REM, The Clash and The Rutles. Not impressed yet? Peruse the Shea Rocks section of Loge13 and you will change your mind,

Paul would be the best choice to play the first gig, no doubt. Expect an official announcement in two weeks.


Tetris turns 25

It's an anniversary likely to date some gamers (like me) as "vintage": Tetris, the puzzle game that has sold 125m copies and has inspired countless rip-offs, is a quarter of a century old. Where's my zimmer frame.

It's difficult to identify the impact of the game. Is it an artifact of the Cold War? Is it responsible for the success of Nintendo and the handheld industry? Has it challenged how game properties are licensed?

The game has even had an effect in science. Researchers have
identified its restorative effects: Tetris both calms players, and makes them smarter. The jury's still out on whether it appeals to a female audience because, as a friend once told me (apocryphally), it's like tidying up. Ahem.

Check out some these favourite Tetris moments:
Human Tetris
Edible Tetris
Giant Tetris

More coverage on the Tetris anniversary is here.

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds

Tintin game

This is weird: I grew up with Tintin and Asterix comic books (they're both French. Lucky Luke too. I had 'em all), but lost the lot to my sister/parents as I grew up and moved. So I'm recollecting them all. And now here's news of a Tintin 3D movie and game! (Will it be cel-shaded?)
Tintin

Says Kotaku,

Stephen Spielberg is directing the film and, according to the press release, is directly involved along with producers Peter Jackson and Kathleen Kennedy in crafting the tie-in game. It's being developed by Ubisoft's Montpellier studio and will hit shelves the same day as the game — December 23, 2011.


I'm a little amazed a Tintin movie has attracted quite such huge names onto the ticket. Apparently Daniel Craig's in the movie (clearly not as Tintin). Not bad.

June 1, 2009

This is pretty great… there’s a British game show...



This is pretty great… there’s a British game show called Golden Balls that concludes with a segment called Spilt or Steal that directly borrows the classic Prisoner’s Dilemma. There are many YouTube clips, but the best has to be this one.

new paul auster novel coming in november

Check out this video interview from the folks at Granta; they're publishing an excerpt of the novel in issue 106. Via @mamac.

Line in the Sand

Among those lobbying hardest for real progress toward a settlement of the Israeli-Palestinian conflict there has been deep disappointment that President Obama appears unlikely to specifically address the conflict, or any proposals for resolving it, in his upcoming speech in Cairo. If not now, when?, the thinking goes. And the longer Obama goes without setting forth his own plan, the more likely he is to miss his opportunity and drift back into the endless cycle of confidence building measures that lead nowhere.

But one very encouraging sign is that the Obama administration seems to be serious on the issue of settlements. Laura Rozen published this very interesting post last week in which she reported that after his trip to the White House, Prime Minister Netanyahu had been probing through back channels looking for some for some 'give' in Obama's line on settlements. But he wasn't finding any. As Laura put it, ...

According to many observers in Washington and Israel, the Israeli prime minister, looking for loopholes and hidden agreements that have often existed in the past with Washington, has been flummoxed by an unusually united line that has come not just from the Obama White House and the secretary of state, but also from pro-Israel congressmen and women who have come through Israel for meetings with him over Memorial Day recess. To Netanyahu's dismay, Obama doesn't appear to have a hidden policy. It is what he said it was.

The Times tomorrow has a piece on the same topic, saying something similar though in much more general terms. Here Netanyahu is reacting to the unreasonableness of placing restrictions on what is termed "natural growth", a euphemism that one must understand to get a proper handle on the whole question.

In Israel, the language of settlement growth is divided into two categories -- building new settlements and "natural growth" of existing ones. Even the Netanyahu government says it won't allow new settlements, only the 'natural growth' of original ones. And that doesn't sound unreasonable on the face of it. After all, families grow. Children get married and start their own families.

Many of the current settlements are much bigger in terms of the land that has been designated for them then they're actually built up. So, for instance, take the example of Manhattan at the end of the 18th century. If you could go back with an airplane and cruise over this island of ours you'd see that New York then was still a settlement mainly restricted to the southern tip of the Island. Today the whole island is packed to the gills with people and buildings. By the terms of settlement vocabulary, that's all just been 'natural growth', just filling out an already existing area designated for settlement.

In any case, 'natural growth' really is the most natural thing in the world if -- and this is what all turns on -- if you think the settlements are permanent. If the existing settlements are permanent, then it's silly to think that one settler can live in a house but it's forbidden to build a new house on the lot next door.

But if the settlements are permanent, then a Palestinian state is basically impossible. And that means the occupation is permanent, as is the conflict.

Now, if you think arresting the growth of the settlements in the dysfunctional politics of contemporary Israel is difficult, try dismantling them. I've long worried that any effort to dismantle them would lead to something like civil war in the country. Because the settlers, at least the most ideological ones, are completely indifferent to the rule of law.

But resolving the conflict is impossible with the West Bank settlements. And before you can dismantle them, you have to start to by stopping their growth. And on this point Obama seems like he means business.



Card of the Week 06/01/09

Ok. Time for Card of the Week. Gotta do this quick so I can have a beer and get to bed for an early meeting. Remember I promised to show of the centerpiece of my trade with A Cardboard Problem in its own special post? Well here it is:

Taa Daaa!

1934 Goudey Baxter Jordan of the Boston Braves. Baxter (Better known as Buck) had a healthy 10 year career in the bigs as a first baseman. Most of his production was with the Braves, but he also played for the Reds, Giants, Senators and Phillies. There isn't much to say about Buck, he was a good defender with not much of a bat. While he had virtually no power, he could definitely hit for average. He was an amazing contact hitter and only had 109 strikeouts in 3216 at bats. His stats sort of reminded me of Ken Oberkfell on first glance.

Here's the back of the card. It's a pretty sharp looking card overall, no real creases and only a slight glue or wax stain underneath the team name. It's definitely one of the best looking Goudeys in my collection. Check out the text on the back though. First you'll notice that everything is in quotes as if Lou Gehrig actually said any of that drivel. "He is a native of North Carolina, 27 years old." Thrilling commentary there. Also note the multiple use of "altho". The "ugh" just got cut right out of "although". It's not like they were tight for space, there's plenty of room on that back for 6 more characters. Lou Gehrig was a lazy speller. Or was he?? You'll note that these bios are "By arrangement of Christy Walsh". Who is Christy Walsh? Let's check Baseball Library.com:
Walsh was a pioneer of sports licensing. His most frequent device was getting sports stars to put their names on ghostwritten articles in newspapers and magazines.
Baseball cards too, apparently. He sure didn't waste a whole lot of that licensing money on the ghostwriter either. How else can you explain this gem:
"[Buck] is now considered one of the most dependables of the Boston Braves"
Oy. How can you put words like that into a Legend's mouth. I guess Gehrig wasn't officially a Legend with a capital L yet in 1934, but still. I wouldn't even put words like "Altho he is the most dependables" in A-Rods mouth without a serious crisis of conscience.


Marie pulled this card out of a blaster of Goudey and now I wish I had bought a lot more blasters of Goudey. I still would never in a million years pulled a buyback of a card I actually needed for my team set though. I now have four out of seven from the 1934 Braves team set which is pretty dang cool. I also have this nifty Goudey Buyback card. It reminds me of the Title card from a non-sports set and it a nice addition to my Goudey set.

The odd thing is that the buyback comes with the card but there's really no proof that the particular Baxter Jordan I have actually was a buyback unless you pulled it from the pack yourself. It doesn't really matter in the least since I just wanted the card for my team set, but I guess if an unscrupulous person could just put this card with any other Goudey they wanted to and pawn it off as a buyback. I don't know why anyone would want to do that, but it's technically possible. On the other hand, I'm very glad that Upper Deck didn't foil stamp the card or emboss it or number it or put a matching holo sticker on the back of the vintage card to prove that it was in fact an official buyback. I'm very happy with a vintage Goudey and a nifty buyback card. Thanks Upper Deck for keeping this one simple. And thanks again to Marie, I hope you're enjoying those Yankee Stadium Legends cards. I think this is one of those trades where both parties are amazed and somewhat ashamed that they were able to pawn off some junk they didn't want for something truly awesome. That's the best kind of trade, is it not?

Kevin Kelly's Internet Mapping Project

hand-drawn maps of each person's view of the Internet [via

Photo



Star Wars: The Old Republic

New Star Wars video game trailer. No idea if it’s a good game, but it’s a hell of a trailer.

Really Far Out There

We had a number of posts today on Marcus Epstein, the Tancredo and Buchanan staffer who had to plead guilty to a hate crime a couple years ago in Washington, DC. But TPM Reader BS just flagged this photo album on Marcus's Facebook page about his trip to Ethiopia. You can start with this picture and work your way through. This one's a special moment too.

The key is the captions.

After seeing these it's awful shocking he ended up drunk in Georgetown, screaming racial epithets and attacking a black woman.



Social exercise

Dennis Crowley has some nice ideas for what to do with a GPS- and internet-enabled device with running software on it (e.g. Nike+ on an iPhone).

#3. Ghost racers. Think: Super Mario Kart time-trials, except you're running against a ghost version of your best time on the map. I know the Garmin already does this, but make it social... show me the best times of my friends or other local users.

Tags: denniscrowley  running  supermariokart

Buenos Aires Is a So-So Food City

5-29-09-Argentina.jpg

According to Terrence Henry of The Atlantic Food Channel, Buenos Aires leaves much to be desired in terms of food and flavor. He notes that most restaurants use wood-fired grills, which he thinks blanket all foods with similar flavors. He also comments on the lack of variety in the street food available, saying that it is limited to empanadas.

Henry writes:

A great food city is a place that caters to all manner of the food-obsessed: vibrant street food, affordable ethnic and traditional dining, and highly acclaimed (and more important, highly respected by their peers) destination restaurants. It should have a connection to its seasons and soil (or sea, as the case may be). It should be a place that can alternately surprise and comfort, at any budget level.

What, to you, makes a city a "great food city"?

Supporting Our Artists

Last week's issue of The New Yorker attracted a lot of attention for its cover art, which was created on an iPhone by artist Jorge Colombo.

Colombo TNY cover

From the New York Times to gadget blogs to design sites, the work certainly got a lot of attention. But while a few stories did a decent job of talking to the artist behind the work in addition to covering the technology involved, most seemed like they were fixated on the tools instead of the end result. That'd be understandable if all of these venues were filled with people who'd never seen an iPhone before, but even the tech-savvy got pulled into the "gee whiz, a small computer can make pictures!" aspect of it.

The truth is, Colombo has been making New Yorker covers for a decade and a half — he didn't suddenly become a recognized artist by using an iPhone. It's not surprising that the magazine would encourage an established talent to use new media to express himself. But that odd fixation on tools over talent perhaps reached its apotheosis in the New York Times's story on Brushes, Steve Sprang's clever little app that Colombo used for his artwork. The piece offers a link for buying the application, but doesn't explain how to buy any of Colombo's work. While I'm glad to see the application's creator recognized, it seemed odd that in all this coverage, very few people talked about how to support the artist who made the cover itself.

colombo isketches

Fortunately, we have the means to support Jorge Colombo's work within our community as well. Colombo has been featured on 20×200 a number of times, and in fact his iPhone editions made their debut back in April on the site, as Jen Beckman gleefully notes here.

So, go ahead and buy Brushes. That's cool — Steve Sprang deserves to be rewarded for his creativity. But I think we should be recognizing Jorge Colombo as the artist who uses these tools as well. A work like this beautiful sketch of an interior at Grand Central Terminal starts at just $20. Our technologies are succeeding best when they become invisible or irrelevant compared to the ideas they're being used to express.

It’s got legs


“Ladies, as part of our weekly wine tastings, I think we should try new things.

The 2009 Pupernet is delectable!” [inches glass towards you]

n42903829_31714714_6627132

Kristie G. You’d make a great Pupmelier.

Posted in Uncategorized Tagged: Pups

Secret of Monkey Island returns!

The original pirate point-'n'-clicker to get modern overhaul...

Ahoy there fans of LucasArts' brilliant Monkey Island adventure series. The publisher is bringing an updated version of the original Secret of Monkey Island to PC and Xbox Live this summer. From the press release:

Back by popular demand, The Secret of Monkey Island: Special Edition faithfully re-imagines the internationally-acclaimed classic game (originally released in 1990) for original and new audiences alike. The development team at LucasArts is bringing the game into the modern era with all-new high-definition graphics, a re-mastered musical score, full voiceover, and an in-depth hint system has been added to help players through the game's side-splitting puzzles. Purists will also delight in the ability to seamlessly switch between the updated HD re-imagining and the original classic version.

Apparently, there'll be a new interface to replace - or at least update - the original's point-and-click design. But little else will be needed to make this wonderful tale of novice buccaneer, Guybrush Threepwood, beautiful mayor, Elaine Marley, and evil ghost pirate, LeChuck, an essential Live purchase for misty-eyed fans.

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds

Meet Left 4 Dead 2's New Survivors, See First Screens [E3 2009]

Valve is turning a sequel around in record Valve time, announcing today that Left 4 Dead 2 will be hitting the Xbox 360 and PC later this year. Meet the new zombie apocalypse Survivors.

Since Left 4 Dead 2 takes place roughly at the same time as the events of the original and far away in the Southern United States, we're going to be playing with four all new non-infected humans. And they'll go toe-to-toe with some infected hordes at "The Parish," apparently, as the first campaign from Left 4 Dead 2 is revealed with a familiar looking poster.

The games spans locations from Savannah, Georgia to bayou country, and climaxing in New Orleans' French Quarter, which means escape by steamboat sounds inevitable. Expect a little more variety this time round, as Valve has added new melee weapons and expanded the AI Director, allowing for dynamic weather effects, changing level layouts and zombie infestations that actually take place during daylight.

Also promised? Left 4 Dead 2 features "more co-operative campaigns, more campaigns and maps for the Versus game modes than L4D 1, plus support for Survival mode out of the box." See three new screens of Left 4 Dead 2 in action in the gallery.



New Things!

So! I have put up a new layout! First time in almost a year. Basically I wanted a way to integrate my various internet-ness (such a twitter and tumblr) without making a huge log that combined my blog with my other various kinds of content, so this was my solution. For the past couple of years I have used a slide-down to hold my extra content, so I've just extended that idea further in the lower half of the layout.

I'm probably putting the layout up a little prematurely, so I apologize in advance for any bugs. It should look decent and work properly in a recent version Firefox or Safari. The XHTML, as of right now, validates strict. The animation isn't quite right in IE yet... but I'm working on that right now.

Anyway, here it is! I hope you like it! :)

Thanks Are In Order!

heartkey.jpg

To everyone who contributed to the Rhizome 50,000 Dollar Webpage and/or came to our Benefit last week: Thank you so much! Your support will help keep Rhizome’s programs strong and active during a hard year. We couldn’t do it without you.

P.S. Full report on the Rhizome 50,000 Dollar Webpage out soon, once we tally all the pixels.

Citi Field Shake Shack - what you need to stand in the hour hour line

-fries from Nathan's
-beer from Big Apple bar (that's the one behind the scoreboard)
-dunce's cap 

additional reporting by Tony G

is it possible to preorder a book before the proposal's been bought?

Twitter / Grant Achatz: Memoir proposal finally in .... Memoir proposal finally in the hands of the major publishers. Part inspirational story, part innovative biz, 3 parts creativity.

But wait! There’s more…


__//-/__

event horizon

It’s come to our attention that you may not be aware that like Flickr, FlickrBlog is available in a variety of languages. While we do publish similar content with regards to new feature launches or news, a few of the blogs publish their own unique content authored by our awesome Community Managers. Scroll down to the bottom of this page and click on the language of your choice.

Here are a few recent posts to sample: 飛呀…..飛, 光的信息 (Traditional Chinese – Emily Yiu), Fest der Vielfältigkeit Viel zu früh, um aufzustehen… (German – Kay Kremerskothen), Rolleiflex, Silhouettes (French – Shamir Ramjan), and FlickrNight, mas só um pouquinho!, Eu tenho a forçaaaa! (Portuguese – Edson Soares).

Photos from stereomind and TommyOshima.

Forget the resume, kill on the cover letter

A great resume will get you not-rejected, a great cover letter will get you hired. That’s the conclusion I’m left with after going through the applications for our junior support programmer position.

Most people can make their resume look reasonable which makes it a poor qualifier. We don’t believe in years of irrelevance, so you’re not going to beat out another candidate by having four instead of three years of experience. That means all you’re left with is just check marks: Yes, there’s Rails experience. Yup, there’s the sysadmin stuff.

Poor qualifiers filter out few candidates. When I’m saddled with 70 applications for a job, I have to make some rough cuts very quickly. I literally have to decimate the pool. With the resume only doing 20% of the job, the key is left with the cover letter.

This means that “If you like my resume, give me a call” doesn’t make the cut for a cover letter. I need more romance and originality than that to pick up the phone.

Strike a tone in tune with the company
It also means that you really have to tailor your tone to the company. Pulling out your Business Serious voice and addressing “Dear Hiring Manager” instantly kicks you down a few levels. Just like showing up in a suit would do when everyone else is wearing jeans and t-shirts (except of course if you have extreme pizazz to pull it off).

The gut reaction builds immediately. If the first paragraph is a strike, the second has to work that much harder. If there’s no hook in the first three, it’s highly unlikely that anything is going to come of it.

This advice is probably exactly the opposite of what you’ll if you’re aiming to get into a big shop with a formal HR department. In that scenario, it’s often last man standing in the numbers game and checklist requirements. Personality doesn’t matter to make it through the first cut.

But when you’re looking to get hired by managers who actually have to work with you, personality is almost all that matters to get to the interview. So beef up your cover letter and let your personality shine (Jason Zimdars who we recently hired set the gold standard).

How Email Will Supplant Desktop Apps

(In which your author mocks a pervasive and wrong belief about the future of the Internet.)

Many people believe that the Age of the Internet necessitates the passing of the Age of the Desktop Application, in the same way that the Age of the Desktop Computer heralded the end of the Age of the Mainframe.

This brings up three questions: why, what, and how?

The first question is the easiest. A desktop application requires that you find the software, obtain the software, install the software, and then learn how to use the software. There may be licensing fees or a difficult installation process or compilation or cursing when you discover that the binary doesn't work on your operating system. If you can get past all of that, you may discover that the brilliant User Interface with bells, whistles, widgets, and themes may not only be ugly as sin but also impossible to use correctly.

Then try sharing work you create in that application with other people, or using it on your smart phone, or accessing it from a different computer.

Given that the Internet is a global, loosely-connected, fault-tolerant, distributed network of more computing power than you can imagine, it makes sense to move at least some of that processing (and certainly the data storage) to somewhere you can access it from any Internet-connected machine.

The magic is figuring out the right kind of interface makes the most sense and can scale from desktop to laptop to kiosk to tablet to smart phone.

That right kind of interface is simple e-mail.

E-mail relies on all of the good parts of SMTP: it's widely distributed, it's federated, it has a store-and-forward system, it's an open standard, and there are countless clients (for humans and machines) capable of understanding it.

Not convinced? Imagine commenting on this article via e-mail. You read it in your favorite mail client. You hit Reply. You type your comments and hit Send. That's it.

You don't have to muck around with logging in or creating an account (you already have one). You don't have to worry if my server configuration or a web gateway in between us will silently drop your message. You don't have to wonder if you need to re-enable JavaScript to solve a CAPTCHA and hope that the mandatory refresh won't destroy your carefully typed submission. If you decide you want to save your comment for later, hit Save as Draft and come back to it an hour, a day, a week, a year later.

Some might say that a plain-text medium is insufficient for all of the graphical goodness necessary in a modern application. That's bunkum; plain-text e-maill supports text areas natively, as well as text boxes, combo boxes, and buttons:

Name: ______________ (textbox)

Medical history:




(textarea)

Age (choose one):
    ( ) Under 18
    ( ) 19 - 25
    ( ) 26 - 39
    ( ) 40 and older (combobox)

Preferred pie flavors (choose many):
    [ ] Berry
    [ ] Peach
    [ ] Apple
    [ ] Pudding
    [x] Strawberry/Rhubarb

Mac users may appreciate that it's possible to manipulate graphics even in plain text. Including a complete demonstration of PhotoShop-quality output would bloat this essay, but for a hint please see Programming Sprites - Another Look.

Privacy- and identity-minded individuals will be glad to note that well-configured e-mail systems support both modes of operation. SMTP does not require strong identification of senders, but it can support strong identification. In particular, if your outgoing mail server requires authentication, it can attest with some authority that a message purporting to be from you is indeed from you (thus solving the identity management problem inherent in other protocols, such as HTTP). If you wish to use the Internet more privately, simply disable this identification system in your outgoing server. (Perhaps a clever e-mail client could offer a mechanism to toggle secure/anonymous mode.)

I could wax poetic about all of the other benefits of this system, but two of the most compelling are the composability of client and server-side operations as well as offline mode. The latter is easiest to understand: you can batch client-side operations when you do not have easy access to the Internet at large and submit them only when bandwidth is available. At the same time, you may receive batched responses from previous requests. You do not have to be online with an active connection to continue to perform useful background and foreground work!

Composability sounds trickier, but you likely already perform it. I have access to my incoming mail server, where I use Email::Filter to categorize all of the Internet applications I use through SMTP through the use of organizational tags, based on message content. For example, all of my work programming the Parrot virtual machine is available under the folksonomic tag "p6i". Please note that this occurs via analysis of incoming communications based on characteristics I've noticed; this tag is of my own invention and is neither a feature of the application on the server side, nor normative behavior of other users of the application. I have the freedom and flexibility to manage my own tags as I see fit.

Another clever feature on my incoming server is the ability to combine several incoming messages into a single message, thus filtering out duplicates.

Of course, it's easy to write server-side applications as well. I wrote the underused Mail::Action software several years ago and have used it productively ever since.

I should note one potential (though solveable!) drawback with the use of pervasive plain-text e-mail as the replacement for desktop applications: it does often require (at least for now) the use of a client-side desktop application which can send and receive e-mail. In the future, e-mail-only devices such as the Blackberry may grow more common (I shouldn't have to mention how much easier it is to archive the textual transcript of a conversation than an unrecorded phone call!).

Some users may require persuasion to leave webmail systems for the more powerful and future-proof desktop clients suitable for unlocking the full range of applications made possible by pervasive SMTP. This may be difficult, but the result is inevitable. No one sane could possibly believe that a web browser would make an effective universal desktop client.

Barista in the Wild, Part 1: Coffee Bean Origins | Serious Eats


An article was posted today on the Serious Eats site, written by an employee of Joe the Art of Coffee here in NYC.  She went to Starbucks HQ in Seattle and is sharing her experiences for Serious Eats readers with a series of posts.  Click the link below to read her thoughts on origin, processing, and variations between commercial roasters.

Barista in the Wild, Part 1: Coffee Bean Origins | Serious Eats.

Serious Eats has been posting about coffee frequently lately, including this gem for the home enthusiast.  Is this the start of a larger trend?

Posted in coffee, travel Tagged: coffee, origin, roasters, travel

gojaysgo: Home. (via) gotta admit that’s kind of cool.



gojaysgo:

Home. (via)

gotta admit that’s kind of cool.

It’s hard to recover from that without a reboot.



It’s hard to recover from that without a reboot.

Note: Putz is Working on his Delivery

According to David Lennon, in a post to his blog for Newsday, J.J. Putz was already in the bullpen around 3 pm, working on his delivery with pitching coach Dan Warthen prior to today’s game.

good, because he’s been shaky at best over the last week

Yesterday, Putz walked one batter, allowed two hits and one run and got just one out before being removed from the game.

Prior to yesterday, though he had not allowed a hit or run in his previous five innings, he did walk five batters.

that has been the problem, the walks… he’s still getting swings and misses, but he’s all over the zone and looks totally inconsistent… i wondered yesterday if he’s still feeling pain in his elbow

Last week, on WFAN, Putz said he is having a difficult time finding adrenaline pitching in the eighth inning, instead of the ninth, he then missed two games with a bone spur in his right elbow, which he told reporters has not been an issue since receiving an anti-inflammatory shot the day before.

How to Make Korean Tacos

If you're not an Angeleno but still want to jump on the Korean taco bandwagon, Gourmet has recipes for creating your own. [via California Taco Trucks]

The Vendor Client Relationship

Are you unemployed and annoyed? Then be sure to read my post from last week called Minimum Wage at My Age? No, it’s not full of tips to magically get you a great paying gig but it does gripe and grumble about how ridiculous it is that some people have the nerve to offer potential employees little to no money for valuable skills. (Like these folks who are looking for an office manager that knows Quickbooks to work for $7.50 an hour!) And I’m not alone in being annoyed by insulting work offers. Seems like many are being asked to work for next to nothing, check out this video:

Malcolm Gladwell Pounded On NYer Letters Page

Like That Y'All
We were a little slow getting to a dissection of Malcolm Gladwell’s latest piece over here, because, well, we are like the old times, we like to carefully weigh our opinions before publishing. (Just joshing!) But the U.S. mail and the letters desk is even slower, so it took until today’s New Yorker for their letter pages to be dominated by people trashing Gladwell for the application of his ideas, for his understanding of history and, naturally, about the basketball.

Daily Dose of Hotness: Johnny Depp

dailydosehotnessJohnny.jpgThat face!

Johnny Depp is all tan and gorgeous on the cover of the July issue of Vanity Fair -- and, no matter how many years it's been since 21 Jump Street, his looks are still arresting.

I could stare at this photo all day. Join me, won't you?

Cat Survives 26-Story Fall

2009_06_catleap.jpg

WABC 7 had this crazy story over the weekend: A cat fell 26 stories from a lower Manhattan building—and survived! And the cat's name is...Lucky! Apparently Lucky's owner had left a window in her apartment open 6 inches wide—which is more than enough for any enterprising cat to wander through. Lucky decided to walk out onto the ledge, but he slipped.

What's also amazing is that a window washing crew across the street took pictures! See them here—WABC 7 describes them, "First of Lucky perched dangerously on the ledge, and then a stomach-turning shot of Lucky midair. Finally, they captured Lucky, after landing, on his feet on a neighbor's balcony 26 stories below." Lucky was hospitalized briefly and seems to be fine and as cute as ever, judging by the video.

If you have any pets, do not leave unscreened windows open more than a inch. Here's the ASPCA on high rise syndrome.



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Ko Wire: A very interesting comment on blog...

A very interesting comment on blog Deep Fried Kimchee details a recent visit to Ko in which a diner sat next to David Chang's parents. Turns out they had to fight for a resy just like everyone else: "He also told me that it took him a year to get Ko reservations (guess he didn't know about your system).  He was telling me that it would take him at least 5 seconds to enter the info online and then all the reservations were gone.  He got his daughter to score the coveted Ko reservations." [Deep Fried Kimchee]

Lou Romano: The Art of ‘Up’

Development and production artwork for Up from Pixar designer Lou Romano. It’s staggering how much work goes into Pixar’s films, but the results are worth it. I love this bit:

After returning from the trip, we were inspired to illustrate what we saw. A challenge in film is conveying how something feels, not how it exists in reality. Research trips can be a blessing and a curse: the blessing in that visiting an actual place surpasses what you can get from video and photos alone, the curse in being too much a slave to the actual place. Imagination and feeling should dictate everything, not reality.

Reminds me of one of my favorite Stanley Kubrick quotes: “Sometimes the truth of a thing is not so much in the think of it, as in the feel of it.”

After 101 years, why GM failed

Written by Peter Cohan

General Motors (GM) was founded in September of 1908. On June 1, 2009, at 8 a.m. — almost 101 years later — it ceased to exist, and control was handed over to turnaround executive Al Koch. Thanks to $19.4 billion in loans and $30.1 billion more in debtor-in-possession financing, a huge amount of effort by the U.S. government and GM’s management, unions, dealers, suppliers and bondholders, the effects of that failure will be terrible, but not catastrophic.

The U.S. will own 60 percent of the new GM, which will include Chevy, Buick, GMC and Cadillac. Canada will take 12 percent after lending GM $9.5 billion, the UAW 17.5 percent (as payment for $9.4 billion of its $20 billion in health care obligations) with warrants to buy 2.5 percent more, the bondholders 10 percent to as high as 25 percent through warrants, and old GM common shareholders roughly zero. Twelve to 20 more GM factories will close, 21,000 union workers will be fired, and 2,400 GM dealers will shut down.

To help other companies avoid GM’s fate, it’s worth exploring the five reasons that GM failed:

1. Bad financial policies. You might be surprised to learn that GM has been bankrupt since 2006 and has avoided a filing for years thanks to the graces of the banks and bondholders. But for years it has used cars as razors to sell consumers a monthly package of razor blades — in the form of highly profitable car loans.

And the two Harvard MBAs who drove GM to bankruptcy — Rick Wagoner and Fritz Henderson — both rose up from GM’s finance division, rather than its vehicle design operation. (Read more about GM’s bad financial policies here.)

2. Uncompetitive vehicles. Compared to its toughest competitors — like Toyota Motor Co. (TM) — GM’s cars were poorly designed and built, took too long to manufacture at costs that were too high, and as a result, fewer people bought them, leaving GM with excess production capacity. (Read more about GM’s uncompetitive vehicles here.)

3. Ignoring competition. GM has been ignoring competition — with a brief interruption (Saturn in the 1980s) — for about 50 years. At its peak, in 1954, GM controlled 54 percent of the North American vehicle market. Last year, that figure had tumbled to 19 percent. Toyota and its peers took over that market share. (Read more about GM ignoring the competition here.)

4. Failure to innovate. Since GM was focused on profiting from finance, it did not really care that much about building better vehicles. GM’s management failed to adapt GM to changes in customer needs, upstart competitors, and new technologies. (Read more about GM’s failure to innovate here.)

5. Managing in the bubble. GM managers got promoted by toeing the CEO’s line and ignoring external changes. What looked stupid from the perspective of customer and competitors was smart for those bucking for promotions. (Read more about GM’s managing in the bubble here.)

GM’s failure after 101 years is an indictment of American management in general. It highlights the damage to our economy that results when finance becomes the tail that wags the economic dog. And it shows what happens to any company that rests on its laurels and fails to adapt to change.

Peter Cohan is president of Peter S. Cohan & Associates. He also teaches management at Babson College. His eighth book is You Can’t Order Change: Lessons from Jim McNerney’s Turnaround at Boeing. He has no financial interest in the securities mentioned.


It's Double the Garrel Goodness With Philippe Garrel X 2 On DVD

6-01-09.Garrel.jpgOut on DVD is Philippe Garrel X 2 (Zeitgeist Films), which features two films by the French auteur director Philippe Garrel. I Can No Longer Hear the Guitar (1991) is Garrel's poetic musing on his turbulent 10-year relationship with singer/icon Nico (who appeared in many of the director's films of the 1970s), but you might not be able to tell when watching this film. Benoit Regent plays Gerard, and Johann ter Steege plays Marianne (aka Nico), who keeps popping up into Gerard's life like a bad penny. They share heroin consumption and an obsessive tangled love for one another, which colors Gerard's relationships until he settles down and fathers a child. But the film is frustratingly obtuse and lyrical rather than illuminating in many ways. Emergency Kisses (1999) is about a director (played by Garrel) who informs his family he is about to make a film about his life -- except he is hiring an actress to play his wife, which understandably hurts and upsets his real wife. Ironically, Garrel's family in the film is his real family -- including his beautiful young son and future star Louis Garrel. To top it off, there is also an extraordinary French television documentary on Philippe Garrel included on this DVD, which provides as nice bonus.

The Falkirk Wheel

When the connection between two Scottish canals was disconnected, a clever solution to reconnect them was employed. Instead of linking them by a series of locks, a giant rotating wheel was constructed to lift and lower the boats the 79 feet from one canal to the other.

Falkirk Wheel

These caissons always weigh the same whether or not they are carrying their combined capacity of 600 tonnes (590 LT; 660 ST) of floating canal barges as, according to Archimedes' principle, floating objects displace their own weight in water, so when the boat enters, the amount of water leaving the caisson weighs exactly the same as the boat. This keeps the wheel balanced and so, despite its enormous mass, it rotates through 180° in five and a half minutes while using very little power. It takes just 22.5 kilowatts (30.2 hp) to power the electric motors, which consume just 1.5 kilowatt-hours (5.4 MJ) of energy in four minutes, roughly the same as boiling eight kettles of water.

Here's a time lapse of the wheel at work.

Tags: scotland  thefalkirkwheel

Top Chef Vegas Wrap Party

Top Chef Vegas wrapped this weekend with a fete at the Wynn Vegas which boasted a pretty solid guest list. Roll Call: Tom Colicchio, Padma Lakshmi, Gail Simmons, Thomas Keller and Laura Cunningham, French Laundry's Executive Chef Timothy Hollingsworth, Daniel Boulud, Gavin Kaysen, Wynn Las Vegas chefs Paul Bartolotta, Rene Lenger, Alex Stratta, Jerome Bocuse (son of French icon Paul Bocuse), Frank Savoy, Rick Moonen, and former contestant-turned TC producer Lee Anne Wong.

time

One afternoon Luna tells me, "When I'm a mama, I won't ever make my children wait. I'll come right when they call me. I'll stop using my computer or washing the dishes and play as soon as they ask." She speaks plainly, without a hint of accusation in her voice.

Good luck with that, I think to myself. I say, "Your children will be very lucky," and try not to take her comment personally. It isn't really a comment as much as a statement, anyhow. And five is a little young for the nuances of passive-aggressiveness, no?

I do think about how often I put them off. How frequently the later that I promised never actually comes. Some days are so full of doing for them that there isn't time left for being with them. Time. How can something so irrelevant have such prominence in our lives?

"When will it be soon?" Luna asks me. "Is it later yet?" She counts to ten when I tell her, ten minutes. Time makes little sense to her. Time makes little sense to me and I've spent most of my life hyper-aware of it—so focused on its comings and goings; its absence, its presence. I've had too much and and still not enough of something I can't even explain; something that barely exists.

For a long time I honestly believed that time was speeding up as I grew older. I could not explain how this was possible but I knew it to be true. I thought it must be the same phenomena that made a return trip significantly shorter than the journey out. Once when I was twenty, riding in a car on my way to a babysitting job, I made an off-hand remark to my charge's father about  time accelerating. He was a psychologist for whom English was a second or third language, and I was intimidated by even casual conversation with him.

"Ah," he said, suddenly animated. "But time is not changing; only your perception of it." He then happily went into a lecture that took us all the way home. Unfortunately, I never I got clear instructions on what to do with this information. Just knowing that it's all in my head hasn't helped me much.

What I'd really like to know is how to slip back into that mind that doesn't bother differentiating between seconds and minutes. A mind that has little use for soon or later. Maybe, if I pay attention, Luna can help me remember. Maybe, if she's lucky, she won't forget.

Updated! Driggs or Fifth? Bedford or Fourth?

I love Forgotten NY’s Street Necrology section, in which they pour over old city maps to find streets and roads that no longer exist - some having been covered by buildings or parks, others renamed or rerouted, others simply gone. I also love finding evidence of dead streets, and am wondering if I might have come across something in Williamsburg.

Driggs 01

This building is at the corner of Driggs Ave and Broadway, right over the Williamsburg Bridge (you can see a piece of the bridge on the left). So if it’s at Driggs and Broadway…

Driggs 02

Why does the lettering on the corner of the building just behind this pole say “Fifth and B’Way”?

Driggs 03

I can’t seem to find an answer. I spent some time looking through this great collection of old Brooklyn street maps, and Driggs seems to always have been Driggs. I was wondering if it might have originally been an extension of Fifth Avenue, but that really wouldn’t make sense. Then I started wondering if maybe this building was moved to its present location from a different address…except Broadway and Fifth run parallel and never meet.

Driggs 04

Then I started thinking that maybe it’s just a really old mistake. Any ideas?

UPDATE!

Commenters with way more knowlege of the city than I have revealed that Driggs Ave was once in fact Fifth Street (opened in 1850), while Bedford Ave was then known as Fourth Street. Commenter FTA pointed out this similar inaccuracy on the Bedford Cheese Shop building:

Bedford 01

Despite being at the corner of North 4th Street and Bedford…

Bedford 02

The engraving on the building’s corner reads “Fourth St and North 4th Street.”

Bedford 03

I can’t believe I’ve never noticed that before - I’ve shot the Cheese Shop building a million times. Commenter Brooks pointed out a wonderful resource called Hypercities, which overlays Google maps with mapes dating back hundreds of years. As of 1849, this is how Williamsburg streets were named:

Bedford 04

Let me know if you notice any other remnants of the old street numbering system.

-SCOUT

David Lynch's Interview Project goes live

interviews with ordinary folks conducted on a 70-day road trip across America; directed by Lynch's son  

Safari Browser 3.0 for iPhone is GPS-aware

Filed under: , ,

One of the relatively unsung features of the upcoming iPhone 3.0 firmware is that the new version of Safari for iPhone will use geolocation. This means that the browser can request location information from the iPhone's GPS receiver, and can also provide that location information to websites that you're visiting.

ComputerWorld's Seth Weintraub reports that the beta versions of the firmware are working well with sample web-aware websites. This capability is not only planned for the iPhone's implementation of Safari, but many upcoming browsers for Mac as well.

Geolocation capabilities make it simple for developers to create web apps that no longer need to ask you for an address or zip code. Google, for instance, is planning on making their Latitude application a 3.0-only web app rather than a standalone application on the iPhone. Latitude will leverage the geolocation features of Safari by knowing exactly where you are at a particular point in time and sending that info to the Latitude servers, then returning the whereabouts of your friends while informing them where you are.

For those of you who don't want your 3.0-enabled iPhone to let the world know exactly where you are, remember that you can always turn off Location Services in the General Settings or just answer "Don't Allow" when asked if Safari or a particular website would like to use your current location.

TUAWSafari Browser 3.0 for iPhone is GPS-aware originally appeared on The Unofficial Apple Weblog (TUAW) on Mon, 01 Jun 2009 11:00:00 EST. Please see our terms for use of feeds.

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Socialism, American-Style

SOCIALISM!“In the coming week there will be much debate over what it means for the United States to be the majority shareholder of a major car company. Much of that debate will be serious and interesting. There will also be a lot of talk about how the United States is a socialist country in which the government has nationalized half of what was formerly known as private industry. That debate will be a lot less interesting.

Docx and xlsx support in Google Docs


Google Docs now supports the upload of .docx and .xlsx file formats.

Editions included:
Standard, Premier, Education, Team and Partner Editions

Languages included:
All languages supported by Google Docs

How to access what's new:
To import a .docx or .xlsx file into Google Docs, click the 'Upload' button from the Google Docs List menu, select your file, and click the 'Upload File' button.

For more information:
http://googledocs.blogspot.com/2009/06/file-formats-keep-on-coming-announcing.html

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The Internet Mapping Project

Originally posted in ct2

The internet is vast. Bigger than a city, bigger than a country, maybe as big as the universe. It's expanding by the second. No one has seen its borders.

And the internet is intangible, like spirits and angels. The web is an immense ghost land of disembodied places. Who knows if you are even there, there.

Yet everyday we navigate through this ethereal realm for hours on end and return alive. We must have some map in our head.

I've become very curious about the maps people have in their minds when they enter the internet. So I've been asking people to draw me a map of the internet as they see it. That's all. More than 50 people of all ages and levels of expertise have mapped their geography of online.  Here are three:

Map1
Map2
Map3

You can see them all here.

I'd love to have more folk maps of the internet. You can download a blank PDF here and email it to me when done.

This folk cartography might be useful for some semiotician or anthropologist.

In fact I'll post the best taxonomies and interpretations of these maps submitted to me via comments or email.

Who Killed GM? [Blame Game]

General Motors is bankrupt. Whoops. It was probably going to happen no matter what, but lots of people hoped that bankruptcy would remain a threat that would encourage everyone to band together to save the company. Who is to blame for the death of the American auto industry?

The Gubmint

Maybe an energy policy that for years consisted entirely of "keep gas prices as low as possible" directly encouraged overproduction of the huge cars that no one wants anymore because oil will no longer be so ridiculously cheap ever again.

And maybe the young liberal technocrats in charge of things now don't care about the industrial midwest and don't understand the importance of preserving American manufacturing jobs, which is why they'll give the banks a blank check and let them fight even the most basic of new regulatory legislation while demanding crippling concessions from the automakers in exchange for a fraction of the cash.

Also now they will seize all the automakers because they are Kenyan Communists.

The Foreigners

"George Washington would roll over in his grave and call it treason for letting foreigners come in here and take away what we had built," a longtime autoworker says in The New Yorker's April story on the death of Detroit. And it's true! The Japanese waltzed in here offering better, more fuel-efficient cars during the oil crisis in the '70s, manufactured in non-union plants down in the lawless South, and next thing you know no one wants a Firebird anymore.

And these foreigners also won the affection of all these southern Republican lawmakers, who refused to help Detroit because Nissan owned their districts. It's un-American.

The Hippies

Wah wah we want an electric car the hippies all said. And so California made Detroit build an electric car. But it was expensive, and real Americans, who only buy cars based on how loud, big, and cheap they are (gas is still so cheap whee!), didn't want anything to do with the EV1.

Now G.M. is sinking billions into the Chevy Volt, an all-electric car that will cost twice as much as a Prius, and still be a Chevy, so no one will want it.

The Elitists

The only people left in America with any money are various liberal New York Times-reading coastal elitists. And guess what? They don't buy American! If they don't take trains, they buy Toyotas and Hondas. Because American cars aren't hip enough for them.

The Jews?

In addiction to controlling the New World Order, the Jews caused the first oil crisis with that whole Yom Kippur War thing.

The Arabs?

They still have allllll the oil (besides all the oil we haven't yet drilled for, in Alaska, because of hippies), and they won't just give it to us for free! What jerks!

The Unions

Ok, so, G.M. spends more than $1,000 per car manufactured on the entirely useless and stupid act of "providing health care to current and retired workers." And the stubborn unions that crippled the industry refuse to negotiate in good faith, demanding crazy things like "equitable sacrifices from bondholders" in exchange for the various concessions they've made, like accepting half their pension funds in Ford stock and introducing a two-tiered wage plan for new hires!

And yes, workers won the right to get paid even when they weren't working, so that the robots wouldn't steal their jobs, and they could retire after thirty years and hold on to very nice health plans and pensions. All in all it was a lot like France or something.

It could be argued that these out-of-control labor costs pale in seriousness to the various ridiculous missteps and idiotic business decisions management made over the last 30 years but only if you are a communist.

Once again those foreign-owned plants did it right. Their non-unionized workers contribute to the cost of their own health care, encouraging many of them to not get sick so much, and instead of fancy guaranteed pensions they all have 401(k)s, which encourages them to work even harder, because now those 401(k)s are worth zero dollars.

Gremlins

This seems like the most likely explanation.

Conde Nast, Sort Of Revealed!

HI-O!Hey, we read that big article on S.I. Newhouse and family, the owners of Conde Nast, in New York magazine!

1. “….this year’s American Society of Magazine Editor Awards at Lincoln Center, the Pulitzers of magazine journalism….” What! No. They are no such thing!

2. “The lifestyle is on loan. ‘A kept luxury lady’ is what Tina Brown told me she felt like.” Really! Tina Brown apparently felt like a prostitute while running Vanity Fair and the New Yorker! Someone needs to lock her in a cage with Barbara Ehrenreich.

3. Graydon Carter: “In my lunches with Si, you wouldn’t know that there’s anything different from 2002, 1996, 1992.” Must I even comment on this assertion?

Know Your Meme This is what happens when you decide to go to a...



Know Your Meme

This is what happens when you decide to go to a costume party 20 minutes before it starts — you wear whatever is in your closet. (Seriously, I have a giant spam tin in my closet.)

Rina put some time into her costume though.

More.

Antilibraries

From the introduction of part one of The Black Swan by Nassim Nicholas Taleb:

The writer Umberto Eco belongs to that small class of scholars who are encyclopedic, insightful, and nondull. He is the owner of a large personal library (containing thirty thousand books), and separates visitors into two categories: those who react with "Wow! Signore professore dottore Eco, what a library you have! How many of these books have you read?" and the others -- a very small minority -- who get the point that a private library is not an ego-boosting appendage but a research tool. Read books are far less valuable than unread ones. The library should contain as much of what you do not know as your financial means, mortgage rates, and the currently tight real-estate market allow you to put there. You will accumulate more knowledge and more books as you grow older, and the growing number of unread books on the shelves will look at you menacingly. Indeed, the more you know, the larger the rows of unread books. Let us call this collection of unread books an antilibrary.

Presumably Eco's two groups of visitors -- the librarians and antilibrarians -- annihilate each other when in close proximity.

Tags: blackswan  books  nassimtaleb  umbertoeco

The Day in the Cloud Challenge featuring Google Apps on June 24th

You're invited to take the Day in the Cloud Challenge, the first-ever online scavenger hunt to be played simultaneously in the air and on the ground. We've teamed up with Virgin America to sponsor this challenge on June 24, 2009, the "Day in the Cloud." At Google, we've gathered a small group of gamers extraordinaire to come up with unique puzzles, trivia, and brain teasers, many of which use Google Apps. So if you're game, get ready for the Day in the Cloud Challenge.

More and more people are storing their data (such as documents, calendars, email, and photos) online "in the cloud" with services like Google Apps. All that you need is an Internet connection to access and share that information with friends, family, and co-workers. With airlines like Virgin America offering in-flight Wi-Fi, it's now even easier to stay connected while you travel, even when you're flying through the sky.

Those of you paying close attention might remember that we've held a puzzle extravaganza in the past. The Day in the Cloud Challenge will be different in that each contestant will have just one hour to play the game. Everyone is encouraged to take on the challenge between 12:00am and 11:59pm PST on Wed, June 24, 2009. And if you happen to be flying on Virgin America, in-flight Wi-Fi service will be complimentary on June 24th so that you can play during your flight.

The top five scorers in the challenge will receive a "Year in the Cloud" prize package, which includes a year of free flights and free in-flight Wi-Fi from Virgin America, an HP netbook computer, and 1 terabyte of Google account storage for all of your photos and email. Not a puzzle fanatic? Don't worry. The questions come in various difficulty levels so there will be some easy puzzles and others that might drive even the most experienced competitors crazy. A final note on eligibility: You must be a legal resident of the U.S. and at least 18 years of age to be eligible for a prize.

Check out www.dayinthecloud.com for more information. While you're there, sign up for an email reminder to receive practice clues and tips.

We'll see you in the cloud.

Posted by Boris Debic, Physicist and Google Software Engineer (and puzzle creator)

“Up” Is Pretty Great

flickedoffbalkThis weekend I saw Up, a frightening animated picture from the folks at Pixar about a creepy old man who uses his bright and shiny balloons to spirit a confused and lonely boy away from his mother to a barely inhabited spot in South America where extradition is nearly impossible.

Kidding! Up was pretty much AMAZING. There are two absolutely devastating moments in the picture. The first comes during a wordless montage at the beginning and the second is a four-line recounting of the boy’s favorite memory; what’s so astounding about both of them is the sheer economy with which the two incredibly affecting plot points are delivered. The fact that Pixar does this sort of thing so well in a children’s movie—see also the first part of Wall-E, which is certainly this century’s best opening sequence on film—is a stinging rebuke to pretty much all “grown-up” films.

And make no mistake, Up is a children’s movie. There are dirigibles, cute animals, talking dogs—hell, the movie is about a flying house, what exactly are you expecting? That said, it is an excellent children’s movie, and not just because of the moments mentioned above; what makes Up so perfect for me is that it’s not trying to be all things to all people. The unsubtle allusions and jokes aimed at amusing Mom and Dad that clutter up so many kid flicks today are nowhere to be found. To be sure, there are plenty of references to earlier eras of which little Madison and Brearley will be undoubtedly unaware, but they are completely of a part with the picture, so there’s no sense that they’re being shoehorned in. The opening part of the movie—the most, I guess, “adult” section—whizzes by in such a way that even the most intense screaming youngs (and there were a ton of them in the screening I saw; probably best to go later in the evening) are able to understand why the main character wants to float away and how the little boy winds up going along for the ride.

Seriously, it's really good!

The animation is as good as anything Pixar’s ever done, particularly if you shell out the extra five bucks for the newfangled 3D that is apparently going to save the movie industry by jacking up ticket prices (Up made $68 million this weekend, in no small part due to the added tariff.) And you should shell out. Plenty of the film is silly. It’s supposed to be. It’s also profoundly, unexpectedly moving. And a hell of a lot of fun. STRONGLY RECOMMEND.

Vitamin Water and David Wright, again

davidwrightvitaminwater.jpg

I asked this question on my twitter, but I need to ask it again here: do Kasey Kahne and David Wright have the same favorite Vitamin Water or does Glaceau only have photos of Dragonfruit?

Obama at Blue Hill Mania, New Pics from the Scene

A tipster forwards some pics from outside Blue Hill during Obama's visit that capture the chaos: crowds, traffic jams, helicopters, the works. Meanwhile, reports and reactions continue to trickle in. Here's a smattering:

From the Times: The Brunster blogs that the Obamas' choice of Blue Hill was all too predictable: "In the very predictability of this choice, in its all-too-neat squaring with the officially sanctioned food agenda, in its absence of surprise or abandon, isn’t it ever so slightly disappointing? Just a little too pat and controlled?" Where should they have eaten, Brunz? "It would have been interesting to watch him bust loose and reach for something rich, messy, decadent, gluttonous: a plate of fatty lamb ribs at Resto; some pâtés and terrines at Bar Boulud; one of the offal dishes at Babbo, that killer bone-in New York strip at Minetta Tavern; the oyster pan roast at the John Dory . . .

From the Daily News: "When they stood up to leave," she continued, "this blasé New York crowd stood up and exploded in spontaneous applause. "Michelle Obama had two martinis, and the President had the wine that accompanied the tasting menu, she said. Hubbe [patron] said she couldn't help but compliment the First Lady. "I told her, 'All politics aside, you look amazing,'" she recalled. "She said it was all about Pilates."

From William Tigertt: "I got an excited text last night from Jasmine Hirsch of Hirsch vineyards that the Obamas were drinking her wine at Blue Hill. They had a 2007 Hirsch Sonoma Coast Pinot Noir. An excellent bottle, my favorite domestic pinot."

· EaterWire Saturday Special: The Obamas Dine at Blue Hill [~E~]

Revised Kent Ave Plan Extends Bike Route to Flushing Ave

Shared by eliz
Read the PDF. If this works out, it will revolutionize biking from south to north Brooklyn. So so so awesome
kent_ave.jpgImage: NYCDOT

Here's a look at the revised and extended route proposed for the Kent Avenue bike path. Currently the bike lane runs from Quay Street to Clymer Street. As you can see in this map from DOT's project presentation [PDF], the new route would continue several blocks further south, to Flushing Avenue.

The other big difference: Kent's existing Class 2 bike lane would become a two-way, physically-protected route. With auto traffic on Kent converted to one-way flow, this enables the return of on-street parking and loading zones, which bike lane foes had clamored for.

DOT unveiled the proposal at a forum on Wednesday, and the Brooklyn Paper reports that at least one vocal opponent of the bike lanes, Leo Moskowitz, has been won over.

The re-routing of a truck route across a few blocks of north Williamsburg, however, has aroused opposition from new quarters. So, at least for a few more months, we might get to see this all-time classic photo continue to grace the web pages of the Brooklyn Paper.

Follow the jump for a rendering of the proposed Kent Street geometry.



kent_ave_section.jpg

Did You Miss Me? I Missed You!

Sorry I've been awol for so long -- lots going on!

I hope to resume regular posting tomorrow, but until then, please enjoy/recoil in shock and horror from this fantastic fabric sent to me by Julie.

Meat fabric

The more I look at this fabric, the more I want it. It says "Stunt Dress for the Cattlemen's Association Ball" to me (not that I've been invited). But, sadly, I don't know where to buy it online. Do you? Leave a comment!

Jamie Oliver's new reality show aims to transform the way Americans eat

Jamie Oliver is bringing his campaign to transform the way people eat to the US. In his upcoming reality show, he plans to take on the eating habits of Americans at work, school, and home in an as-yet unnamed city or cities.

May 31, 2009

Using netcat to copy MySQL Database

This is mainly a cheat sheet for me to remember. Nothing rocket science.

It often makes sense to use netcat/nc to copy MySQL database between hosts in trusted networks. It bypasses encryption overhead of SSH and depending on configuration can be significantly faster.

Also note MySQL should be down when you copy data unless you’re copying from snapshot etc.

So to copy go to the mysql data directory on both boxes; such as cd /var/lib/mysql . Make sure target directory is empty. Now on the TARGET server do nc -l 4000 | tar xvf - and on the SOURCE server do tar -cf - . | nc target_ip 4000

Also note - the port you’re using should be open in the firewall.


Entry posted by peter | No comment

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Conch Ave

ocean

Roger Angell:

Late on February nights when my circling mind returns to our summer cottage in Maine, it often fastens on the books stuffed into two narrow but tall bookshelves that face each other there on opposite sides of our ill-lit living room. Paperbacks for the most part, they are survivors . . .

That PSP Go Sure Looks Familiar... [Screengrab]

As seen on Gizmodo.



Mets 3, Marlins 2

photo.jpg

Canon employees are forbidden to sit down, walk at normal pace

Canon employees are forbidden to sit down, walk at normal pace.

In the hallway, if an employee walks slower than 5 meters every 3.6 seconds, an alarm and flashing lights are set off, reminding the poor startled worker that he’s an inefficient waste of air.

pybrightcove v0.9 Released

Since my previous release (v0.1) of pybrightcove, I have completely changed my approach and rewrote the library.

This was for a number of reasons, but primarily the direction I was heading was just plain ugly and clunky to use. It required to much knowledge about how the underlying API worked in order to be able to use it.

Now you really only have to think about the objects you want to manipulate, namely a Video and a Playlist. You can find examples of how to use it on the project wiki, but one quick one to show you how you would upload a video:

from pybrightcove import Video
video = Video(filename='yourvideo.mov', name='My Video', short_description='My description')
video.tags.append('tag1')
video.tags.append('tag2')
video.save()
print video.id  ## This is now populated with the Brightcove video id

So, download v0.9 today and let me know what you think. Or better yet, fork pybrightcove and help make it better.

Stamen Design | [d]online

'Truthfully, as judged by their own portfolio site, Stamen Design is more of a strategy and development studio. But if they continue to produce work such as ArtScope, they can call themselves whatever they like.'

http://delicious.com Bookmark this on Delicious - Saved by stamen to - More about this bookmark

Google Wave

At one level, Google Wave is clearly a bold statement that “this is the type of application that every browser should be able to run natively without needing to resort to a plugin”.  At to give Google credit, they have been working relentlessly towards that vision, addressing everything from garbage collection issues, to enabling drag and drop of photos, to providing compelling content (e.g., Google Maps, GMail, and now Google Wave).

At a lower level, Google Wave is a severely constrained set of elements and styles, coupled with a powerful, and largely undocumented at this point, set of annotations. Note that the base grammar has no notion of links, that’s something that is layered on in terms of annotations.  Looking at the source to the Tweety Servlet, one can deduce that the following is the way to establish a link:

textView.setAnnotation(range, "link/manual", uri);

I say “deduce” as I have yet to find this in the documentation any place.

An annotation is associated with a range of items.  Wave operations treat every 16-bit Unicode unit and tag as an “item”, meaning that developers will have to deal with NFC vs NFD issues as well as Astral Plane characters.  The sixteen bit illusion is still going strong.

Waves themselves are identified with a non-URI of the form wavesandbox.com!w+waveID.

In a move that is sure to frustrate page design tools, embedding is done purely via JavaScript.  Want to know basic information such as a list of what waves are included on a page?  Simple.  Simply load the page, run all the referenced JavaScript,an intercept all calls that involve WavePanels.  But this is pre-beta at this point, hopefully a more declarative mechanism will be added over time.

UIs can be extended and customized by providing wave-aware gadgets.

But stepping back a bit, the entire and much hyped HTML5 interface is just a facade.  That’s not a criticism, in fact that’s generally the way the web works.  What makes Google Wave particularly interesting is that there is an API which operates directly on the repository.  Furthermore, you can host your own server, and such servers federate using XMPP.

These servers are not merely passive, they can actively interact with processes called “robots” using HTTP (More specifically, JSON-RPC over POST).  Once invoked, these robots have access to a full range of operations (Java, Python).  The Python library implementation looks relatively straightforward, and would be relatively easy to port to, say Ruby.

Working on such a Ruby library, a Rails generator for Robots, and ultimately a Ruby implementation of the XMPP server itself would be of interest to me, once the project is open to outside participants

Just simply working on the Ruby Library and Rails generator alone would enable one to build a “four tier” application where a wave is a front-end to an existing Rails application.

Chicken Fingers and Wet Salt

ketchupcon⋅di⋅ment [kon-duh-muhnt]
something used to give a special flavor to food, as mustard, ketchup, salt, or spices.

Yes I'm back to being baffled by condiment quantity. Regular readers know my amazement in this arena never ends. I need someone to explain it to me, really. Why Do So Many People Insist On Submerging Their Food In Ketchup?

In case my picture isn't clear, this woman has an amount of ketchup equal to the amount of chicken. Seriously. And she's determined to consume every ounce. I offered her a can of condensed tomato soup and she snarled at me.

Catching up on trades - A fair swap

This here is an original Allen & Ginter card.

It's an N22 Racing Colors of the World card of William Hendrie. Well, not of William Hendrie himself, but of a girl wearing the racing silks of his stable. After posting about it, I stuck it in a binder with the rest of my Allen & Ginter cards and forgot about it. A little over a year later I got an e-mail asking about the card. The person who e-mailed me turned out to be William Hendrie's great great granddaughter. She wanted a copy of the card for her father, so I traded it to her. That's right, I traded a 120 year old card, just like that. What a heartwarming story! So what did I get in return, you ask?

PURE AWESOMENESS!

Nolan Ryan saves the day! Hooray! Check out that card. 1970 Topps (or is it?). Playoff game! Ryan in mid pitch. A chomp out of the bottom corner of the card. How perfect is that? So who was Ryan pitching against anyway?

Wh- Whaaaa?

Eliminatoires? That doesn't sound good...

Mets 7, Braves 4??? Nooooooooooooooooooooooooooooooooooooooo

Aaaaaah! The Mets beat the Braves! That's not good at all! The pain! The horror! The - Oh, cool! It's an O-Pee -Chee card! I don't think I have any 1970 O-Pee-Chees. And hey, it's the Ryan Express. I can overlook a Braves loss for an early Ryan card.

There were also a few hockey cards along with the Ryan including this beaut:

Jaques LaPerriere second team All-Star. This is the first card I have from this set and it's pretty cool looking. I think I did pretty well for myself, if I say so myself. Thanks for the cards great great granddaughter of William Hendrie!

Note: I misspelled Mets up above as Mats and didn't catch it because the spell checker passed it by. I changed it to Mets and the red line of mistake came up under the word because Mets is inherently wrong. That's my kind of spell checker!

You Can Have It All: Bud Harrelson vs. Pete Rose

Each week we scour Ebay to bring you the finest Mets memorabilia the internet has to offer...

Win a piece of Mets history with this photo of Pete Rose and Bud Harrelson duking it out at second base. The incident took place during the 1973 National League playoffs between the Reds and Mets, a wonderous time when fisticuffs on the basepaths was commonplace (as evidenced by the umpire (bottom-left) who couldn't care less). This photo brilliantly captures Rose just seconds after realizing that the Reds weren't going to cover the spread.

Advice: Exercise the the Buy It Now option, and then head down to Caesar's Palace and get Rose to slap his signature on it.

Blue Bottle at MOMA


James Freeman and Blue Bottle Coffee Company got a nice mention in the NY Times Style Magazine this weekend.  They’ve opened a cafe on the rooftop sculpture garden of the San Fransisco MOMA, and judging by this piece, have a good thing going on.

Museum of Modern Eats. (via NY Times Style Magazine)

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Posted in cafes, people Tagged: blue bottle, cafe, coffee, espresso, san fransisco

The Monument Myth

dc_washingtonmonument_01-1

You often hear that the height limit for buildings in Washington, DC has something to do with the Washington Monument or the dome of the Capitol Building. As this We Love DC post explains that’s wrong. The actual rule is that a building can be no more than 20 feet taller than the width of the street it’s on. Given that DC folks both seem very attached to the policy and also mistaken as to what the policy is, I’ve often wanted to propose that we actually adopt the rule that people think we have, limiting buildings to the height of the Washington Monument. This would approximately triple the permitted density in the central business district.

The We Love DC Folks say they like the short buildings where the are, citing aesthetic considerations. As I’ve said before, I’m sympathetic to this, but folks who want to cite this idea owe it to us to account honestly for the facts. If I were to tell folks in my neighborhood that it would be nice to see a park nearby, I’m sure they all agreed. But if I followed up that the cost of the park was going to be billions of dollars in new taxes, support would probably vanish. The cost of the severe restriction on building height in the central business district and near Metro stations throughout the city is hidden from view, but that makes the lost tax revenue, reduced job opportunities for low income Washingtonians, increased job sprawl and air pollution, etc. all no less real.

Bikes at Maker Faire

Bike valet, cargo bikes and more represented at Maker Faire .

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double_wheels_studded.jpg

Uploaded by theglife, Marc Arsenault - Wow Cool | more from the Bike Hugger Photostream.

SOHH EXCLUSIVE: Mos Def & Talib Kweli Link For "Black Star" Reunion In NYC [Video]

Mos Def and Talib Kweli re-united as Black Star last night (May 30) in New York City and featured various new and past hit records along with a special performance set by Kanye West protege 88-Keys.

[Visit SOHH.com for more information]

Free Expression

Dara Greenwald & Josh MacPhee Free Expression $20 A collaborative print Dara and I made at the end of 2007 as a New Years Celebration. One of my cloud/word bubble explosions with a great quote by Emma Goldman: "The free expression of the hopes and aspirations of a people is the greatest safety in a sane society." 4 color silkscreen print 25"x19" signed/numbered edition of 100 04freeexpression_400.jpg

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